Global ETD Search

31	Empathy and Human-Machine Interaction Gouvrit Montaño, Florence 19 October 2011 (has links) No description available. Fine Arts New Media Art Art &38 Tech Video Installation Presence Absence Reality Virtuality Presence Absence Emotions Empathy Telepresence Embodiment Relationships Break-ups Loss Peter Campus Sophie Calle Paul Sermon Latin-American
32	Financial Challenges of New Media Art in Contemporary Arts Institutions Dunfee, Melissa Catherine January 2017 (has links) No description available. Arts Management Art History Business Costs Business Administration Finance Mass Media Museums Multimedia Communications Performing Arts Sustainability
33	In Media Res Sisk, Christopher Andrew 01 January 2018 (has links) We are inundated by a constant feed of media that responds and adapts in real time to the impulses of our psyches and the dimensions of our devices. Beneath the surface, this stream of information is directed by hidden, automated controls and steered by political agendas. The transmission of information has evolved into a spiral of entropy, and the boundaries between author, content, platform, and receiver have blurred. This reductive space of responsive media is a catalyst for immense political and cultural change, causing us to question our notions of authority, truth, and reality. media and politics internet bots automated systems responsive web design new media art postevangelicaltechnofuture American Politics American Popular Culture Art and Design Broadcast and Video Studies Communication Technology and New Media Critical and Cultural Studies Fine Arts Graphic Communications Graphic Design Interactive Arts Interdisciplinary Arts and Media Mass Communication Politics and Social Change Rule of Law Social Media Sociology of Religion Visual Studies
34	Živé obrazy VJingu / Live images of VJing Benická, Alexandra January 2011 (has links) The subject of the thesis Live images of VJing is an aesthetic activity, based on visual projections and on work with new media in real-time, known as VJing, or more generally "live audiovisual performance". As these performances usually complement auditory events or are supplemented by music. The first part follows the origins of VJing out of three angles: First the historical development of projected image, electronic music and the discourse of synaesthesia principle as an principle joining different sensory perceptions into one. Second part of this thesis is introducing an philosophical perspective and it's defining terms, through which can be glimpsed the tendencies in the development of contemporary art of new media, particularly following the example of the German new-media philosophy with terms like homöotechnik, performativity, mediality and gesture. The outcome of this thesis is the finding, that it's not the media-philosophy bringing the textures and shapes to VJing, but the opposite - VJing as an art form is a valuable contribution to defining of the media-philosophy, which seem to be forming along with the new media itself and with the experimental arts exploring it's radical possibilities.

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