This study seeks to understand how horror urban legends undergo changes over time and the possible reasons for their alterations. Past researchers have yet to analyze the shifts that have occurred within the retellings of these dark tales, and through this analysis, light will be shed onto what truly affects the media's storytelling behavior. Building upon meme theory, this study will use narrative and historical context analyses to uncover the objectives, narrative elements and temporal environments surrounding 10 replications of three horror urban legend memes over the past century. This research will uncover how these memes have mutated over time and inform the world as to how context plays a role. A total of 30 horror urban legend artifacts (10 per meme) were analyzed using qualitative research methods in order to uncover the similarities and differences that appeared in the replications of each of the memes. Also, the contemporary thoughts, attitudes and values of the various time periods in which each of the retellings existed were analyzed to understand how historical events and movements may have led to a change in the story. The findings revealed that social movements played a large role in the alteration of horror urban legend memes, particularly in regards to the second wave of Feminism. Additionally, the findings showed that memes that heavily portrayed racism were altered in more recent decades to include leading actors and characters of various ethnic backgrounds. Because of these findings, this research aligns with and expands upon the work completed by Joel Best and Gerald Horiuchi (1985). / Master of Arts / This study looks at how three icon horror urban legends have changed over the past century. Specifically, this study analyzes "Bloody Mary," "Sleepy Hollow" and the "Wendigo" in order to track the changes each tale has gone through, in addition to uncovering what might influence their change. Researchers have yet to understand this occurrence, and this study will serve as a way to answer why the media would be interested in revisiting and reviving older stories. Remakes of movies and TV shows are found in abundance within society, so this research will help assign a reason as to why ancient tales are dug back up from the grave. Using meme theory, this study examines how a story is able to be retold, remade and eventually changed by analyzing 10 remakes per urban legend, with each remake coming from a different decade between the 1920s and the 2010s. The findings reveal that history plays a role in the remaking and altering of previous tales, mainly due to the older versions of horror urban legends no longer being relevant or culturally appropriate. Occasionally, the older adaptation of a story will have material or revolve around a subject matter that is no longer acceptable within a more modern society, such as women being shown only as a damsel in distress. Because of this, in order for the story to not be forgotten, it must be remade and altered to align with where the world is today.

This study explores the intersection of two major conceptions in higher education: professors' folk pedagogies and teaching's moral dimension. Folk pedagogy is the accumulated set of beliefs, conceptions and assumptions that professors personally hold about the practice of teaching (Bruner, 1996). When these beliefs and conceptions are enacted as a teaching practice, they are conceivably undertaken on behalf of students as the means to a good end. Professors, in the course of enacting their folk pedagogies, make educational decisions -- value determinations in essence -- about what they believe are in the best interests of their students. In so doing they have entered moral territory. To make these decisions, issues related to moral perception, moral imagination, and moral responsiveness are present. This moral dimension of teaching was found in this study to be an inherent feature of the participants' folk pedagogy. Pursuing tangible exemplars of these ideas, this study accomplished three key objectives. First, it explored and described some key features of professors' folk pedagogies. Second, it examines the discourse that emerged from the folk pedagogy investigation for its moral expressions and the insights it offered toward understanding how professors conceive of teaching as a moral endeavor. Finally, using narrative analysis as the guiding methodology, it retold professors' personal narratives - their discursive practices - as a unified story of moral agency and moral discourse in university teaching. These objectives were satisfied through case study investigations of three professors, wherein each participant professor was interviewed and observed teaching over the course of nine weeks. Although this investigation sought to explore moral discourse, four additional discourses were discovered interacting with the moral discourse - the personal discourse, a professional discourse, an academic discourse, and the institutional discourse. It was found that rather than there being one singular moral discourse, each independent discourse possessed its own moral substance. A full view of the moral discourse, therefore, can only be achieved by looking across all of the independent discourses themselves. Interestingly, the nature of the moral discourse and moral agency varied for each professor depending upon which independent discourse dominated her or his practice. For example, those professors engaged in professional disciplines (i.e., business and engineering) exhibited practices dominated by what is termed here a professional discourse. In contrast, the practice of the philosophy professor was dominated by the academic discourse. In each case, however, the moral discourse revealed itself most often when professors' engaged in closer, more personal interactions with students and during their consideration of students in their course planning. Moral discourse and moral agency for the professors in this study played an important role in their overall folk pedagogy and in many instances served as an unintentional pedagogical tool. / Ph. D.

Why does counterinsurgency emerge during periods of warfighting failure and in crisis situations? How is it conceptualized and legitimized? As the second counterinsurgency era for the United States military ends, how such a method of warfare arises, grips the military, policy makers, and think tanks provides a tableau for examining how we conceptualize the strategy process and account for geostrategic change. This dissertation takes these puzzles as it object of inquiry and builds on the discursive-argumentative geopolitical reasoning and transactional social construction literatures to explore the ways in which the counterinsurgency narrative captures and stabilizes the policy boundaries of action. It conceptualizes strategy making as a function of defining the problem as one that policy can engage, as the meaning applied to an issue delimits the strategic options available. Once the problem is defined, narratives compete within the national security bureaucracy to overcome the political and strategic fragmentation to produce consensus. A narrative framework is applied to study counterinsurgency strategy during the Vietnam, Iraq, and Afghan wars. This framework examines the symbolic power and positioning of COIN advocates, hegemonic analogies and commonplaces used to legitimize COIN, and the romanticized language and imagery associated with COIN doctrine. These elements define the "who, what, where, and why" of the courses of action. Together these discursive resources serve as the building blocks for the counterinsurgency narrative and enable it to capture the geostrategic debate space. This narrative further defines how COIN is conceptualized in particular geostrategic contexts and how it is to be executed. The study concludes that by empirically tracing the ways in which the actors, analogies, and narratives are produced and deployed into war strategy debates the reasons for COIN's emergence in crisis periods can be determined. This allows for a thicker analysis of wartime and crisis decision making and a broader view of the ways in which strategy and policy are actually produced within the national security bureaucracy. In conceptualizing military strategy and policy in this way, we are better able to understand how dramatic changes in strategy occur and map the dynamics which enable that change to occur. / Ph. D.

This study focuses on exploring the relationship between domestic workers and the children they help to raise from the child’s perspective, using attachment theory (Bowlby, 1988) and psychoanalytic theory (referring specifically to Klein (1952) and Fairbairn (1952/2006) as some theoretical bases). Also, the concepts of the social unconscious (Weinberg, 2007) and social ghosts (Gergen, 2000) are used to provide a link to the relationship having social implications and functions in the South African context. All theories were used in an anti-essentialistic, reflexive and heuristic way, without reification or objectification of the various terms and concepts within the theories. Also, the paradigmatic point of departure for this research is postmodernism (Apignanesi, Sadar, Curry&Garrat, 2003), focusing on the contextual and socially constructed view of knowledge production. From this point of departure, the methodology is qualitative and the research design autoethnographic (Bochner, 1997; Ellis 1998; 2000; Muncey, 2005; Holman Jones, 2005). My own story is presented where I have used various data sources such as my own memories, a letter (Babbie&Mouton, 2008), and photographs which were analysed according to the principles of visual narrative analysis found in Riessman (2008) primarily. Further data was collected through the use of two radio talk shows, where participants were invited to share their stories with regard to being raised by a domestic worker. This data was analysed using thematic narrative analysis (Riessman, 2008), in which the narratives (kept as whole as possible) were analysed, each case in turn, using themes from the narratives themselves and deductive psychoanalytic themes. Some of the themes elicited were possession (where charges felt in possession of their domestic worker), absence (in relation to the child’s biological mother experienced both by domestic workers biological children and the domestic workers charges), loss (especially in relation to a caregiver), the male caregiver (a paternal figure to his charges), the politicisation of the relationship (the relationship between domestic worker and charge as product of a political system), reconciliation and action (a call for empathy and change), and an intertwining of cultures (where black and white, male and female, rich and poor exist inextricably linked with one another as a product of segregation). I have also maintained a consistent critical and reflexive stance throughout. In conclusion I have presented the contribution of this work to social science and society. Similarly, some limitations of this study are presented, as well as directions for further research. Copyright / Dissertation (MA)--University of Pretoria, 2010. / Psychology / unrestricted

How do young people in Estonia experience the political, politics and citizenship? How are these civic experiences connected to young peoples’ experiences with the media? Anne Kaun’s thesis Civic Experiences and Public Connection presents a theoretical and empirical investigation of how civic experiences, particularly public connection, emerge in the context of contemporary Estonia. Employing open-ended online diaries and in-depth interviews, she aims to develop an in-depth understanding of how young people experience democracy today, and how they express themselves as citizens; expression not only through the physical performance of citizenship, but also through orientation, interest in, and reflection about issues that are of common concern or should be seen as such. The empirical investigation of public connection as critical media connection, playful public connection and historical public connection, is based on narrative analysis and embedded in a theoretical exploration of key concepts in the context of civic culture studies, namely the political, politics and citizenship. Combining Chantal Mouffe’s conflict theory with Paul Ricoeur’s narrative identity, Kaun aims to shed light on contemporary democracy from the citizens’ perspective. The author proposes a holistic approach to both civic experiences and the role that media might play in relation to them. Following a non-media- centric approach, she shows that media, despite their ubiquity, are an important but not exclusive source of the civic experiences of young adults in Estonia.

Background: Gender Variance (GV) is an experience that the gender assigned at birth is different to one’s preferred gender identity. It includes the possibility of a preferred gender identity being different to either male or female. It is reported that around 4000 people per year access care from the NHS in relation to GV (Gender Identity Research and Education Society (GIRES), 2009) and both the physical and psychological elements of these experiences is well documented. However, little research specifically explores how Gender Variant (GVt) people make sense of their experiences and construct meaningful expression of their preferred identity. The aim of this study is to further the understanding of GV with a view to considering the implications for service provision to this population. Methodology: The study employed a qualitative method that explored the narratives of the participants. A purposive sample of seven participants self identified as GVt was recruited for a single interview. The interviews used a topic guide to elicit the narratives that these people tell about their experiences. All interviews were audio-recorded, transcribed, and analysed using a narrative approach to explore what the participants said and the way they said it. This was then situated within the local and broader social contexts within which the narratives exist. Analysis and findings: The findings are presented through a global impression of each of the individual narratives and then through discussion of the similarities and differences in relation to the collective storylines. Particular attention is paid to the identity construction and the emotional experiences that take place during the interviews. These two elements are told within and through each of the storylines. The local and wider narratives available to the participants are used to contextualise the analysis and findings, and so are reported within the analysis. The analysis offers the following findings: i) their first experiences of understanding GV was important, leading them to find others who felt the same to gain a sense of hope of a normal life ii) sharing their experiences with others was an anxiety provoking time and was part of a decision making process about treatment and establishing an acceptable gender expression iii) relationships with family, friends, peers and members of their social context influence sense making and identity constructions of GVt people and typify the challenges faced within their GVt experiences. Some of these challenges were reported as ongoing and illustrated throughout the stories of the day to day lives of the participants iv) for these participants distressing emotional challenges were often situated in the past and participants spoke of ‘overcoming’ challenges. This offered a counter to the more dominant isolation and loneliness narratives within the literature on GVt experiences The findings of the study are discussed in relation to its clinical implications, the strengths and limitations of the methodology, and directions for future research.

The lived experiences of the family of a Traumatic Brain Injury (TBI) survivor is an under represented, yet growing field of qualitative psychological research. This thesis used a case study approach with a family in which one member sustained TBI thirteen years previously. Using conversational unstructured interview techniques, I participated with the family in eliciting public narratives around their experiences since the accident. These public stories were also thickened by individual interviews, which both supported and contradicted the public narratives. In the analysis I found two major narrative lines, the first of which was the baby-narrative which held that the injured person must not be injured any further in word or deed and must be protected at all time. The second dominant narrative was the fighting-narrative, which was characterised by language and actions around fighting/battling on behalf of the injured person against uncaring ‘others’. Several important suppressed or counter narratives emerged during the individual interviews, which could not be spoken about publically. I conclude that the power of the two dominant narratives is fuelled by constant rehearsal and enactment, which actually freezes the family and does not allow it to move forward. Suppressed stories are discussed as a possible avenue for therapeutic growth and for the evolution of the family story as they age.

Keeping forestland intact has emerged as a critical policy objective at state and federal levels. This target has been supported by substantial public investment. The collective impact from the bequest decisions of millions of landowning individuals and families has the potential to affect the extent and functionality of future forests in the United States. Despite a growing body of research devoted to studying these transitions in forest ownership, much remains unknown about how family forest owners make decisions in this arena. The social and emotional dimensions of woodland succession planning have been particularly under-examined. This thesis explores the process of planning for the future use and ownership of woodlands through in-depth analysis of 32 semi-structured interviews with family forest owners in Massachusetts, Maine, New York, and Vermont. The first article investigates how family forest owners evaluate and integrate stories derived from their social networks when planning for the future of their woodlands. Analysis of the themes contained in stories framed as “cautionary tales” revealed common fears surrounding succession planning. The second article explores the complexity of emotional relationships with family forests showing how emotional geographies manifest in the succession planning process. Together, these studies deepen understanding of how family forest owners plan for the future of private woodlands and offer implications for Extension and outreach.

The foundation of culturally sensitive patient-centered palliative care is formed from one's social, spiritual, psychological, and physical experiences of serious illness. The purpose of this study was to describe categories and patterns of psychological, social, and spiritual healing from the perspectives of aging seriously ill African American (AA) elders. Using narrative analysis methodology, 13 open-ended interviews were collected. Three main patterns were prior experiences, I changed, and across past, present experiences and future expectations. Themes were categorized within each pattern: been through it . . . made me strong, I thought about . . . others, went down little hills . . . got me down, I grew stronger, changed priorities, do things I never would have done, quit doing, God did and will take care of me, close-knit relationships, and life is better. Faith in God helped the aging seriously ill AA elders overcome things, whether their current illness or other life difficulties.

The aim of this dissertation is to explore and understand three important social contexts for the becoming of an artistic subjectivity: education, work and family life. The empirical data consist of interview material with alumni from the Royal Institute of Art in Stockholm, staff of the institute, and a survey material from the Swedish National Artists Organization (KRO/KIF). Generally, the thesis employs a theory of conflicting understandings of labour as well as the importance of discourses and narratives for the formation of subjects. The contribution of the thesis is the analysis of a continuing conflict between being and working as an artist actualized in the social contexts explored. The arts education encouraged a romanticized understanding of art as unrelated to market value, which clashed against societal norms of career progression, survival and supporting a family. This conflict informed the subjective way in which the respondents related to their activities as artists, workers and relatives. The concept of freedom can be understood as mediating this conflict in the sense of forming the basis of attraction to the arts but also a burden as it relates to insecurity. The analysis found several subjective representations of the artist that indicate strong norms of individuality and self-direction, understood as the outcome of a working life fraught with personal responsibility for coping with insecurity. As such, the thesis is part of ongoing research on changes in working life towards non-standard and sometimes precarious working conditions. / Syftet med avhandlingen är att undersöka och förstå tre betydelsefulla sociala kontexter för konstruktionen av en konstnärlig identitet: utbildning, arbete och familj. Avhandlingens material består av intervjuer med alumner från Kungl. Konsthögskolan i Stockholm, undervisande personal på skolan, samt ett enkätmaterial från Konstnärernas riksorganisation KRO/KIF. Teoretiskt utgår avhandlingen från olika forskningsperspektiv på arbete samt diskursiv och narrativ konstruktion av subjektivitet. Avhandlingen påvisar en kontinuerlig konflikt mellan att vara eller att arbeta som konstnär. Den konstnärliga utbildningen positionerar konsten enligt romantisk tradition i motsättning till marknadslogik vilket efter utbildningen skapar en konflikt för konstnären som måste förhålla sig till normer av karriär, överlevnad av arbete och försörjning av familj. Denna konflikt påverkar hur konstnärerna subjektivt förhåller sig till sin konstnärliga aktivitet, totaliteten av sitt arbete och sin roll som anhöriga. Frihetsbegreppet kan förstås relatera till denna konflikt dels genom att utgöra en attraktion till konsten, dels genom att relatera till osäkerhet. I analysen framträdde flera konstnärliga subjektspositioner vilka alla indikerar starka normer av individualism och självtillräcklighet. Dessa kan relateras till ett arbetsliv karaktäriserat av eget ansvar för att hantera osäkerhet. Avhandlingen är därför del i en pågående forskning kring ett arbetsliv i förändring mot atypiska och även mer prekära arbetsförhållanden.