Often overlooked in the study of nineteenth-century American literature, the New England writer Rose Terry Cooke elicited great popular appeal during the peak of her career. The admiration Cooke received from her readers and fellow writers compels one to question Cooke’s present-day obscurity. Cooke’s fiction and poetry seem inconsistent with the attitudes she express in her non-fiction, particularly concerning religion and women’s suffrage. She portrays women in miserable marriages, desperately looking for an escape. These “brides of Bluebeard” find different ways to cope with their predicament. While most never truly escape, many use (1) religious devotion, (2) masochism, and (3) homosocial relations as “coping mechanisms” in their plight. I identify each of these reactions to Bluebeard figures in Cooke’s writing in order to understand the contradictions in her works, for, like Cooke, these brides were products of their culture, torn between duty to self and duty to others.

A history of the early movements of the Church of Jesus Christ of Latter-day Saints in New England has never been written. The purpose of this study is to write that history showing the introduction, growth, and development of missionary activities of the Church in this area from 1830 to 1850.

Human occupation of the New England region of North America during the early Holocene has long been established archaeologically. However, the data exists almost solely from terrestrial sites. Vast portions of aerial land once available to early occupants of the area for resource procurement and living surfaces are now submerged. Underwater pre-Contact resources embedded in these submerged landforms will undeniably contribute to a holistic understanding of New England's cultural history. Examination of current archaeological procedures reveal that the archaeological standards, practices, and theories commonly employed in terrestrial archaeology are largely not being extended past the coastline into the underwater environment. This is due, in part, to the past history of professional skepticism regarding the preservation and accessibility of terrestrial archaeological deposits post-Holocene sea level rise. A report of global, submerged, terrestrial archaeology projects that show submerged, intact resources challenge this skepticism. A detailed review of an underwater survey in Boston Harbor, designed to predict, locate, and investigate submerged pre-Contact sites, is used as a case study to argue that these resources deserve the same rigorous study as terrestrial archaeological resources. Post-glacial deposition may act as an agent of preservation in New England waters, and past concerns of transgressive erosion are discussed in light of current geophysical research. Recommendations of how and why submerged pre-Contact archaeological resources should become commonplace within archaeological inquiry are supported by advances in technology, increased geophysical survey of the marine environment and knowledge of the prevailing laws governing archaeological resources underwater.

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Thesis (Ph. D.)--Joint Program in Oceanography/Applied Ocean Science and Engineering (Massachusetts Institute of Technology, Dept. of Biology; and the Woods Hole Oceanographic Institution), February 2011. / Cataloged from PDF version of thesis. / Includes bibliographical references (p. 136-146). / The environmental cues for synchronous reproduction were investigated for two highly abundant, ecologically important crustacean species: the temperate acorn barnacle, Semibalanus balanoides, and the tropical terrestrial crab, Gecarcinus quadratus. Larval ecology of these two species was also studied to determine potential sources of larval mortality and recruitment success. High-frequency observations revealed that early-stage larval abundance of S. balanoides was related to storms, and possibly turbidity. Field observations and experiments studied the effect of turbidity and phytoplankton on larval release response. Release coincided with increased turbidity at three sites along the northeast coast of the United States. A three-year time series of phytoplankton and zooplankton data showed that larval release was not consistently related to phytoplankton abundance (total or single species). When gravid barnacles were exposed to phytoplankton or synthetic beads, they released in response to both, suggesting that presence of particles is more important than identity of particles. Feeding experiments showed that adult cannibalism on newly released larvae is lower in highly turbid conditions. It is suggested here that S. balanoides synchronizes its reproduction with the onset of phytoplankton blooms, but turbidity may fine-tune the timing if it provides predation refuge for larvae. Adult G. quadratus females undertake synchronized breeding migrations to the ocean after the first rains of the rainy season, presumably when the risk of desiccation is lowest. They wait for darkness and an ebbing tide before releasing their eggs into the water. First-stage zoeas have dark pigmentation, long dorsal and rostral spines, and a pair of lateral spines. Hatching in darkness may help zoeas avoid predation from planktivorous diurnal fish, and the zoeal spines may deter predation from planktivorous nocturnal fish. In the laboratory, a G. quadratus zoea reached the megalopa stage in 21 days. A mass migration of megalopae and juveniles out of the water was observed 30 days after adult females released their eggs. Plankton pump samples taken near the island suggest that zoea abundance and distribution may be related to the phase of the internal tide. Synchronous reproduction in these two species appears to be the result of predator avoidance behaviors. / by Joanna Gyory. / Ph.D.

The hemlock woolly adelgid (HWA, Adelges tsugae Annand) is an invasive insect that threatens to eradicate native eastern hemlock (Tsuga canadensis (L.) Carr.) across the eastern United States. In southern New England and southern Appalachian forests, HWA-induced hemlock mortality has impacted carbon (C) flux by altering stand age, litter composition, species composition, and coarse woody debris levels. However, no one has examined how total C storage and sequestration may be impacted by these changes. Further, while projections are that HWA will ultimately infest hemlock across its entire geographic range, the majority of studies have been limited to southern New England and Appalachian forests where HWA infestation has been ongoing. To address these gaps, we examined how HWA might alter C dynamics in northern New England forests using the Forest Vegetation Simulator (FVS) and Forest Inventory Analysis (FIA) data to model C storage and successional pathways under three different scenarios: preemptive harvesting of hemlock, HWA-induced hemlock mortality, and a control mimicking natural stand development absent of disturbance. Our 150 year simulation showed that, while all treatments differed significantly in C storage in the short term, there was no significant difference in total C stocks between HWA infestation and presalvage treatments by the 75th year. Compared to the control, both simulated treatments resulted in a significant decrease in total C storage, with greater impacts on stands with higher hemlock densities. However, net C losses over the 150 year simulation were significantly higher for the presalvage scenario, indicating that allowing HWA infestation to progress naturally through a stand may result in the least impact to long-term C sequestration for the region's forests.

Du recueil A Boy’s Will (1913) au recueil In the Clearing (1962), l’œuvre du poète américain Robert Frost (1874-1963) déploie sa réflexion sur le concept d’écart, et le présente comme principe majeur de son esthétique et de sa stratégie d’écriture. Utilisant une approche fondée sur la micro-lecture des poèmes, cette thèse entend mettre en lumière la richesse d'une thématique frostienne qui permet de repenser la dialectique entre centre et marge à différents niveaux d'analyse : cette dialectique semble à l’œuvre non seulement dans la représentation poétique des espaces nord-américains mais aussi dans le rapport des textes à l'espace métaphorique du canon, ainsi que dans l'ambiguë mise en scène du sujet dans son rapport aux espaces intime, social et politique. Nous souhaitons montrer que le poète et les personae multiples qu’il adopte au fil des recueils privilégient un positionnement détaché, qui n’est ni complètement au centre ni complètement à l’écart, mais pour ainsi dire dans l’écart. Cette position de léger retrait, à la fois sereine et équilibriste, dessine ainsi un triple autoportrait du poète. Il fait le portrait d’un artiste chez qui la tension entre tradition et modernité, entre formes fixes et libre expérimentation, relève d'une position compliquée et féconde, qui permet à Frost de se situer à la fois à l'intérieur et légèrement à l'écart du genre de la poésie pastorale ; d'autre part, il esquisse le portrait « bougé » d'un sujet en mouvement au sein du paysage de Nouvelle-Angleterre, sujet que des tentatives d’ancrage dans certains territoires installent dans une position de voisinage méfiant avec son prochain, à la fois contre les autres et tout contre eux. Enfin, l’œuvre laisse apparaître en filigrane l’autoportrait d’un Américain utilisant la stratégie de l’écart dans l’habile mise en scène de sa propre iconisation. / From the collection A Boy’s Will (1913) to the collection In the Clearing (1962), the works of American poet Robert Frost (1874-1963) can be viewed as a reflection on the concept of deviation, presenting it as a major principle in his aesthetics and writing strategy. This doctoral dissertation provides a close reading of many poems, with a view to highlighting the highly seminal quality of the Frostian theme of the slight deviation, which allows one to rethink the dialectic between the center and the margins at different levels of analysis. This dialectic appears not only in the poetic representation of North American space, but also in the established connection between the texts and the metaphorical space of the canon, as well as in the ambiguous presentation of the poetic figure in relation to the intimate, social or political spheres. We wish to show that the poet together with the multiple personae that he uses in the collected poems, favor a specific vantage point, a detached position which is neither in the center nor completely in the margin, but rather within the limits delineated by some deviation. This slightly withdrawn position, which is both dispassionate and perilous, sketches out a triple self-portrait of the poet. It is the self-portrait of an artist for whom the tension between tradition and modernity, between fixed forms and free poetic experiments, creates a complicated but fertile position which allows Frost to position himself both within, and slightly on the margin of, the genre of pastoral poetry. Frost's poems also depict the portrait of a moving poetic figure in the New England landscape, a figure who is put, because of his attempts at settling in certain territories, in a situation where neighbors are both aware and wary of each other. Lastly, the poems could be regarded as the self-portrait of an American posturing as a marginal figure in the skillful staging of his own iconization.