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Nineteenth Century English FrescoJay, Christina Bergquist 08 1900 (has links)
The problem of this investigation is determining the artists, places, dates, subjects, and types of frescoes done in nineteenth century England. Through research in nineteenth and twentieth century materials, this information was disclosed. Included in this paper are discussions of the artists, chronology, the fresco projects, stylistic considerations, reasons fro using fresco, and fresco's relevance to the subjects of the paintings. The differences in the technical aspects of fresco and its adaptations are explored. Included in this paper are discussions of the artists, chronology, the fresco projects, stylistic considerations, reasons for using fresco, and fresco's relevance to the subjects of the paintings. It is concluded that the fresco revival was a part of the prevalent Romantic mood of the period and a wish to make England an important nation in the art world's eyes. The revival, however, failed. Its fresco scenes crumbled off the walls that supported them.
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Intimations of infinity : exploring transcendence in landscape paintingSaad, Georgia 11 1900 (has links)
This dissertation investigates the question of transcendence and its relevance to my picture-making .
process. The term 'transcendence' refers to any experience which surpasses the finite. In relation to the
art-making process it refers to an opening up of the frame. Transcendence is not regarded as a fixed and
unalterable state but as such that it encompasses paradox. The fragmentary nature of experience and"
knowledge provides the point of departure for this investigation.
The possibility of transcendence is partly explored through the concept of symbolic orders. I am using
the term 'symbolic orders' to refer to any frameworks which shape human experience in general and the
creative process specifically.
Upon exploring the concept of transcendence as concerns the work of a number of artists and insofar as it
has informed my own pictures it appears that there is a creative system pertaining to the artwork which is
transcendent. / Art History, Visual Arts & Musicology / M.A. (Fine Arts)
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Intimations of infinity : exploring transcendence in landscape paintingSaad, Georgia 11 1900 (has links)
This dissertation investigates the question of transcendence and its relevance to my picture-making .
process. The term 'transcendence' refers to any experience which surpasses the finite. In relation to the
art-making process it refers to an opening up of the frame. Transcendence is not regarded as a fixed and
unalterable state but as such that it encompasses paradox. The fragmentary nature of experience and"
knowledge provides the point of departure for this investigation.
The possibility of transcendence is partly explored through the concept of symbolic orders. I am using
the term 'symbolic orders' to refer to any frameworks which shape human experience in general and the
creative process specifically.
Upon exploring the concept of transcendence as concerns the work of a number of artists and insofar as it
has informed my own pictures it appears that there is a creative system pertaining to the artwork which is
transcendent. / Art History, Visual Arts and Musicology / M.A. (Fine Arts)
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Vizuální utopismus ve viktoriánské Anglii - William Morris a jeho "učitelé" / Visual Utopianism in Victorian England: William Morris and His "Teachers"Fabián, Erik January 2017 (has links)
widely held "from romantic to revolutionary" hypothesis and presents Morris as a "revolutionary" Victorian who has never fell out with the ideas of Romanticism. Together cultural Victorian discourse as well as the ideas of his "teachers" - - Morris's "teachers", and the third chapter focuses on the interpretation of and Morris's utopianism. The interrelated areas of "Nowherian" space (3.2), work and history (3.4) help establish the nature of Morris's visual utopianism on the background of Ernst Bloch's theory of utopia and alongside the
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A maldição como processo = leituras de Gaspard de la Nuit / Curse as a process : lectures on Gaspard de la NuitMelo Franco, Lenon Rogerio de 15 August 2018 (has links)
Orientador: Suzi Frankl Sperber / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituo de Estudos da Linguagem / Made available in DSpace on 2018-08-15T22:23:26Z (GMT). No. of bitstreams: 1
MeloFranco_LenonRogeriode_M.pdf: 1830662 bytes, checksum: d63fce9d22e9ed1808c6436f83f0a25d (MD5)
Previous issue date: 2010 / Resumo: A dissertação se ocupa da recepção da obra francesa Gaspard de la Nuit: fantaisies à la manière de Rembrandt et de Callot desde sua publicação nos anos românticos até nossos dias. As leituras de Sainte-Beuve, Baudelaire, Mallarmé e André Breton, sobretudo, são revisadas à luz de exames sincrônicos e diacrônicos. Os diferentes acolhimentos do texto são oportunidade e aporte para discutirmos seus aspectos prevalentes, tais como a relação da poesia com as artes plásticas, a fundação de um novo gênero que é o poema em prosa moderno e a noção de poète maudit. Após o decantamento crítico de numerosos leitores, apresentamos então nossa exegese particular da obra - que se acrescenta a esses registros recepcionais que foram analisados / Abstract: Not informed / Mestrado / Literatura Geral e Comparada / Mestre em Teoria e História Literária
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