Diss.--Philosophische Fakultät I--München--Ludwig-Maximilians-Universität, 1981. / Bibliogr. p. 147-162. Index.

Diss. : Philosophie : Düsseldorf : 1980. - Bibliogr. des œuvres de H. Reichenbach p. 293-309. Bibliogr. p. 310-324. Index. -

Zugl.: Tübingen, Univ., Diss., 2003/2004

Universiẗat, Diss., 2004--Jena.

Este trabalho propõe analisar a obra do cineasta brasileiro Carlos Oscar Reichenbach Filho (1945 - 2012), atuante desde o final dos anos 60 até a primeira década do século XXI, atentando para as principais coordenadas e inflexões de sua trajetória. Entre os principais filmes analisados destacam-se: Lilian M. (Relatório Confidencial) (1975), Filme Demência (1986) e Falsa Loura (2007). Notavelmente, a filmografia reichenbachiana apresenta um grau de heterogeneidade que pode ser remontada às intensas e subsequentes transformações históricas do país durante o período de sua realização, de tal modo que interessou-nos investigar como as frequentes mudanças no estilo e nos modos de produção do cineasta ajudaram a forjar uma postura artística particular - que chamaremos de Cinema Corsário - preocupada em garantir a sobrevivência profissional, bem como salvaguardar o máximo de autonomia crítica e liberdade criativa face às condições sociopolíticas e econômicas enfrentadas ao longo das rotas cinematográficas de Carlos Reichenbach. / This work proposes to analyze the work of brazilian filmmaker Carlos Oscar Reichenbach Filho (1945 - 2012), who has been active since the late 60s until the first decade of the 21st century, looking at the most remarkable coordinates and inflections of his career. Among the main films analyzed are: Lilian M. (Relatório Confidencial) (1975), Filme Demência (1986) and Falsa Loura (2007). Remarkably, the reichenbachian filmography presents a distinct degree of heterogeneity which can be related to Brazil\'s intense and subsequents historical transformations during the period of its realization, in such a way that interested us to investigate how such articulations helped to forge a particular artistic stance - that we will call Corsair Cinema - concerned about professional survival, as well as guaranteeing the maximum of critical autonomy and creative freedom in face of the sociopolitical and economical conditions presented throughout Carlos Reichenbach\'s cinematographic routes.

Thesis (doctoral) - Universität, Tübingen, 2003/2004. / Includes bibliographical references (p. [259]-272) and index.

Thesis (doctoral) - Universität, Tübingen, 2003/2004. / Includes bibliographical references (p. [259]-272) and index.

No description available.

Ce travail fait l’analyse du concept de « principe de coordination » tel qu’il se développe au sein de la théorie coordinative de la connaissance, et plus particulièrement au sein du mouvement empiriste-logique, à partir de la deuxième décennie du XXème siècle. Ce concept est primordial lorsqu’il s’agit de comprendre la manière dont la définition des concepts de grandeur en physique se construit comme la mise en rapport, la coordination, des variables mathématiques de la théorie avec les opérations de mesure dans le laboratoire. L’enjeu est de montrer qu’un des concepts centraux de l’empirisme au XXème siècle est utilisé initialement, par Schlick et Reichenbach, pour analyser la théorie de la relativité, mais qu’il devient rapidement l’outil d’un programme plus spécifique, entrepris par Carnap et Hempel, de reconstruction logique des théories physiques. Pourtant ce concept, pris au sein de l’épistémologie coordinative, permet un empirisme qui laisse une place au développement historique des concepts de grandeur. Analysé et compris correctement il peut permettre de poser les fondements d’un empirisme historique, au sein duquel les concepts théoriques ne seraient plus reconstruits seulement à partir des mesures empiriques, mais aussi à partir des concepts hérités de théories historiquement antérieures. / This work analyzes the concept of "principle of coordination" as it develops within the coordinative theory of knowledge, and more particularly within the empiricist-logical movement, from the second decade of the twentieth century. This concept is essential to understand the way in which the definition of the concepts of magnitude in physics is constructed as the linking, the coordination, of the mathematical variables of the theory with the measurement operations in the laboratory. The challenge is to show that one of the central concepts of empiricism in the twentieth century is used initially, by Schlick and Reichenbach, to analyze the theory of relativity, but that it quickly becomes the tool of a more specific program, undertaken by Carnap and Hempel, of logical reconstruction of physical theories. Yet this concept, along with other concepts from coordinative epistemology, allows an empiricism that leaves room for the historical development of the concepts of magnitude. Analyzed and understood correctly, it can lay the foundations of a historical empiricism, in which theoretical concepts would no longer be reconstructed only from empirical measurements, but also from concepts inherited from historically antecedent theories.

No description available.