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1	The historical traditions of Nat Turner Sacks, Dan. January 2008 (has links) Thesis (B.A.)--Haverford College, Dept. of History, 2008. / Includes bibliographical references.
2	American Slave Narratives and the Book of Job: Frederick Douglass’s and Nat Turner’s Quests for Scriptural Authority and Authenticity Francis, Hattie 23 April 2014 (has links) Slave narratives influenced nineteenth-century American religious culture and history; through the slave narrative, modern readers experience the African-American struggle for freedom and personhood in the antebellum South. While the slave narrative stimulated identity- formation, once identity was formed a narrator fought for authority and control of that identity throughout their narrative. This struggle for control is present in the narratives of Frederick Douglass and Nat Turner. Due to each slave’s religious allusions, African-American literary scholars repeatedly link Douglass and Turner to biblical books such as Jonah and Ezekiel. However, this thesis will examine Frederick Douglass’s Narrative of the life of Frederick Douglass, an American slave, Written by Himself, and Thomas R. Gray’s The Confessions of Nat Turner through the lens of the Book of Job. By examining Douglass’s and Turner’s pursuit of knowledge through correlations within the Book of Job, both scriptural authority and authenticity emerges within each narrative. Book of Job Slave Narratives Frederick Douglass Nat Turner Arts and Humanities English Language and Literature
3	Suffrage for White Men Only: The Disfranchisement of Free Men of Color in Antebellum North Carolina Kelley, Lucas Patrick 06 June 2015 (has links) This thesis explores the disfranchisement of free men of color in 1835 North Carolina through the lens of antebellum citizenship and within the context of the racial turmoil of the 1830s. Citizenship and the evolution of southern racial ideology converged in the 1835 North Carolina Constitutional Convention. On the one hand, free men of color voted, a right permitted in North Carolina for all taxpaying men regardless of race and one of the most crucial components of citizenship in the early republic and Jacksonian periods. But on the other hand, some North Carolina white slaveholders saw free people of color as instigators of slave uprisings and a threat to their social order and economic system. As convention delegates debated disfranchisement, they drew on their notions of citizenship and their fear of people of color, and a majority ultimately decided that free nonwhites did not deserve a voice in the political arena. My explanation of why delegates disfranchised free men of color is twofold. First, members of the convention supported disfranchisement because of the perceived connection between free people of color and slave violence. Disfranchisement also came about because the majority of delegates determined that political citizenship was reserved exclusively for white men, and the elimination of nonwhite suffrage in North Carolina was one of the most explicit representations of the ongoing transition of citizenship based on class to a citizenship based on race in the antebellum United States. / Master of Arts North Carolina Suffrage Citizenship Constitutional Convention Nat Turner African Americans Jacksonian Democracy
4	Xenotopia: Death and Displacement in the Landscape of Nineteenth-Century American Authorship Lewis, Darcy Hudelson 12 1900 (has links) This dissertation is an examination of the interiority of American authorship from 1815–1866, an era of political, social, and economic instability in the United States. Without a well-defined historical narrative or an established literary lineage, writers drew upon death and the American landscape as tropes of unity and identification in an effort to define the nation and its literary future. Instead of representing nationalism or collectivism, however, the authors in this study drew on landscapes and death to mediate the crises of authorial displacement through what I term "xenotopia," strange places wherein a venerated American landscape has been disrupted or defamiliarized and inscribed with death or mourning. As opposed to the idealized settings of utopia or the environmental degradation of dystopia, which reflect the positive or negative social currents of a writer's milieu, xenotopia record the contingencies and potential problems that have not yet played out in a nation in the process of self-definition. Beyond this, however, xenotopia register as an assertion of agency and literary definition, a way to record each writer's individual and psychological experience of authorship while answering the call for a new definition of American literature in an indeterminate and undefined space. authorship land landscape death mortality deathscape nineteenth century Washington Irving William Cullen Bryant Mary Prince Nat Turner Edgar Allan Poe Henry Wadsworth Longfellow Margaret Junkin Preston Emily Dickinson xenotopia dystopia defamiliarization nature ecocriticism sustainability literary marketplace environment literary history indeterminacy antebellum early national black African-American Civil War American Studies Death in literature Landscapes in literature nineteenth century (dates CE)

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