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1	Abstrakt konst idag : En studie av Ann Edholm och Jacob Dahlgrens förhållande till modernismen Krispinsson, Charlotta January 2007 (has links) <p>This paper presents an approach in contemporary, abstract art for a new way of experiencing modernist abstraction. This has not been possible until now, about 40 years after the postmodern turn against modernism in art, and the closely connected formalism. This new approach is represented in this paper by the Swedish contemporary artists Ann Edholm and Jacob Dahlgren. Modernist artists such as Kasimir Malevich and Piet Mondrian receives a new relevance to contemporary abstract art. This opens up for a new, more complex and more dialectical understanding and re-evaluation of modernism and its abstract art.This is shown by a historical and chronological investigation which highlights modernist abstract art, formalism, and the critical and post-modern Neo-geometric ‘abstraction’ of the eighties. This background has been a way of proving how modernist abstraction still can possess a validity for contemporary art today, and even vitalize a continuation for abstract art as a contemporary practice.</p> Ann Edholm Jacob Dahlgren abstract art formalism modernism Peter Halley Endgame Malevitj Mondrian Neo – geo postmodernism Måleri – det utvidgade fältet Art Konstvetenskap
2	Abstrakt konst idag : En studie av Ann Edholm och Jacob Dahlgrens förhållande till modernismen Krispinsson, Charlotta January 2007 (has links) This paper presents an approach in contemporary, abstract art for a new way of experiencing modernist abstraction. This has not been possible until now, about 40 years after the postmodern turn against modernism in art, and the closely connected formalism. This new approach is represented in this paper by the Swedish contemporary artists Ann Edholm and Jacob Dahlgren. Modernist artists such as Kasimir Malevich and Piet Mondrian receives a new relevance to contemporary abstract art. This opens up for a new, more complex and more dialectical understanding and re-evaluation of modernism and its abstract art.This is shown by a historical and chronological investigation which highlights modernist abstract art, formalism, and the critical and post-modern Neo-geometric ‘abstraction’ of the eighties. This background has been a way of proving how modernist abstraction still can possess a validity for contemporary art today, and even vitalize a continuation for abstract art as a contemporary practice. Ann Edholm Jacob Dahlgren abstract art formalism modernism Peter Halley Endgame Malevitj Mondrian Neo – geo postmodernism Måleri – det utvidgade fältet Art Konstvetenskap
3	Codes of Interaction Martin, Timothy Michael 01 January 2005 (has links) The ideas within this thesis are meant to clarify my explorations, research and painting practice during my studies at Virginia Commonwealth University. I expand on my general statements about being fascinated by advancing technologies and concerned about the after effects of these advancements. The writing explores my curiosity about the internal, skeletal structure of things and how they operate. I explain how the paintings are idiosyncratic hybrids that evoke animation, imaginary scientific propositions, blueprints, maps, and advancing technologies. The work combines these interests with my observations of day-to-day experiences. Isolated events provide found compositions which I then manipulate: a seemingly mundane bike ride gets mapped into a well–ordered schematic of social interaction. painting diagrams schematics sculpture installation interaction codes maps mixed media glitter peter halley panofsky plumbing construction industry tennessee norris tn oak ridge jay searcy foucault narrative minimal geometric abstraction hue color joseph albers Art and Design Arts and Humanities

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