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1	Smoldering Embers: Czech-German Cultural Competition, 1848-1948 Hone, C. Brandon 01 May 2010 (has links) After World War II, state-sponsored deportations amounting to ethnic cleansing occurred and showed that the roots of the Czech-German cultural competition are important. In Bohemia, Czechs and Germans share a long history of contact, both mutually beneficial and antagonistic. Bohemia became one of the most important constituent realms of the Holy Roman Empire, bringing Czechs into close contact with Germans. During the reign of Václav IV, a theologian at the University of Prague named Jan Hus began to cause controversy. Hus began to preach the doctrines outlined by the Englishman John Wycliffe. At the Council of Constance church officials sought to stamp out Wycliffism and as part of that effort summoned Hus, convicted him of heresy and burned him at the stake on July 6, 1415. Bohemia rose in rebellion, in what became the Hussite Wars. Bohemians elected a Hussite king, George of Poděbrady. Shortly after his death, the Thirty Years War began and resulted in the Austrian Habsburgs gaining the throne of Bohemia. The Habsburg dynasty suppressed Protestantism in the Czech lands and ushering in a brutal Counter-Reformation and forced reconversion to Catholicism. By the nineteenth century, a revival of Czech culture and language brought about Czech nationalism. Spurred by the nobility’s desire to regain lost power from the monarchy, a distinct Czech culture began to coalesce. With noble patronage, Czech nationalists established many of the symbols of the Czech nation such as the Bohemian Museum and the National Theater and initiated Czech language instruction at Charles University in Prague and finally a separate Czech university in Prague. The first generation of nationalist Czech leaders, lead by František Palacký, gave way to a newer generation of nationalists, lead eventually by Tomáš Garrigue Masaryk. Masaryk, a professor at the university, successfully lead the efforts during World War I to create an independent Czechoslovakia. Masaryk’s decades-long debate with historian Josef Pekař over the meaning of Czech history illustrates how Czech nationalists distorted historical facts to fit their nationalist ideology. The nationalists succeeded in gaining independence, but faced unsuccessfully forged a new state with a significant, but problematic, German minority. Budweiser Czech German Masaryk nationalism Pekar European History History
2	Číst Pekaře. Čtyři interpretační cesty k jednomu textu / Reading Pekař. Four Interpretations of one Text Fapšo, Marek January 2013 (has links) Reading Pekař. Four Interpretations of one Text Marek Fapšo Abstract of Final Thesis Following thesis is an empirical contribution to the theory of historiography. It starts with analysis of current situation in the historical sciences, which can be epistemologically called as methodological pluralism. That means, there are many equal but often antagonistic points of view on the past. In the center, the thesis offers four analytical interpretations of Josef Pekař's text Czechs as the Apostles of Barbarism, which was written by this famous Czech historian in 1897. Four analysis are based on four methodological concepts: Émile Durkheim's sociology of religion, Alexandre Koyre's history of science, Roman Ingarden's phenomenology of literature and Walter Benjamin's philosophy of history. This quasi-empirical part is finished and completed by theoretical reflection of the four attempts. It leads to a theory of historiography inspired by philosophy of Hans-Georg Gadamer. The main task of following thesis is to consider relation between chosen method and historical knowledge (of truth).
3	"I will alert the world to your suffering!" : En postkolonial analys av fyra seriealbum som behandlar Israel-Palestina-konflikten / "I Will Alert the World to Your Suffering!" : A Postcolonial Study of four Graphic Novels that depicts the Israeli-Palestinian Conflict Rubensson, Saskia January 2020 (has links) This thesis is a study of four graphic novels that depicts the Israeli-Palestinian conflict: Palestine (1993) by Joe Sacco, How to Get to Know Israel in 60 Days or Less (2011) by Sarah Glidden, Not the Israel My Parents Promised Me (2014) by Harvey Pekar and JT Waldman, and Jerusalem: Chronicles from the Holy City (2011) by Guy Delisle. By comparing the graphic novels, I study the differences and similarities in regard to postcolonial aspects by applying the theoretical framework of Edward Said concerning the “Other” and the Orient. I study the making of the “Other” in the graphic novels by analyzing the use of time in comics, as well as narratological aspects such as focalization. The making of the “Other” is complicated in graphic novels due to its complex use of time and narratology, where a multitude of perspectives and aspects of time can exist simultaneously. Moreover, the theme of the conflict and concept of the “Other” and is further complicated in the graphic novels’ since the Israeli-Palestinian conflict is an ongoing and complex conflict. This thesis aims to deepen the understanding of how the “Other” is depicted in the material. It also has an ambition to expand the knowledge of the medium by analyzing comics in regard to stereotypes and simplification as well as the comic’s subversive strategies. Furthermore, I analyze the relationship between objectivity and subjectivity in the graphic novels which are often categorized as journalistic comics. In regards to the genre I discuss its relationship with traditional journalism and the school of “New Journalism”. Comics Comics Journalism Graphic Novels Israel Palestine Conflict Narratology Postcolonialism Edward Said The Other Joe Sacco Harvey Pekar Guy Delisle Sarah Glidden Conflict Serier Tecknade serier Israel Palestina Postkolonialism Narratologi Konflikt Seriejournalistik Edward Said Joe Sacco Harvey Pekar Sarah Glidden Guy Delisle General Literature Studies Litteraturvetenskap

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