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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

O ator que canta um conto: a manipula??o de par?metros musicais na voz do ator

Souza, Mayra Montenegro de 12 March 2012 (has links)
Made available in DSpace on 2014-12-17T14:00:15Z (GMT). No. of bitstreams: 1 MayraMS_DISSERT.pdf: 1909146 bytes, checksum: c45c1a5e4e9e8dfe8eb786fe8c77f9e0 (MD5) Previous issue date: 2012-03-12 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / This research started with an investigation about the theatrical speaking. Through an empirical methodology that analyzed a practical experience of creating a play and bibliographical research, the actress/researcher investigated ways to manipulate musical parameters as tools in the creation process of the actor s voice. The actress/researcher attempted to connect theory and practice, moved by the desire to find a vocal expression in theater that unfolds as living and transforming movement. This dissertation also contains the report of pedagogical experiences, in which the actress/researcher explored strategies to teach the appropriation of musical parameters in the construction of the vocal work of the actor. Considering that speaking in theater is closer to singing than everyday speech, she concluded that the actor may compose music as a music composer does in the elaborating process of building vocal scores. Therefore, she demonstrated that it is of fundamental importance a musical training in the development of the actor. / Esta pesquisa se deu a partir de uma investiga??o sobre a fala teatral. Atrav?s de uma metodologia emp?rica que analisou uma experi?ncia pr?tica de constru??o de uma encena??o e de pesquisa bibliogr?fica, a atriz/pesquisadora investigou possibilidades de manipula??o de par?metros musicais como recursos no processo de cria??o da voz do ator. A atriz/pesquisadora procurou unir teoria e pr?tica, movida pelo desejo de buscar uma express?o vocal em cena que se concretizasse como movimento vivo e transformador. Este trabalho cont?m tamb?m o relato de experi?ncias pedag?gicas, nas quais a atriz/pesquisadora explorou estrat?gias para ensinar a apropria??o de par?metros da m?sica na constru??o do trabalho vocal do ator. Verificando que a fala teatral est? mais pr?xima do canto do que da fala cotidiana, ela concluiu que o ator pode compor m?sica assim como o faz um compositor de m?sica no processo de cria??o de suas partituras vocais. Por isso, constatou que ? de fundamental import?ncia um treinamento musical na forma??o do ator.

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