No description available.

No description available.

A multi-generational family saga that follows the story of how a one-winged American girl joins family with a four-armed Indian woman.

This study was undertaken to try to determine of objective measurement of certain personality traits would indicate that music students are characterized by marked differences in personality make-up. In carrying out this investigation, a group of 100 music students and a control group of the same size were used. The type of measurement used was of such objective nature that evaluations could be made by other persons on identically the same trait indicators as were used in securing information from the person himself. The fact is of great importance, as it makes possible an evaluation of a person's personality by the group in which he is striving for social acceptance. Data for this study were obtained at North Texas State Teachers College during the spring semester of 1946, using cases from the Music Department and the remainder of the college for the two groups.

This meta analysis looks at the results of performance anxiety related interventions with musicians. This meta analysis results from all found studies on computerized databases including National Library of Medicine's PubMed, dissertations and Theses (ProQuest), PsycINFO, and Oxford Journals Database. They range from cognitive interventions, behavioral interventions, mediation, and biofeedback. The results are primarily drawn from participants self report before and after the intervention. They were coded for length of intervention, number of participants, level of participant (students or professionals), type of intervention, self report measures used, and the effect size of the intervention. The overall effect of all 17 studies involved in the meta analysis was (Hedges g -0.627, 95% CI [-0.926, -0.384], p.000), followed by physiological interventions with an effect of (Hedges g = -0.638, [-1.111, -.164], p=.008), and purely cognitive interventions having the smallest effect size (Hedges g = -0.455, 95% CI [-0.757, -.153], p=.003).

This meta analysis looks at the results of performance anxiety related interventions with musicians. This meta analysis results from all found studies on computerized databases including National Library of Medicine's PubMed, Dissertations and Theses (ProQuest), PsycINFO, and Oxford Journals Database. They range from cognitive interventions, behavioral interventions, mediation, and biofeedback. The results are primarily drawn from participants self report before and after the intervention. They were coded for length of intervention, number of participants, level of participant (students or professionals), type of intervention, self report measures used, and the effect size of the intervention. The overall effect of all 17 studies involved in the meta analysis was (Hedges g -0.627, 95% CI [-0.926, -0.384], p<<>.000). The interventions were significantly different, with largest effect sizes in combination interventions (Hedges g = -0.813, 95% CI [-1.171, -.456], p>.000), followed by physiological interventions with an effect of (Hedges g = -0.638, [-1.111, -.164], p=.008), and purely cognitive interventions having the smallest effect size (Hedges g = -0.455, 95% CI [-0.757, -.153], p=.003).

No description available.

No description available.

No description available.

The research was a qualitative study of the dress of heavy metal (HM) music groups using content analysis. The purpose was to examine dress characteristics of a representative random sample of HM music groups. The objectives were (a) to develop a classification system for HM music groups based on time and subgenre, (b) to identify music groups within each cell (i.e., time and subgenre) of the classification system, and (c) to identify dress characteristics of a representative random sample of the music groups. The subjects in the study were HM music groups as pictured on albums. The variables were the selected items of dress and the classification of the groups by time and subgenre. A classification system was developed and used for the selection of subjects. Using the HM Dress Classification Instrument developed by the researcher, specific dress characteristics of twenty-four HM music groups were identified. This data was compiled in tabular format. Among the twenty-four HM groups, the predominant clothing was a black woven shirt and black leather/suede pants. Clothing trim included studs, motifs/designs, words and fringe. No visible jewelry was predominant. The primary shoes observed were western boots. Straight, shoulder-length black or blond hair with no head covering was predominant. Beards, makeup, tattooing, and other forms of corporal adornment were observed. Although some dress categories were dominated by single items, changes were observed across time and subgenres. The data indicated rejection of the two null hypotheses. / Master of Science