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Sátira y transgresión : Francisco "Pancho" Fierro, más allá del costumbrismo peruano del siglo XIXGuerrero Arnáiz, Miguel Angel 02 October 2018 (has links)
A través de un análisis y contextualización de las obras de Francisco "Pancho"
Fierro se buscará descubrir lo satírico, burlesco y jocoserio dentro de este
corpus de obras para justificar un entendimiento más profundo de la producción
del artista. El interés es colocar las obras de Fierro en un espacio temporal y
geográfico que ensambla las condiciones que afectarán el contenido, técnica y
distribución de las obras de arte, principalmente sus dibujos a la aguada. Al
artista, al habérsele atribuido una clasificación de costumbrista se le categoriza
como reproductor de tipos limeños que limitan la interpretación de su corpus
artístico a la imitación visual ilustrada. La presente tesis buscará profundizar en
los contenidos de estas obras como resultado de la vida del artista y su contexto
inmediato. / Through an analysis and contextualization of the works of Francisco "Pancho"
Fierro will seek to discover the satirical, burlesque and jocular within these works
to justify a deeper understanding of the artist's production. The main goal is to
place the works of Fierro in a temporal and geographical space that assembles
the conditions that will affect the content, technique and distribution of the works
of art, mainly his watercolor drawings. The artist, having been attributed a
classification of costumbrista, is categorized as a registrar of Lima's types and
costumes that limit the interpretation of his body of artistic works to visual
imitation. This thesis will seek to deepen the contents of these works as a result
of the artist's life and its immediate context. / Tesis
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La figura mítica de Pancho Villa como ícono de identidad nacional y masculinidad en México y en la frontera México-Estados Unidos através de la literatura y el cineChávez, Cuitláhuac 10 March 2014 (has links)
In my dissertation I show how the hegemonic power of the post-revolutionary state in Mexico utilized the figure of legendary Pancho Villa in literature and cinematography to create a national myth that represents a consensus in a mestizo patriarchal Christian society. I examine how the use and abuse of the image of Villa in post-revolutionary literary works and films caused this figure to acquire mythical characteristics and dimensions, and to become a key element in the construction of national identity and masculinity in Mexico.
I argue that the figure of Villa is a confirmation of a traditional rather than a revolutionary proposal in gender terms. Equally important, I demonstrate how the literature and film of the Mexican revolution constitute instrumental devices for the formation of masculinity and the strengthening of a homo-social culture in the Mexico’s post-revolutionary stage, a process that would later determine the structure of the Mexican state. I also contend that in the construction of the mythical figure of Pancho Villa at least two sources of representation are participating: the Mexican state machinery on the one hand, and the American media on the other. By the same token, I show how the figure of Villa nurtures a national project and constitutes one of the most diffused perceptions of Mexican identity in the United States. / text
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Sátira y transgresión : Francisco "Pancho" Fierro, más allá del costumbrismo peruano del siglo XIXGuerrero Arnáiz, Miguel Angel 02 October 2018 (has links)
A través de un análisis y contextualización de las obras de Francisco "Pancho"
Fierro se buscará descubrir lo satírico, burlesco y jocoserio dentro de este
corpus de obras para justificar un entendimiento más profundo de la producción
del artista. El interés es colocar las obras de Fierro en un espacio temporal y
geográfico que ensambla las condiciones que afectarán el contenido, técnica y
distribución de las obras de arte, principalmente sus dibujos a la aguada. Al
artista, al habérsele atribuido una clasificación de costumbrista se le categoriza
como reproductor de tipos limeños que limitan la interpretación de su corpus
artístico a la imitación visual ilustrada. La presente tesis buscará profundizar en
los contenidos de estas obras como resultado de la vida del artista y su contexto
inmediato. / Through an analysis and contextualization of the works of Francisco "Pancho"
Fierro will seek to discover the satirical, burlesque and jocular within these works
to justify a deeper understanding of the artist's production. The main goal is to
place the works of Fierro in a temporal and geographical space that assembles
the conditions that will affect the content, technique and distribution of the works
of art, mainly his watercolor drawings. The artist, having been attributed a
classification of costumbrista, is categorized as a registrar of Lima's types and
costumes that limit the interpretation of his body of artistic works to visual
imitation. This thesis will seek to deepen the contents of these works as a result
of the artist's life and its immediate context. / Tesis
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Cowboys, Clowns, and PerambulationsCadenhead, Patrick 01 January 2009 (has links)
This thesis is an attempt to de-construct the linear way in which I describe my work. I am attempting to deal with my family’s background in the theater and identity as a Texan. In addition I am attempting to address my interest in phenomenological concerns. This document was created in Microsoft Word 2000. The video portions of the video were edited on Imovie HD and Final Cut Pro, while the audio text was recorded from TextEdit’s text to speech program.
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