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No author from antiquity has had more influence on modern perceptions of the ancient poet, Ennius, than the late-Republican orator, Cicero. Indeed, Cicero helped transform the image of Ennius from that of a poet to an auctor, an authoritative source. Likewise, at the hands of Cicero, Ennius’ Annales was portrayed in a variety of ways, ranging from a work with scientific credibility, to a text actively involved in the transmission of Roman culture. This thesis aims to explore the ways in which Cicero constructed the authority of Ennius and his Annales through a close analysis of the citations in his philosophical works. As a result of this examination I hope to shed light on the different authority-building techniques with which Cicero crafted Ennius into a formidable source of auctoritas, while also considering his motives and the consequent image of Ennius that arises.

Solinus’ Collectanea rerum memorabilium, composed in the third or fourth century, was an esteemed work of travel and natural history throughout Late Antiquity and the Middle Ages. Although scholars since the early Enlightenment have criticised this work as an unoriginal compilation of earlier sources, Solinus’ skill in selecting and organising information, and his book's influence throughout much of western history, cannot be denied. The first chapter argues that Solinus designed his book to have wide appeal, so as to entertain and educate the greatest possible audience. No previous English or French scholarship has addressed Solinus’ book as a fundamentally entertaining work, but there are many indications that it would be considered a fashionable and amusing informational text by the elite class. By drawing on several highly respected genres, frequently citing received authorities, and writing in a flowing discourse, Solinus presents information about worldwide wonders, of no immediate use to the average Roman, as though it were beneficial and even necessary to the educated reader. The second chapter looks closely at Solinus’ literary technique, then considers him in the context of three other encyclopedic authors: Aulus Gellius in the second century, and Macrobius and Martianus Capella in the fifth. The third chapter examines the Collectanea as a work of imperial literature. I argue for the novel claim that Solinus’ depiction of the Macrobian Ethiopians seems to associate them with his contemporaries, the Axumites. His portrayal of the Macrobians shows that although on the surface the book adheres to Romano-centric literary traditions, in subtle ways it reflects its contemporary context and Solinus’ own perspective. By examining the text itself as well as the context in which it was created and received, this thesis contributes to a new understanding of the Collectanea’s value as a work of literary and historical significance.

The thesis investigates certain themes relating to death and after-life in the poetry of the late Republican and early Imperial ages within the wider context of Roman literature and religion. The emphasis on the evidence of literature rather than on that of epigraphy and art was prompted by the_ fact that the latter are by nature more static and formalized than the former. The investigation has suggested that the Roman poets register and enlarge, as a rule, the ideas on death and after-life current in their time and thus promote a tradition which can be traced back, through the Greek classical age, to Homer and Hesiod. Although genuine Roman concepts and feelings persist, the general impression is that we have to do with a body of Hellenistic ideas. The concept of the Di Manes seems to· preserve something of the early Roman feelings of respect and fear towards the souls of the deceased, but it is found enriched with new and varied connotations. We can hardly speak of native Roman divinities of the underworld, with the exception perhaps of Orcus. Instead, the Greek figures of Dis (Pluto), Proserpina (Persephone), and Hecate, are very prominent in Roman poetry. This applies also to the demonic figures of Hades like Charon, Cerberus, the Erinyes (Furies) and others. Nor could the Latin authors ignore the imaginative topography of the Greek lower world. Vergil gives to the traditional theme of catabasis, the descent of a hero to Hades, scime Roman colouring in Aeneid 6, but on the whole the descent of Aeneas is simply the fullest example of a motif popular with Greek and Latin authors. Roman poetry also reflects most of the ancient ideas about the destiny of the human soul after death. Moreover, hero-worship and divine honours paid to mortals seem to have found a fertile soil in the traditional Roman concept of the holy ancestors (D! Parentes). The fusion of Greek and Roman elements in this area is best expressed in the works of Vergil. In sum, the investigation confirms the impression of the fluency and mobility of religious ideas in the Roman-Hellenistic world of the first century B.C. / Thesis / Doctor of Philosophy (PhD)

In the introduction, I discuss the problems scholars experience in trying to define the concept of Roman friendship. I argue that amicitia cannot be equated with patronage, and present justification based on some primary literature. Brief words are then offered on the sociology of friendship, and an attempt is made to relate ideas from modern sociology to ancient friendship. The first chapter is based on the Letters of Pliny the Younger, and begins with an analysis of the vocabulary employed by Pliny in describing his friendships. This is considered in conjunction with prosopographical data in order to establish the connection between vocabulary and practice. The derived results are used to conclude that friendship in the Roman world was more involved than simply patronage, and that it was one of the driving forces behind Roman social behaviour as it helps to integrate different levels of society. Chapter two follows a similar methodology, with the correspondence of Fronto as its focus. The conclusions drawn in this chapter are used to reinforce the arguments presented in the first. Also included in chapter two is a brief discussion of the ancient philosophical approaches to friendship, and a solution is presented to resolve the differences between philosophical ideals and the reality of friendship. The third chapter begins with an examination of the secondary literature on the concept of friendship with the emperor. I maintain that scholarship is lacking in this field because it neglects the personal nuances such relationships could have. The chapter then turns to Pliny’s Panegyricus to determine his attitude regarding this issue, which is used as evidence against some modern interpretations of aristocratic perceptions of the emperor. Pliny’s exchanges with Trajan are subsequently analyzed, and it is argued that it was as subject/ruler that Pliny and Trajan defined their association. Chapter four discusses the relationship Fronto shared with the Antonine emperors. I contend that Fronto related differently with each and experienced different levels of intimacy, which points to the importance of personal connections, even with people as uniquely powerful as emperors. I also conclude from this that even emperors were not above the rules and practices of friendship. The concluding remarks draw attention to the advantages of exploring Roman social relationships through the prism of friendship, as opposed to the traditional perspective of patronage. Some future avenues of research are also suggested.

This thesis examines transformations of human characters into trees, stones, and water sources in Ovid’s Metamorphoses. The current climate crisis is partly the result of a view of nature as a passive object, or inert matter, that humans without consequences can exploit. Using primarily the ecocritical theory new materialism, this thesis is a study of how nonhuman organisms can be assumed to have agency in order to alter this view of nature. The characters in the Metamorphoses that transform have different forms of agency before and after transformation depending on the body they inhabit. With close reading of the transformations themselves and the portrayal of the characters after transformation, the thesis finds that the material reality of the body determines what a body can do. Thus, it is possible to use the Metamorphoses to do a contemporary ecocritical reading that shows how a narrative can portray nature and nonhuman organisms with as much importance as human organism. By understanding the agency of nature and find it to be an active subject instead of only an object, it can change the relationship humans have with nature to one that is less exploitative.

Previous researchers of Jewish history in the Roman Empire have imperfectly employed Greco-Roman sources to describe Roman perceptions of Jews and Judaism by relying on a handful of Greek and Latin written and visual components without attempting to quantify or comprehensively explore this abundant material. Utilizing both quantitative and qualitative methodologies, this dissertation analyzes the vast array of Greco-Roman written and visual sources about Jews and Judaism from the first century BCE to the end of the third century CE. While qualitative reviews of Greek and Latin texts help eliminate potential inconsistencies in the data, computational tools like text-mining analysis quantify the information into calculable results. The addition of visual source material into the framework helps further refine the quantified textual material. Reviews of this data reveal the general traits imperial leaders within the Roman Empire knew about the geography and history of Judaea, Jewish religious beliefs and cultural practices, and Jewish communities in general. Further reviews of the data note regional and, more importantly, temporal variations connecting them to changes both in imperial rule and Judaism. This process presents a more detailed and coherent conception of Roman knowledge of Jews and Judaism than scholars have previously recognized. In addition to highlighting imperial knowledge, this dissertation also demonstrates how Roman authorities drew on this information while ruling over Jewish communities. From this analysis, it is clear Roman imperial authorities formed a complex knowledge of ethnic and religious communities like Jews and applied this information to their rule over these populations.

This is a study of how late Republican and early Imperial authors recast different elements of episodes from the Struggle of the Orders (509-287 BCE) based on the events and circumstances of their own times and their authorial aims. The study is divided into two parts. Part I focuses on portrayals of Sp. Cassius’ third consulship in 486 BCE, when he sought to pass a lex agraria. Part II examines the treatments of Sp. Maelius’ private frumentary distributions, which purportedly occurred in 439 BCE. Both episodes seem to have been treated briefly by earlier sources; the main thread of the stories centred around Cassius’ and Maelius’ desire to acquire regnum, which led to their suppressions and deaths. Over time, the stories evolved and became more detailed. Elements were exaggerated, added, or omitted, which often spoke to what was happening during the time at which a certain author was writing. By means of a comparison of the primary sources I examine the contemporary Roman historical realities contained within our surviving narratives on the patricio-plebeian conflicts of the early period. Late Republican authors frequently recast the patrician-plebeian struggle in the context of the recent political conflicts between optimates and populares, using the political idiom of their own times to describe the Struggle of the Orders. Cassius and Maelius became embedded in the political controversy surrounding the suppression of men (reportedly) seeking kingship by the state that began with the institution of the SCU and continued long into the first century BCE. I analyze the changes that take place in the accounts of Cicero, Livy, and Dionysius of Halicarnassus, our main sources on the episodes involving Cassius and Maelius. Different authors reinterpret, emphasize, and omit various elements of the events of 486 and 439 BCE. A single author might, as is the case with Cicero, reimagine the episodes differently at different times based on his immediate aims. While the ways by which the sources reimagine elements of these episodes has led to harsh criticisms of these authors, especially Livy and Dionysius, I argue that our sources were engaging with the material at their disposal and shaping it in ways that were acceptable to ancient audiences. This historical interpretation helped the Romans to make sense of their own past and derive meaning from it, which, in turn, helped them to engage with and make sense of their present. / Thesis / Doctor of Philosophy (PhD)

Petronius' Satyrica is uniquely situated as the Roman literary work most concerned with performance, theatricality, and the disconnect between perception and reality. Throughout the Satyrica, Petronius conjures the specter of the first princeps, Augustus. Augustan resonances are a constant occurrence in the Satyrica as Petronius' characters continuously reenact Augustan moments significant to the foundation of the principate. Such reenactments destabilize and alter any meaning essential to Augustan foundational moments leading to their subversion and thus a subversion of the principate in general. Thus, by emphasizing performances of ideological, moral, and social contradictions inherent in the princeps, Petronius presents a critique of the figure that created that role and the continuation of his legacy: that the position of princeps is a farce, that Nero was a byproduct of Augustus' creation, and that the principate had been theater from the very beginning.

The presentation of pietas in Lucretius has often been overlooked since he dismisses all religious practice, but when we consider the poem’s overall theme of growth and decay, a definition for pietas emerges. For humans, pietas is the commitment to maintaining the foedera naturae, “nature’s treaties.” Humans display pietas by procreating and thereby promoting their own atomic movements into the future. In the “Hymn to Venus,” Lucretius uses animals as role models for this aspect of human behavior because they automatically reproduce come spring. In the “Attack on Love,” Lucretius criticizes romantic love because it fails to promote the foedera naturae of the family. Lucretius departs from Epicurus by expressing a concern for the family’s endurance into the future, or for however long natura will allow. It becomes clear that Lucretius sees humans as bound to their communities since they must live together to perpetuate the foedera naturae of the family. / text