Esta tese tem como principal objetivo analisar os elementos imagéticos representados pelo artista plástico, militante e metalúrgico caxiense Bruno Segalla (1922 – 2001), em parte de seu acervo numismático, que compreende as medalhas cunhadas em bronze, dentro de um tema em especial: a ideologia do trabalho. Por meio da leitura de imagem, apresentamos as aproximações e distanciamentos entre a imagem e a palavra, assim como o modo como o corpus escolhido para a análise pode ser utilizado como fonte de pesquisa, ao reconduzir aspectos da história de uma determinada região compreendida pela colonização italiana. Busca-se, além de demonstrar a linguagem artística como fonte histórica, observar a arte da numismática – ciência que estuda as moedas e medalhas. Anterior à realização da leitura das imagens, está traçada uma biografia de Segalla, configurando especialmente sua trajetória como militante dos direitos trabalhistas, característica que está expressa em suas obras. A história do artista, do metalúrgico e de seu ativismo mesclam-se com a história da cidade de Caxias do Sul/RS, perpassando por eventos culturais, como a Festa Nacional da Uva, pela religião e pelo conceito de trabalho, construída a partir da narrativa local acerca da colonização italiana e da industrialização. / Submitted by Paula Leal (pffleal@ucs.br) on 2017-12-12T11:59:06Z No. of bitstreams: 1 Tese Mariana Duarte.pdf: 14046975 bytes, checksum: 7c38d810e28513a818ddc136944aa220 (MD5) / Made available in DSpace on 2017-12-12T11:59:06Z (GMT). No. of bitstreams: 1 Tese Mariana Duarte.pdf: 14046975 bytes, checksum: 7c38d810e28513a818ddc136944aa220 (MD5) Previous issue date: 2017 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior, CAPES. / This thesis aims to analyze the image representations by Bruno Segalla (1922 – 2001), a plastic artist, militant and metalworker from Caxias do Sul (RS, Brazil), in part of his numismatic collection, which includes the medals minted in bronze, within a special theme: work ideology. Through image reading, we present the approximations and distances between images and words, as well how the chosen corpus for this analysis can be used as a research source, in bringing back historical aspects of a specific region encompassed by Italian colonization. In addition, to demonstrate the artistic language as a historical source, this study seeks to look at the art of numismatics – science that studies coins and medals. Prior to the images reading, a biography of Segalla is written, illustrating his trajectory as a labor rights’ militant, a characteristic that is expressed in his works. Segalla’s histories as artist, metalworker, and activist are merged with the history of Caxias do Sul/RS, passing by cultural events, like the Festa Nacional da Uva (“National Grape Festival”, in free translation), by the religion, and by the concept of work, which was built from the local narrative about Italian colonization and industrialization.

Esta tese tem como principal objetivo analisar os elementos imagéticos representados pelo artista plástico, militante e metalúrgico caxiense Bruno Segalla (1922 – 2001), em parte de seu acervo numismático, que compreende as medalhas cunhadas em bronze, dentro de um tema em especial: a ideologia do trabalho. Por meio da leitura de imagem, apresentamos as aproximações e distanciamentos entre a imagem e a palavra, assim como o modo como o corpus escolhido para a análise pode ser utilizado como fonte de pesquisa, ao reconduzir aspectos da história de uma determinada região compreendida pela colonização italiana. Busca-se, além de demonstrar a linguagem artística como fonte histórica, observar a arte da numismática – ciência que estuda as moedas e medalhas. Anterior à realização da leitura das imagens, está traçada uma biografia de Segalla, configurando especialmente sua trajetória como militante dos direitos trabalhistas, característica que está expressa em suas obras. A história do artista, do metalúrgico e de seu ativismo mesclam-se com a história da cidade de Caxias do Sul/RS, perpassando por eventos culturais, como a Festa Nacional da Uva, pela religião e pelo conceito de trabalho, construída a partir da narrativa local acerca da colonização italiana e da industrialização. / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior, CAPES. / This thesis aims to analyze the image representations by Bruno Segalla (1922 – 2001), a plastic artist, militant and metalworker from Caxias do Sul (RS, Brazil), in part of his numismatic collection, which includes the medals minted in bronze, within a special theme: work ideology. Through image reading, we present the approximations and distances between images and words, as well how the chosen corpus for this analysis can be used as a research source, in bringing back historical aspects of a specific region encompassed by Italian colonization. In addition, to demonstrate the artistic language as a historical source, this study seeks to look at the art of numismatics – science that studies coins and medals. Prior to the images reading, a biography of Segalla is written, illustrating his trajectory as a labor rights’ militant, a characteristic that is expressed in his works. Segalla’s histories as artist, metalworker, and activist are merged with the history of Caxias do Sul/RS, passing by cultural events, like the Festa Nacional da Uva (“National Grape Festival”, in free translation), by the religion, and by the concept of work, which was built from the local narrative about Italian colonization and industrialization.

Cette thèse de doctorat traite de l’histoire de Poseidonia, une cité grecque d’Italie du Sud fondée vers 600 av. J.-C. Elle étudie son histoire sur les trois siècles de son existence à partir de toutes les sources documentaires qu’il est possible de réunir. Cette partie forme le contexte historique sur lequel s’appuie l’histoire monétaire de la cité grecque. La seconde partie répertorie et classe toutes les monnaies qui ont été frappées par Poseidonia entre 530 av. J.-C., date à laquelle elle inaugure un monnayage d’argent selon la technique incuse, jusqu’aux derniers bronzes émis par la cité dans les premières années du IIIe siècle. Elle analyse sa politique monétaire et ses réformes, et les replace dans le contexte historique. / This thesis is about the history of Poseidonia, a Greek colony of Southern Italy founded c. 600 B.C. It studies her history on the three centuries of her existence from every source which is possible to find. This first part forms the historical context on which the monetary history of the city relies on. The second part catalogues and classifies all coins that have been minted by Poseidonia between 530 B.C., when the coinage appears following the incuse technique, up to the last bronzes minted in the first years of the third century B.C. It analyses the monetary policy and reforms, and place them in their historical context.

The diploma thesis focuses on design of e-commerce for selling of numismatic material especially two euro collectors coins. Product of this diploma thesis is an internet e-shop with two roles. First role is user and second is administrator. Administrator is able to edit and operate all orders with year’s sheet of profits and losses. Income trading of first months is also part of this thesis.

Seit 20 Jahren verzeichnet Christian Edmond Dekesel (Gent/Belgien) in aller Welt numismatische Literatur des 16. bis 18. Jahrhunderts. Dass die SLUB und das Münzkabinett der Staatlichen Kunstsammlungen Dresden zusammen die beste europäische Büchersammlung des 18. Jahrhunderts besitzen, davon ist er überzeugt. Dies war auch ein Grund, warum die Deutsche Forschungsgemeinschaft (DFG) eine Tagung über „Numismatik und Geldgeschichte im Zeitalter der Aufklärung“ mit Teilnehmern aus acht Ländern gefördert hat (SLUB, 5. –9. Mai).

Coins occasionally cause health problems. These have a wide range of presentations and can affect multiple organ systems. This article presents a review of the medical literature addressing health problems caused by coins. These problems can be categorized as follows: (1) respiratory manifestations of ingested coins, (2) gastrointestinal manifestations of swallowed coins, (3) systemic effects of swallowed coins, (4) clinical management of swallowed coins, (5) allergic manifestations of coin exposure, and (6) miscellaneous health issues related to swallowed coins.

The Scandinavian invasion and settlement in England altered English history. However, while the basic political narrative is known from primary sources, the social and cultural history that evolved has not been fully examined. This is especially true in the areas of the Danelaw that the Scandinavian invaders settled where there is a paucity of primary sources for this period. The study was limited to the years 800 A.D. to 1000 A.D. or a shorter time span within that frame depending on the subject matter under examination. This thesis examined place-names and coins in East Anglia and Yorkshire to determine the Scandinavian influence on their development. By understanding the Scandinavian influence on place-names and coins, one may determine the settlement pattern that occurred in each area. It appears that the moderate Scandinavian influence on place-names as well as the deliberate assimilation of coinage to English standards indicates a small scale settlement that consisted primarily of higher ranking Danes. Yorkshire on the other hand demonstrates much stronger Scandinavian influence in place-name development as well as coinage thus indicating a larger settlement that consisted on lower ranking Danes. By determining settlement patterns, future research can focus on elucidating cultural changes that occurred subsequent to the initial settlement.

No description available.

La recherche historique concernant Gaza et sa région s’est limitée longtemps aux seules sources écrites. S’y sont ajoutées récemment des découvertes archéologiques grâce aux fouilles du site de Blakhiyah sur le littoral, une collection privée particulièrement riche et un trésor monétaire découvert à Rafah. C’est à l’appui de l’ensemble de ces découvertes et en reprenant l’ensemble de la documentation existante que l’histoire de Gaza et sa région sont revues en rassemblant l’ensemble des informations numismatiques, littéraires et archéologiques de ce nouveau matériel. En particulier pour les périodes perses et hellénistiques l’apport documentaire de la numismatique permet d’envisager une place spécifique de Gaza comme un atelier d’émission monétaire spécifique, à rayonnement local par des frappes aux types locaux, et à rayonnement plus vaste par des frappes aux types athéniens. Par ailleurs, les découvertes numismatiques et archéologiques ainsi mises au jour permettent d’entrevoir une dimension ancienne et approfondie des relations entre la cité et le monde arabe, ainsi que le rôle de ces relations pour la période hasmonéenne et romaine. / Historical research concerning Gaza and its region has long been limited to written sources. Archeological discoveries have recently been added to it thanks to different sources : the excavation of the Blakhiyah site on the coast, a particularly rich private collection and a monetary hoard discovered in Rafah. It is in support of all these discoveries and by taking up all the existing documentation that the history of Gaza and its region are reviewed by gathering all the numismatic, literary and archaeological information of this new equipment. Particularly for the Persian and Hellenistic periods, the documentary contribution of numismatics makes it possible to envisage a specific place in Gaza as a specific currency issuing workshop, with local influence by strikes to local types, and with a wider radiation by Athenian type strikes. In addition, the numismatic and archaeological discoveries thus uncovered allow to glimpse an old and deep dimension of the relations between the city and the Arab world, as well as the role of these relations during the Hasmonean and Roman period.

The history of Hellenistic Bactria (northern Afghanistan, and areas of Tajikistan and Uzbekistan) is particularly obscure and its reconstruction contentious. Unlike other Hellenistic kingdoms very little evidence survives from literary sources and inscriptions; the best primary source is the large quantity of coins issued under the Graeco-Bactrian kings who ruled the area from the third century to the mid first century BC. With limited details of the find spots of the coins and only a few published hoards, their use has often been limited to a superficial analysis of their iconography. This thesis presents the results of a die study, an approach to studying the coins that can give many insights into the way they were produced. The coins of six kings (Euthydemus I, Demetrius I, Euthydemus II, Pantaleon, Agathocles, and Antimachus I) are included. Different mints and rhythms of production can be identified, and the overall size of the coinages estimated. Using a thorough understanding of their production this thesis proposes a new, soundly-based, history of the Graeco-Bactrian kingdom under these kings.