- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 11 to 14 of 14 (0.017 seconds)Spelling suggestions: "subject:"parsifal"" "subject:"parsifals""
| 11 |
Die Legende von der unsichtbaren Stadt Kitesch von Nikolai Rimskij-Korsakov und Parsifal von Richard WagnerGosenpud, Abram Akimowitsch January 1998 (has links)
Die Legende von der unsichtbaren Stadt Kitesch setzt den für Rimskij-Korsakov langwierigen und fruchtbaren Streit mit Wagner fort und schließt ihn ab. Von einem Sieg des einen Künstlers über den anderen
kann hier keine Rede sein. Eins ist jedoch unstrittig: gäbe es keinen
Parsifal, wäre auch Kitesch anders geschrieben.
|
| 12 |
Locality principles and the acquisition of syntactic knowledgeBerwick, Robert Cregar January 1982 (has links)
Thesis (Ph.D.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 1982. / MICROFICHE COPY AVAILABLE IN ARCHIVES AND ENGINEERING. / Bibliography: leaves 439-451. / by Robert Cregar Berwick. / Ph.D.
|
| 13 |
This Creature, Bride of ChristBober, Nicholas Bradburn 05 1900 (has links)
This Creature, Bride of Christ is a composition for soprano, alto flute, viola, marimba, and computer running custom software for live interactive performance in the Max/MSP environment. The work is a setting of excerpts from The Book of Margery Kempe, an early autobiographical manuscript depicting the life of a Christian mystic. The thesis discusses the historical, sociological, and musical context of the text and its musical setting; the use of borrowed materials from music of John Dunstable, Richard Wagner, and the tradition of change ringing; and the technologies used to realize the computer accompaniment. A score of the work is also included in the appendix.
|
| 14 |
Richard Wagner's Jesus von NazarethGiessel, Matthew 04 December 2013 (has links)
In addition to his renowned musical output, Richard Wagner produced a logorrhoeic prose oeuvre, including a dramatic sketch of the last weeks of the life of Jesus Christ entitled Jesus von Nazareth. Though drafted in 1848-1849, it was published only posthumously, and has therefore been somewhat neglected in the otherwise voluminous Wagnerian literature. This thesis first examines the origins of Jesus von Nazareth amidst the climate of revolution wherein it was conceived, ascertaining its place within Wagner’s own internal development and amongst the radical thinkers who influenced it. While Ludwig Feuerbach has traditionally been seen as the most prominent of these, this thesis examines Wagner’s sources more broadly. The thesis then summarizes and analyzes Jesus von Nazareth itself, particularly in terms of Wagner’s use of biblical scripture. The thesis demonstrates how his not infrequent misuse thereof constitutes one way in which Wagner transmogrifies Jesus as mutable lens through which his own ideology of social revolution is reflected. It also attempts to provide a critical assessment of the relative dramatic merits of Jesus von Nazareth and looks into Wagner’s ultimate decision not to complete the work. The thesis then briefly summarizes the changes that occurred in Wagner’s mature Christological outlook subsequent to his drafting of Jesus von Nazareth, attempting to concisely demonstrate some developments beyond Wagner’s well-known encounter with the philosophy of Arthur Schopenhauer. The thesis concludes with an evaluation of how Jesus von Nazareth informed Wagner’s general religious outlook and the extent to which this worldview is a productive one.
|
Page generated in 0.0213 seconds