Thesis (Ph. D.)--University of Texas at Austin, 2003. / Vita. Includes bibliographical references. Available also from UMI Company.

Thesis (Ph. D.)--University of California, San Diego and San Diego State University, 2006. / Vita. Includes bibliographical references (leaves 90-96).

In this thesis I investigate the theoretical or philosophical notion/archetype of the Dionysian in relation to the transgressive female body in performance. I do so through 1) an investigation into the theories behind the Dionysian and the transgressive; 2) an examination of the performative practice of the transgressive female body; and 3) a personal exploration of the theatrical practice. 1) In the first chapter I introduce and thoroughly explore the archetypal concept of the Dionysian, and identify its significance because of its intrinsic association with the transgressive. I associate it with its oppositional force, the Apollonian, which is similarly significant because it is through the Dionysian disruption of the Apollonian from which the very notion of the transgressive springs. Through a review of Camille Paglia's seminal text on the subject of the Dionysian¹, this chapter provides a historical, mythological and theoretical context for the schism between the two archetypal aesthetics, starting from the description of the mythology of the ancient Greek gods, Dionysus and Apollo, and unpacks the transgressive nature of the Dionysian. Drawing on concurring theories of Friedrich Nietzsche and Julia Kristeva, as well as Hans Thies-Lehmann's writings on post-dramatic theatre², Chapter One attempts to firmly establish the inherent link between the Dionysian and theatre and performance, as well as the Dionysian and the transgressive, and provide a thorough theoretical framework for the rest of the thesis. 2) The second chapter investigates the work of two female performance artists³ who (re)present⁴ their bodies as transgressive in performance, namely Marina Abramovic and Karen Finley. It critically examines specific performance works of theirs, and through this examination it explores how they (re)present their bodies as transgressive in performance, and why they do so. This chapter furthermore establishes the connection between the transgressive female performing body, as (re)presented by Abramovic and Finley, and the Dionysian. In so doing it explores how they negotiate this ancient aesthetic or practice in a contemporary performance context. I believe that these performance artists are in fact striving to celebrate and reclaim the Dionysian within their work, and I attempt to establish this within this chapter. 3) The third chapter of this thesis analyses my own practical exploration of the transgressive female body in performance in a piece entitled Bleeding Mermaid (2008). It examines this exploration in the context of the theory of the Dionysian, as well as investigating how and why I (re)presented my body as transgressive in the performance. The analysis furthermore questions how I understand my work on the (re)presentation of the transgressive female body in relation to, and within the context of, Finley and Abramovic's work on the same subject. Through this investigation, I aim to establish a link between the Dionysian and the transgressive female performing body; and investigate the motivation(s) behind the (re)presentation of the transgressive female body in performance. I hope to open up a pathway to the reclamation of the Dionysian, both in performance practice and research. ¹Paglia, Camille. Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. England: Penguin Books, 1990. ²Lehmann, Hans-Thies. Postdramatic Theatre. Trans. and Intro. Karen Jürs-Munby. London and New York: Routledge, 2006. ³Performance Art began around the 1960s in Europe and America. It is performance with a sense of immediacy – in that it is hard to replicate as it interacts with each unique audience – it is thus effectively a fresh/new experience each time. It breaks the boundaries of traditional theatre (form, structure, venue, time etc) and is often shocking or provocative in nature. It mixed the aesthetics of theatre and art, often taking place in installation settings. Performance Art has developed and morphed throughout the years, and is also referred to as Live Art in Britain. A performance artist is someone who produces performance art. It is possible that Performance Art no longer exists/is possible because it no longer shocks or affects the audience. ⁴My use of the brackets in (re)presented/(re)present throughout this thesis is because I would like to make simultaneous reference to the words/connotations of "presentation" and "representation", without being bound to the connotations of illusion/falseness/non-reality as is associated with the word "representation" (in opposition to the concept of the "real"), and thus be left only with the one-dimensional approach/meaning of "presentation".

Indiana University-Purdue University Indianapolis (IUPUI) / This thesis sought to understand the messages Black women receive from contemporary images and how these messages may be used to help them develop a sense of womanhood. The framework for the analysis used in this research lies within the feminist standpoint theory and Black feminist thought. The interviews conducted for this research helped to reveal that young Black women recognize patterns within the images of Black women in contemporary media. The images help them to understand the treatment of Black women and about the Black women they want to be.

Thesis (PhD (Social Work))--University of Stellenbosch, 2010. / ENGLISH ABSTRACT: Domestic violence crosses all boundaries and is regarded as a universal challenge affecting women of all spheres of life. Domestic violence is seen as a serious social problem in South Africa. It is regarded by many researchers as a leading cause of female injury. Domestic violence can be described as an act by a member of a family against another member with intent to do physical injury, psychological or emotional harm, or an assault or a threat that reasonably places that member in fear of imminent physical injury or emotional harm. It has major consequences, not only for the abused woman, but also for her children and society at large. Many low-income women cannot escape their abusive circumstances due to a lack of resources. Despite the fact that they cannot leave their situation, many women display certain strengths, helping them to deal with their difficult situation. These women can be viewed as heroic, assertive and persistent. They are not victims, but active survivors. The social work profession could benefit from greater insight into the strengths and coping mechanisms of low-income female survivors of domestic violence. The goal of the study is to gain an understanding of low-income female survivors’ experience of domestic violence, focusing on their environmental resources (including family, friends and community) and on their coping mechanisms (inner resources/strengths). To achieve this goal, the objectives are: to present a theoretical overview of the nature and extent of domestic violence; to describe the environmental resources (such as family, friends and community) of low-income abused women from the ecological perspective; to explore the coping mechanisms (inner resources) of these women in terms of the principles of the strengths perspective; and to analyse and interpret the data obtained from the study. The research utilises an exploratory and descriptive design. The research question is, “What are the experience (environmental resources) and coping mechanisms (inner resources) of lowincome female survivors of domestic violence?” This question was addressed by means of qualitative research. Twenty participants took part in the study. Purposive and snowball sampling were used to select the participants. They were interviewed by the researcher, and the data obtained from the interviews were organised into themes. Five themes namely, the experience of domestic violence, low-income, resources, coping mechanisms and statutory intervention were identified. These themes were further divided into sub-themes and categories. Conclusions derived from the data included: domestic violence is a phenomenon that cuts across all racial, marital status or age boundaries; some low-income female survivors of domestic violence experience their situation as stressful; low-income is one of the determining factors preventing some abused women to leave their situation; resources play a significant part in the lives of some low-income abused women; certain strengths from some low-income battered women help them cope; and some abused low-income women do not find an Interim Protection Order (IPO) or the police to be helpful. The recommendations are that social workers should assess primary, secondary and tertiary intervention in dealing with domestic violence; the ecological and strengths perspectives combined would be helpful in assessing resources and coping mechanisms in low-income abused women and collaboration between social workers, the court and the police could help low-income abused women to use statutory services effectively. / AFRIKAANSE OPSOMMING: Gesinsgeweld ken geen grense nie en word beskou as ’n universele bedreiging vir vroue uit alle sektore van die samelewing. Gesinsgeweld word beskou as ’n ernstige maatskaplike probleem in Suid-Afrika. Dit word deur baie navorsers beskou as ’n hoofoorsaak van vrouebeserings. Gesinsgeweld kan beskou word as ’n daad deur een lid van die gesin teen ’n ander wat gemik is op fisieke skade, sielkundige of emosionele teistering, of ’n aanval of ’n dreigement wat die lid van die gesin laat vrees vir fisieke beserings of emosionele skade. Dit het grootskaalse gevolge, nie net vir die mishandelde vrou nie, maar ook vir haar kinders en vir die breër gemeenskap. Baie lae-inkomste vroue kan nie uit hulle gewelddadige situasie ontsnap nie, vanweë beperkte bronne. Nieteenstaande die feit dat baie vroue nie hul huidige omstandighede kan ontkom nie, toon hulle sekere sterktes wat hulle help in hulle moeilike omstandighede. Hierdie vroue kan beskou word as heldinne wat nie tou opgooi nie. Hulle is nie slagoffers nie, maar oorleef aktief [Engels: “active survivors”]. Die maatskaplikewerkprofessie kan baat by groter insig in die sterktes en hanteringsvaardighede van lae-inkomste vroue wat gesinsgeweld oorleef. Die doel van die studie is om groter insig te verkry in lae-inkomste vroue se ervaring van gesinsgeweld, veral hulle omgewingsfaktore (insluitende familie, vriende en gemeenskap) en van hulle hanteringsmeganismes (innerlike bronne/sterktes). Om hierdie doel te bereik, is die doelwitte: om ’n teoretiese aanbieding van die aard en omvang van gesinsgeweld te gee; om die omgewingsbronne (soos familie, vriende en gemeenskap) van lae-inkomste mishandelde vroue te verduidelik; om die hanteringsmeganismes (innerlike bronne) van hierdie vroue te eksploreer in terme van die beginsels van die sterkte perspektief; en om die data van die studie te analiseer en te interpreteer. Die navorsingsontwerp is eksploratief-beskrywend van aard. Die navorsingsvraag lui soos volg: “Wat is die ervaring (omgewingsfaktore) en hanteringsmeganismes (innerlike bronne) van lae-inkomste vroue wat gesinsgeweld te bowe kom?” Die vraag is aangespreek deur middel van kwalitatiewe navorsing. Twintig deelnemers het deelgeneem aan die studie. Doelgerigte- en sneeubal steekproeftegnieke is gebruik om die deelnemers te verkry. Die navorser het met hulle onderhoude gevoer en die data wat verkry is, is georganiseer in temas. Vyf temas, naamlik die ervaring van gesinsgeweld; lae inkomste; bronne; hanteringsmeganismes; en statutêre intervensie is geïdentifiseer. Die temas is in subtemas en kategorieë onderverdeel. Gevolgtrekkings wat gemaak is uit die data is: gesinsgeweld is ’n verskynsel wat alle ras-, huwelikstatus- of ouderdomsgrense oorskry; sekere lae-inkomste vroulike oorwinnaars van gesinsgeweld ervaar hulle situasie as stresvol; hulpbronne speel ’n betekenisvolle rol in die lewens van sommige lae-inkomste mishandelde vroue; sekere sterktes van lae-inkomste mishandelde vroue help hulle om die situasie te hanteer; en sekere lae-inkomste, mishandelde vroue vind nie ’n Interim Beskermingsbevel (IB) of die polisie as hulpvaardig nie. Die aanbevelings is dat maatskaplike werkers primêre, sekondêre en tersiêre intervensie behoort te assesseer by gesinsgeweld; die ekologiese en sterktes perspektiewe behoort saam aangewend te word om die omgewingsbronne en hanteringsmeganismes van lae-inkomste mishandelde vroue te ondersoek; en samewerking tussen maatskaplike werkers, die hof en polisie kan lae-inkomste mishandelde vroue help om statutêre dienste beter te benut.

In this study, effects of facial self-reflection and complexity of self on physiological responses were investigated. Skin conductance levels were measured during baseline and neutral conditions, then under a self-focusing condition provided by mirror reflection of the face. Subjects completed measures of self-complexity, depressive affect, self-esteem, anxiety and body image satisfaction. Eye tracking data was collected during the mirror condition. Results showed a significant effect of mirror self-reflection on physiological reactivity as measured by differences between mirror and baseline mean responses. Pre-test depressive affect was correlated with low self-esteem but not with self-complexity. Self-complexity was negatively correlated with orientation to physical appearance and positively correlated with greater differences between baseline and mirror mean reactivity. Self-complexity and depressive affect did not significantly predict physiological reactivity, although a trend was found for the influence of each variable. Post-hoc analyses showed significant group differences for both self-complexity and depressive affect on physiological reactivity, although the influence of self-complexity was in the unexpected direction. Results of this study are consistent with general findings that negative self-esteem, anxiety and depression are strongly correlated. In addition, a strong correlation was found between negative self-esteem and dissociative symptoms. Exploratory analyses of eye tracking data found no significant relations among personality variables and percent of time looking at facial image, although some trends were found. Trends for a relation of self-complexity with time looking at facial image, negative evaluation of appearance in the mirror, and less focus on physical appearance suggest a component in the domain of self-complexity related to physical appearance. Clearly, self-complexity has a number of interrelated dimensions and remains a challenging area of study. In addition, the combination of eye tracking and physiological measurement is a relatively new area of study that shows promise for continued investigation.

Submitted in fulfilment of the requirements for the degree of Master of the Arts (Media Studies) in the Faculty of Humanities University of the Witwatersrand, March, 2017 / Many young black aspirational South African women are involved in the construction of their identities, and their ideal selves, through their self-display on Instagram. Within the framework of certain hegemonic structures, these women are seen exercising their ‘freedom’ within a post-feminist setting, as neoliberal citizens, and thus striving for a sense of empowerment from this engagement. This project explores the self-display of 10 of these young women that have each accumulated more than 10,000 followers on Instagram. Semi-structured interviews were conducted with each of them, and their Instagram images were analysed, in order to find out how their online performances relate to consumption and global celebrity culture, and how these ideologies are depicted in their images. They draw inspiration from certain black female celebrities such as Beyoncé and Rihanna, and their emulation of these celebrities is used in their identity construction. They do this by displaying a lifestyle of glamorous consumption by incorporating certain exclusive brands and fashionable items into their online presentation. Additionally, they modify and model themselves to fit a specific beauty ideal, which is characterized by long straight hair, fair skin and a curvaceous body. By doing all of this, these young women are, by their own definition attaining a level of ‘success’, and achieve the status of ‘Insta-Celeb’ by the Instagram community. The ideological frameworks on which this construction is built, involves a collective imperative to be liked and accepted by their online followers, the desire for status, and the contradictory creation of a faux idea of female empowerment that is, in reality, not actually as free as it seems. / XL2018

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Various researchers (e.g., Copeland, 1977; Foster,1973; and Dickson, 1993) have theorized that due to negative self-imagery and the lack of eligible Black men, Black women's self-concept suffers as a result of "losing" potential Black partners to White women. The purpose of the present study was to empirically evaluate the relationship between Black women's self-concept and their attitudes toward Black men dating White women. In addition, level of racial identity development, dating practices, and selfratings of attractiveness were examined as moderating variables. Thirty-six single Black pre-professional (PP) and 36 single Black professional (P) women completed the Demographic Questionnaire, the Tennessee Self-Concept Scale (TSCS), and the Racial Identity Scale-Version B (RIAS-B). The video vignette depicting a Black male-White female couple was then introduced, and the TSCS was administered for a second time. The results indicated that self-concept of the sample was not influenced by viewing a video of a Black male-White female couple. Moreover, level of satisfaction with physical appearance was not correlated with self-concept. In addition, PP women tended to be unsure of their Black identity while P women were less confused and more comfortable with their Black identity. The effects of Black male-White female relationships on Black women is in its exploratory stage and more research is needed in this area. / Department of Psychological Science

This research examined the relationship between beliefs about physical activity, physical activity levels, age and the promotional practices for physical activity employed by Air Force squadron commanders. Additionally, differences in levels of promotional practice were evaluated based on group, MAJCOM and rank of the commander. Web based surveys were completed by 178 commanders at bases world-wide.Positive correlations were observed between physical activity and both personal benefit beliefs and organizational benefit beliefs (417 and .298, p <.001, respectively). Using a step-wise linear regression, only age and personal benefit beliefs had small predictive value for promotion practices score (R2 = .063 for age and personal benefit beliefs combined, p < .001). The difference in mean promotion practices score between some MAJCOMs was significant. Open-ended responses provided insight into practices and beliefs. / Fisher Institute for Wellness and Gerontology