Following the attacks on the World Trade Center and Pentagon, Afghan women suddenly gained high visibility all over the world. Since then, representations of Afghan women in the Western media and notably in the U.S. news media provide a critical concern to scholars. Much of the relevant literature on this topic speaks to the fact that the dominant portrayal of Afghan women in the Western media has shown them as passive victims of war and violence, to be liberated only by the Western military intervention. However, the question remains as to how the popular fictional narratives, as another vivid source of information, represent Afghan women to the Western readers. To address this question, A Thousand Splendid Suns, as a popular novel authored by Khalid Hosseini, an Afghan novelist, was selected. Bormannian fantasy theme analysis of this novel conveys the passivity of women in the context of Afghanistan. The findings reveal that the portrayals of Afghan women in the novel correspond with the images of Afghan women in the Western media. Moreover, an examination of a sample of book reviews of the novel unveils the important contribution of Khalid Hosseini to the Orientalist discourse.

This thesis offers a new approach to mind modelling in modernist narratives. Taking Nietzsche’s work as exemplary of modernist ideas about cognition’s relational basis, I argue that conceptual blending theory, a particularly cogent model of a fundamental cognitive process, has roots in modernism. I read inscriptions of relational cognition in modernist narratives as “conceptual blends” that invite cognitive mobility as a central facet of reader response. These blends, which integrate conceptual domains, invite similarity-seeing and difference-seeing, exposing the reader to new conceptual content and new cognitive styles; she is thus better able to negotiate the reading-related complexities of modernist narrative’s formal innovations and the real-world complexities of modernity’s local and global upheavals. Chapter One considers blending’s interrelated rhetorical motivations and cognitive effects in Chiang Yee’s Silent Traveller narratives: bringing together English and Chinese domains, Chiang’s blends defamiliarize his readers’ culturally entrenched assumptions, invite collaborative reading strategies, and thus equip his readers for relating flexibly to a newly globalized world. Moving away from blends in a text’s narration, Chapter Two focuses on blends as textual structuring principles. I read Virginia Woolf’s The Waves as a thinking mind with fundamentally relational cognitive processes; I consider the mobile cognitive operations we perform reading about a text’s mind thinking and thinking along with it. Chapters Three and Four cross the nebulous text-peritext border to examine blends in modernist prefaces. Chapter Three focuses on blends in Joseph Conrad’s and Henry James’s prefaces, relating them, through the reading strategies they invite, to the narratives they accompany. Chapter Four considers allographic prefaces to Arthur Morrison’s Tales of Mean Streets and two of Chiang’s narratives: blends in these prefaces invite the cognitive mobility necessary for reconceptualizing both allographic preface-text and East-West relations. All four chapters treat the modernist narrative text as a textual system whose blends, often interacting and borderless, signal reciprocal, mutually permeable relations among its textual levels. Dialogic relations also underwrite the interaction between these blends and blends the reader performs when engaging with them. Modernist narratives model (bear inscriptions of) cognition’s relational processes in order to model (shape) the reader’s mind.

The purpose of this dissertation was to explore the experience of long term grief following a perinatal loss. In particular, the processes of meaning reconstruction and self-changes stemming from perinatal loss were explored by listening to parents in-depth narratives of their experiences of loss and grief. A narrative methodology was used, based on a constructivist epistemology that suggests that people are storytellers by nature and we attempt to organize and make sense of our life experiences by constructing coherent narratives. Participants were 4 couples and 8 individuals whose losses occurred 1 to 35 years before the interview. Interviews followed a reflexive-dyadic interview model. Analysis of the narratives was approached in two ways: First, a voice-centered relational approach was used for initial interpretation and identification of prevalent voices in the stories. Second, five of the stories were written as evocative narratives, which served as a way of incorporating the authors personal experience of perinatal loss, as well as to evoke an empathic understanding of the experience of perinatal loss. The interpretation and discussion of the stories focused on meaning-making that was evident on both an individual level as well as across the larger group of participants. In particular, meaning-making influences and strategies were identified, including influences of the medical establishment and social networks which either served to disenfranchise parents losses or to comfort and ease parents in their grief. The impact of meaning-making on long-term grief was considered, as well as parents reports of positive and negative self-changes that emerged from their struggle with grief. The unique contribution of this project lies in its elaboration of the meaning reconstruction process in the context of perinatal loss; its demonstration of both positive and negative self-changes in a group of perinatally-bereaved parents; its exploration of grief several years to decades following a perinatal loss; its inclusion of the researchers self as both an additional source of data and as a validity check on the presentation and interpretation of participants stories; and the use of evocative narratives to evoke an empathic understanding of a historically disenfranchised form of loss.

This thesis offers a new approach to mind modelling in modernist narratives. Taking Nietzsche’s work as exemplary of modernist ideas about cognition’s relational basis, I argue that conceptual blending theory, a particularly cogent model of a fundamental cognitive process, has roots in modernism. I read inscriptions of relational cognition in modernist narratives as “conceptual blends” that invite cognitive mobility as a central facet of reader response. These blends, which integrate conceptual domains, invite similarity-seeing and difference-seeing, exposing the reader to new conceptual content and new cognitive styles; she is thus better able to negotiate the reading-related complexities of modernist narrative’s formal innovations and the real-world complexities of modernity’s local and global upheavals. Chapter One considers blending’s interrelated rhetorical motivations and cognitive effects in Chiang Yee’s Silent Traveller narratives: bringing together English and Chinese domains, Chiang’s blends defamiliarize his readers’ culturally entrenched assumptions, invite collaborative reading strategies, and thus equip his readers for relating flexibly to a newly globalized world. Moving away from blends in a text’s narration, Chapter Two focuses on blends as textual structuring principles. I read Virginia Woolf’s The Waves as a thinking mind with fundamentally relational cognitive processes; I consider the mobile cognitive operations we perform reading about a text’s mind thinking and thinking along with it. Chapters Three and Four cross the nebulous text-peritext border to examine blends in modernist prefaces. Chapter Three focuses on blends in Joseph Conrad’s and Henry James’s prefaces, relating them, through the reading strategies they invite, to the narratives they accompany. Chapter Four considers allographic prefaces to Arthur Morrison’s Tales of Mean Streets and two of Chiang’s narratives: blends in these prefaces invite the cognitive mobility necessary for reconceptualizing both allographic preface-text and East-West relations. All four chapters treat the modernist narrative text as a textual system whose blends, often interacting and borderless, signal reciprocal, mutually permeable relations among its textual levels. Dialogic relations also underwrite the interaction between these blends and blends the reader performs when engaging with them. Modernist narratives model (bear inscriptions of) cognition’s relational processes in order to model (shape) the reader’s mind.

Following the attacks on the World Trade Center and Pentagon, Afghan women suddenly gained high visibility all over the world. Since then, representations of Afghan women in the Western media and notably in the U.S. news media provide a critical concern to scholars. Much of the relevant literature on this topic speaks to the fact that the dominant portrayal of Afghan women in the Western media has shown them as passive victims of war and violence, to be liberated only by the Western military intervention. However, the question remains as to how the popular fictional narratives, as another vivid source of information, represent Afghan women to the Western readers. To address this question, A Thousand Splendid Suns, as a popular novel authored by Khalid Hosseini, an Afghan novelist, was selected. Bormannian fantasy theme analysis of this novel conveys the passivity of women in the context of Afghanistan. The findings reveal that the portrayals of Afghan women in the novel correspond with the images of Afghan women in the Western media. Moreover, an examination of a sample of book reviews of the novel unveils the important contribution of Khalid Hosseini to the Orientalist discourse.

This thesis examines whether the interrelationship of family and gay identity in South Korea is best understood as one of conflict, pitting a traditional, national, and filial constraint against a presumed global, progressive, and individualistic freedom, or whether it requires (or perhaps, in the narratives themselves, already provides) a different, more recursive understanding. This thesis explores the recursivity between gay identity and filial piety among college students in contemporary Korea while also providing a critique of a global gay paradigm that others may argue infiltrates Korean gay discourse. The aim of this ethnography is not just to collect the stories that these young South Korean college men tell about their experiences of being gay and a son, but to trace how my position as a researcher and a friend are shaped by my experiences with other gay Korean men and how those positions are intimately tied to this ethnography as a whole.

The ongoing research concerning African American males enrolled in teacher education programs is essential for a number of reasons. Research specifically addressing preservice teaching, teacher education, and the African American male student is needed to promote the well-being of any school of education. According to McCray, Sindelar, Kilgore, and Neal (2002), colleges of education have addressed the issue of underrepresentation and under population of African American teachers through policy reform and financial support. The narratives of African American male preservice teachers and their perspectives on teacher education may provide a context for other researchers seeking to understand how and why African American males move into the field of education. More importantly, one particular way to enhance and advance the cause of the African American male preservice teacher is to accept a “culturally sensitive practice” (Tillman, 2002, p. 3) and insure epistemological and research practices unfamiliar to many teachers of preservice teachers are approved and embraced. This study is situated in a cultural, racial, and gendered point of view seeking to highlight the individual and shared experiences of three African American male preservice teachers enrolled in a graduate teacher education program. Stabilized through the lens of critical race theory (CRT), the gathering of counter-narratives provided the context to allow the research participants a vehicle to name their own reality.

The purpose of this dissertation was to explore the experience of long term grief following a perinatal loss. In particular, the processes of meaning reconstruction and self-changes stemming from perinatal loss were explored by listening to parents in-depth narratives of their experiences of loss and grief. A narrative methodology was used, based on a constructivist epistemology that suggests that people are storytellers by nature and we attempt to organize and make sense of our life experiences by constructing coherent narratives. Participants were 4 couples and 8 individuals whose losses occurred 1 to 35 years before the interview. Interviews followed a reflexive-dyadic interview model. Analysis of the narratives was approached in two ways: First, a voice-centered relational approach was used for initial interpretation and identification of prevalent voices in the stories. Second, five of the stories were written as evocative narratives, which served as a way of incorporating the authors personal experience of perinatal loss, as well as to evoke an empathic understanding of the experience of perinatal loss. The interpretation and discussion of the stories focused on meaning-making that was evident on both an individual level as well as across the larger group of participants. In particular, meaning-making influences and strategies were identified, including influences of the medical establishment and social networks which either served to disenfranchise parents losses or to comfort and ease parents in their grief. The impact of meaning-making on long-term grief was considered, as well as parents reports of positive and negative self-changes that emerged from their struggle with grief. The unique contribution of this project lies in its elaboration of the meaning reconstruction process in the context of perinatal loss; its demonstration of both positive and negative self-changes in a group of perinatally-bereaved parents; its exploration of grief several years to decades following a perinatal loss; its inclusion of the researchers self as both an additional source of data and as a validity check on the presentation and interpretation of participants stories; and the use of evocative narratives to evoke an empathic understanding of a historically disenfranchised form of loss.

Zugl.: München, Univ., Diss., 2009

Humboldt-Universiẗat, Diplomarbeit--Berlin, 2007.