Spelling suggestions: "subject:"fainting"" "subject:"mainting""
501 |
The development of painting from conceptual unity to visual unity /Johnson, Darrell Marvin January 1961 (has links)
No description available.
|
502 |
A painter's approach to the role of theory in the creative act of painting /Neidhardt, Carl Richard January 1961 (has links)
No description available.
|
503 |
The figure-field relationship in my painting /Campbell, David Marshall January 1962 (has links)
No description available.
|
504 |
Charles de Groux and social realism in Belgian painting, 1848-1875 /Stark, David January 1979 (has links)
No description available.
|
505 |
The early works of Georges Braque, Raoul Dufy and Othon Friesz : The Le Havre group of fauvist painters /Kim, Youngna January 1980 (has links)
No description available.
|
506 |
The development and testing of an instrument to measure aspective perception of paintings /Wilson, Brent January 1966 (has links)
No description available.
|
507 |
The conflict of civilization and the wilderness : a study of a theme in American literature and painting of the early nineteenth century /Mattson, Jeremy Lawrence January 1972 (has links)
No description available.
|
508 |
Painterly Conception of ArchitectureRazem, Maiss Jebriel 15 September 2005 (has links)
The art of painting opens vast expressive possibilities for architecture, wherein architecture can produce a more conducive atmosphere for the contemplation of painting. The subtle affinities between the two fields stirred me to explore the individualistic expressiveness of the sensory realm in a painting and how it can inspire an architect.
My thesis starts from an interest in a painting of Kandinsky's. The painting "Yellow, Red, Blue" stirred my curiosity in the potency of its beauty and made me ask questions in regards to what I can capture, learn and express architecturally. The aim is to design a Contemporary Art Center to be situated within the fabric of Virginia Tech campus.
Throughout the various stages of design, the finality of the project resulted from dealing with the various inputs from: Kandinsky's painting as a catalyst and inspirer to the design, to the contextual issues and ways of urban integration and also dealing with the nature of the project's function and programmatic needs. / Master of Architecture
|
509 |
清末民初博古畫研究. / Study of bogu painting from late Qing to early Republic period / Qing mo min chu bo gu hua yan jiu.January 2009 (has links)
方鳳婷. / "2009年8月". / "2009 nian 8 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. / Includes bibliographical references (leaves 64-69). / Abstracts in Chinese and English. / Fang Fengting. / 鳴謝 / 論文提要 --- p.i / 圖版目錄 --- p.iv / 引言 --- p.1 / Chapter 第一章 --- 博古畫緣起 --- p.5 / Chapter 一. --- 歷史中的「博古」 --- p.5 / Chapter 二. --- 全形拓技術與拓片入畫的傳統 --- p.8 / Chapter 三. --- 混合槪念´ؤ´ؤ「博古」與「清供」 --- p.11 / Chapter 第二章 --- 鄦叀鼎´ؤ´ؤ個案硏究 --- p.17 / Chapter 一. --- 焦山寺與古鼎 --- p.18 / Chapter 二. --- 全形拓片的其他來源 --- p.23 / Chapter 三. --- 鄦叀鼎的意涵及畫家筆下的鄦叀鼎 --- p.26 / Chapter 第三章 --- 磚甓博古畫 --- p.31 / Chapter 一. --- 以古磚作「清供」 --- p.32 / Chapter 二. --- 磚甓文字的角色 --- p.35 / Chapter 三. --- 改製古物以爲今用 --- p.40 / Chapter 第四章 --- 博古畫的變奏 --- p.44 / Chapter ´ؤ. --- 黃士陵的博古畫 --- p.44 / Chapter 二. --- 以筆墨仿拓片效果 --- p.50 / 結語 --- p.55 / 附錄一鄦叀鼎全形拓片 --- p.60 / 附錄二陶陵鼎全形拓片 --- p.62 / 參考書目 --- p.64 / 圖版 第一章圖版 --- p.70 / 第二章圖版 --- p.82 / 第三章圖版 --- p.99 / 第四章圖版 --- p.112 / 結語圖版 --- p.134
|
510 |
Gerrit Dou seventeenth-century artistic identity and modes of self-referentiality in self-portraiture and scenes of everyday of life /Giannino, Denise. Bloom, James J., January 2006 (has links)
Thesis (M.A.)--Florida State University, 2006. / Advisor: James J. Bloom, Florida State University, College of Visual Arts, Theatre and Dance, Dept. of Art History. Title and description from dissertation home page (viewed Sept. 26, 2006). Document formatted into pages; contains viii, 79 pages. Includes bibliographical references.
|
Page generated in 0.0637 seconds