Spelling suggestions: "subject:"pagans"" "subject:"sagans""
1 |
Le héros de la liberté : Les aventures philosophiques de Caton au Moyen Âge latin, de Paul Diacre à Dante / The Hero of Freedom : The Philosophical Adventures of Cato in the Latin Middle Ages, from Paul the Deacon to DanteFaivre, Delphine 10 December 2010 (has links)
Cette étude se propose d’analyser la réception médiévale du personnage de Caton d’Utique, philosophe stoïcien et citoyen romain engagé dans la défense des institutions républicaines durant la période de la seconde guerre civile, qui se suicida après la victoire de Jules César (46 av. J.-C.). Concentrant, dans un premier temps, notre intérêt sur le Catone dantesco, et en particulier sur le portier du Purgatorio de la Commedia, il a semblé pertinent de remonter le cours du temps afin d’étudier les potentielles sources de la figure catonienne élaborée par Dante (1265-1321). Ce projet a conduit à réévaluer l’image du Romain dessinée par les auteurs antiques (Ier s. av. J.-C.-VIIe s. ap. J.-C.), puis à découvrir les contours de celle tracée par les auteurs médiévaux (VIIIe s. ap. J.-C.-1320). Cet imposant parcours s’est organisé autour d’une quadruple interrogation concernant la pensée médiévale : quel rôle y joue l’exemplarité ? quelle place revient à Rome et aux Romains ? comment sont traitées les questions de la liberté et du suicide ? comment répond-on au problème du salut des païens antiques ? / The study examines the medieval reception of the character of Cato of Utica, a Stoic philosopher and Roman citizen engaged in defending the institutions of the Roman Republic during the second civil war, who committed suicide after the Julius Caesar's victory (46 B.C.E.). The thesis starts by focusing on the Catone dantesco, and in particular on Cato as the warden of the Purgatorio of the Commedia, and then works backwards in analyzing the potential sources of Dante’s (1265-1321) portrayal. This undertaking leads to a reevaluation of the image of Cato in antique authors (1st century B.C.E.-7th century C.E.), and then to uncovering the outlines of the portrayals of medieval authors (8th century C.E. - 1320). This massive undertaking is organized around four questions concerning medieval thought : what role does the notion of exemplarity play in the discussion? What place is given to Rome and to the Romans? How are the questions of liberty and suicide treated? How do the authors discuss the problem of salvation for pagans of Antiquity?
|
2 |
The Blood of the Martyrs: The Attitudes of Pagan Emperors and Crowds Towards Christians, from Nero to JulianMiletti, Domenico January 2016 (has links)
This MA thesis will discuss the reception of common, non-scholarly polytheists (pagans) to the persecution of Christians from the early empire until the Great Persecution (303-313, 322-324). Though modern scholars have addressed this issue and asserted that there was a change in attitude, many have not developed this into anything more than a passing statement. When chronologically analyzing the Christian acts, passions, letters, and speeches recounting the deaths of martyrs deemed historically authentic, and accounting for the literary and biblical topoi, we can demonstrate that the position of non-Christians changed. The methodology of this thesis will chronologically assess the martyr acts, passions, speeches, and letters which are historically accurate after literary and biblical topoi are addressed. These sources are available in the appendix. Throughout this analysis, we will see two currents. The primary current will seek to discern the change in pagan reception of anti-Christian persecution, while the second current will draw attention to the Roman concept of religio and superstitio, both important in understanding civic religion which upheld the pax deorum and defined loyalty to the Roman order through material sacrifices and closely connected to one's citizenship. Religio commonly denoted proper ritual practices, while superstitio defined irregular forms of worship which may endanger the state. As we will see, Christians were feared and persecuted because it was believed that their cult would anger the gods and disrupt the cosmological order. The analysis will begin with a discussion centered on the "accusatory" approach to the Christian church during the first two centuries when the Roman state relied on provincial delatores (denounces) to legislate against the cult. During the first two centuries persecution was mostly provincial, sporadic and was not centrally-directed. We will see that provincial mobs were the most violent during the first two centuries. During the third century the actions of the imperial authority changed and began following an "inquisitorial" approach with the accession of Emperors Decius and Valerian, the former enacting an edict of universal sacrifices while the latter undertook the first Empire-wide initiative to crush the Christian community. It is during the third century that the attitude of non-elite pagans may have begun to change. This will be suggested when discussing the martyrdom of Pionius. When discussing the fourth century Great Persecution under the Diocletianic tetrarchy, it will be suggested that the pagan populace may have begun to look upon the small Christian community sympathetically. The thesis will conclude with the victory of Constantine over Licinius and the slow but steady rise of Christianity to prominence, becoming the official religio of the empire with traditional paganism relegated to the status of a superstitio.
|
3 |
Flee from the Worship of Idols: Becoming Christian in Roman CorinthByler, Dorvan 18 May 2015 (has links)
No description available.
|
4 |
The impact of the symbolism and iconography of the Ankh, sun-disk and Wadjet eye on modern (“western”) societyCoetzee, Derick 02 1900 (has links)
Ancient Egypt has long been a place of intrigue and mystery, being held in high esteem during ancient times. In modern times ancient Egypt has once again risen to such a position with many ancient Egyptian-based symbols and iconology being used in modern culture since its birth in the renaissance. Three easily identifiable and commonly used symbols are identified: the ankh, sun-disk and Wadjet Eye. This study attempts to evaluate and explore the extent of the influence of ancient Egyptian symbols and iconography on modern culture as a whole. This is achieved through emic analysis and comparative studies, comparing the context of the original ancient Egyptian symbols (in terms of their symbolic form, origins and meanings/usage) to the modern usage of the same symbols. A comparison between the contexts and usage of these three symbols in ancient Egypt and modern society shows that they are part of a wider trend of “romanticising” ancient cultures to “enchant” our modern culture. / Old Testament and Ancient Near Eastern Studies / M.A. (Ancient Near Eastern Studies)
|
Page generated in 0.0228 seconds