The main purpose of my work was to explore the properties of various painting media, principally those of synthetic composition and at the same time to explore and extend the color range of my palette in order to reflect attitudes of the theme. The subject was selected because of the unlimited possibilities in composition through the use of the contrasting active and quiet aspects of the city. The paintings are representational abstracts which I have tried to make function as well-organized compositions without completely destroying the realistic content. Working with a subject-oriented theme makes each painting a new problem and, therefore, each painting is discussed separately in terms of compositional elements, color relationships and materials employed.

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The creative project was the end result of a year of focused exploration and development in the areas of painting and drawing. The artist created a group of five oil paintings and four mixed media drawings which culminated her year of work. The pieces were exhibited on Ball State University campus as well as being documented and evaluated in a thesis paper.A strong belief in the importance of the ability to pursue an idea or concept to its furthest point led the artist to set the goals of the project. While working on the project, the artist honed her technical skills, and strengthened her personal aesthetic by her discovery and research of painters who based their work in similar beliefs.The accomplishment of the goals she had set forth was the first step on the artist's journey to becoming a professional, exhibiting artist. / Department of Art

Call number: LD2668 .T4 1962 F54

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A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Art: Painting.

梁靜雯. / "2010年8月". / "2010 nian 8 yue". / Thesis (M.F.A.)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (leaves 48-49). / Abstracts in Chinese and English. / Liang Jingwen. / Chapter 第一章: --- 有關繪畫中的時間性研究 / Chapter 1.1 --- 前言 --- p.5 / Chapter 1.2 --- 研究範圍 --- p.5 / Chapter 1.3 --- 藝術與社會的關係 --- p.6 / Chapter 1.4 --- 重複的定義 --- p.9 / Chapter 1.5 --- 重複與時間的關係 --- p.11 / Chapter 第二章： --- 線性的時間觀 / Chapter 2.1 --- 重複影像中的故事 --- p.12 / Chapter 2.2 --- 經歷英雄的事蹟 --- p.17 / Chapter 第三章： --- 由刹那到刹那與刹那之間 / Chapter 3.1 --- 刹那 --- p.19 / Chapter 3.2 --- 刹那與刹那之間 --- p.23 / Chapter 第四章： --- 由線性的時間觀到環狀的時間觀 / Chapter 4.1 --- 環狀的時間觀 --- p.28 / Chapter 4.2 --- 由英雄意識的破滅到個人的抽離 --- p.31 / Chapter 第五章： --- 抵抗習以為常的重複 / Chapter 5.1 --- 從彰顯到進入 --- p.34 / Chapter 5.2 --- 對於本人作品的思考 --- p.37 / Chapter 5.3 --- 總結 --- p.43 / 附錄：本人作品 --- p.45 / 參考書目 --- p.48

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No description available.