Thesis (M.A.I.S.)--Oregon State University, 1999. / Typescript (photocopy). Includes bibliographical references (leaves 68-70). Also available online.

This essay focuses on gender behaviour in The Return of the Soldier by Rebecca West. The claim for this essay argues that West has changed the traditional gender roles in her novel by giving female characters masculine attributes and the male character feminine attributes. The theoretical framework provides a comparison of how West’s gender construction in her novel differs from older literature. The comparison is carried out by providing examples from two novels from the nineteenth century, in which we can see how men and women could be portrayed. The theoretical framework also discusses feminist theories by Toril Moi, masculinity studies by Alex Hobbs, and typical gender stereotypes according to Jeff Hearn. These theories are used to analyse how the characters’ gender behaviour is affected by social factors and how West deviates from the traditional construction of gender roles.

Given Rebecca West's fame during her lifetime, the amount of significant and successful writing she created, and the importance and relevance of the topics she took up, remarkably little has been done to examine her intellectual legacy. Writing in most genres, West has created a body of work that illuminates, to a large degree, the social, artistic, moral, and political evolution of the twentieth century. West, believing in the unity of human experience, explored such topics as Saint Augustine, Yugoslavian history, treason in World War II, and apartheid in South Africa with the purpose of finding what specific actions or events meant in the light of the whole of human experience. The two major archival sources for Rebecca West materials are located at the University of Tulsa's McFarlin Library, Special Collections, and at the Beinecke Rare Book and Manuscript Library at Yale University. Many of her works have been recently reprinted and those not easily available are found in the British Library or in the archival depositories noted above. Interviews with persons who knew West were also an important source of information. This dissertation explores chronologically West's numerous works of nonfiction, and uses her fiction where it is appropriate to place into context social, historical, or biographical topics. The manner in which she took up the topics of feminism, art, religion, nationalism, war, history, treason, spying, and apartheid demonstrate the wide-ranging mind of an intellectual historian and social critic. Though her eclecticism makes her a difficult subject, the diversity of her mind and her talent in expressing her thoughts, allow her work to symbolize and illuminate twentieth century intellectual history. Known for her elegant fiction, and forceful personal style, West should also be known as a thinker and social critic. What is common to her eclectic opera is that she forcefully propounded ideas, shook loose staid preconceptions, and recommended new ways of perceiving politics, religion, art, culture, law, and morality.

The glory of war is dead, and the Great War killed it. Soldierly dignity, heroism, and proper field chivalry; all laid to waste by a single mortar round at Arras. This ethos—a vestige of Greek warrior worship—stood little chance against the trenches. It either drowned in the fecal trench muck at the Somme or staggered back—in tatters, if that—a broken soul; another victim of the so-called “Good Fight.” And there were many victims. An entire generation, even, lost to the trenches. But that’s not even the worst part. The worst part is that home front in England didn’t even get it.

Works on the Balkans currently face a crisis of representation--from Ivo Andric's fictionalized memory to Joe Sacco's humanitarian witnessing, the occidental reader must examine the Balkans within a historical context of colonialism to avoid misrepresentation. The goal of this study is threefold: to provide a firm historical grounding while observing the instruments of colonialism, to give an overview of Occidental travel writing on the Balkans with a particular focus on the formation and dissolution of Yugoslavia, and to suggest examples of travel texts that strive to read colonized worlds without losing sight of their own Occidental positioning or pretending that it does not exist. When approaching a contested space that involves a multitude of competing discourses, a hefty responsibility is thrust on both the reader and writer of Balkan representations to retain an awareness of counter and hidden discourses while resisting the urge to define, or even pursue, the definitive "true story" of the Balkans. Thus, an occidental reader of East Europe must be able to contextualize various and often contradicting texts without naturalizing recorded experiences. He or she must also maintain a poignant awareness of how Western imperialism has constructed and reconstructed the region by journalism, memoir, artificial borders, ethnography, classification, historical absolutism, and financial exploitation. If this work simplifies or answers "What is Balkan?" then it has failed utterly. We can only hope to further complicate and challenge the dominant discourse of Balkanism to keep the reader's mind alive and questioning rather than dead and assured. / Master of Arts

The focus of this research paper is to analyze how Rebecca West’s book Black Lamb & Grey Falcon contributes to the construction of a theoretical concept created by M. Todorova, ”balkanism”. This is achieved through extensive analysis of her work, focusing on how West creates her own stereotype of Yugoslavia and how her portrayal of people and the Yugoslavian society relate to her discussions of the region’s history. With the help of two categories, ethnography and historiography, I will be able to look how West uses the history of Yugoslavia in the construction of” the other” and” otherness”. The main theory used in this paper is Maria Todorova who came up with the concept of” balkanism”. This combination makes the analysis in question unique. With the help of Todorova, it will be possible to understand why West wrote her book in the way that she did while at the same time trying to find out how West contributed to the construction of the theoretic concept of” balkanism.” In conclusion it can be said that West’s way of writing about Yugoslavia is often characterized by certain words and patterns that will be discussed further in the analysis.

The First World War wrought untold destruction on the physical and psychological landscape of Europe. For Britain, the immediate post-war period represented no less than a national “nostos,” or homecoming, and few social institutions were so fragmented by the conflict as the home. This thesis will explore the various conceptions of “home,” from the nation and the domestic sphere to post-war consciousness, through the lens of Virginia Woolf’s Mrs. Dalloway and Rebecca West’s The Return of the Soldier. Though unique in style and scope, Woolf and West interrogate and revise pre-war notions of “home” and suggest a Modernist aesthetic of what it is to be both at “home” and at home in the world.

The First World War wrought untold destruction on the physical and psychological landscape of Europe. For Britain, the immediate post-war period represented no less than a national “nostos,” or homecoming, and few social institutions were so fragmented by the conflict as the home. This thesis will explore the various conceptions of “home,” from the nation and the domestic sphere to post-war consciousness, through the lens of Virginia Woolf’s "Mrs. Dalloway" and Rebecca West’s "The Return of the Soldier." Though unique in style and scope, Woolf and West interrogate and revise pre-war notions of “home” and suggest a Modernist aesthetic of what it is to be both at “home” and at home in the world.