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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 4 of 4 (0.066 seconds)Spelling suggestions: "subject:"foy lichtenstein"" "subject:"foy liechtenstein""
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Caminho aberto: o trabalho em papel e vídeo / Open path: the work on paper and videoLoeb, Angela Varela 22 April 2015 (has links)
O presente estudo integra o trabalho artístico desenvolvido ao longo do curso de doutorado. Por um lado, ele aborda o processo desses trabalhos, em papel e em vídeo, procurando informar ao leitor as escolhas presentes na sua realização, bem como, refletir sobre algumas noções que alimentam o processo. São elas: \"ausência de simbolização\", indissociação, desobstrução, fluxo e \"uso de uma forma mínima\". Por outro, em consonância a essas noções, o estudo procura dar conta de um pequeno grupo de nomes da história da arte que por contiguidade conceitual, metodológica ou formal dialoga com o meu processo. São estudados prioritariamente três artistas: Lucio Fontana (1899 - 1968), Roy Lichtenstein (1923 - 1997) e Gordon Matta-Clark (1945 - 1978). As imagens dos trabalhos realizados em papel durante o curso fazem parte desse documento, bem como um DVD com o registro dos vídeos desenvolvidos. / This study is part of the artistic work over PHD course. On the one hand, it addresses the process of this work on paper and on video, seeking to inform the reader the choices present in the implementation, as well as reflect on some notions that feed the process. They are: \"lack of symbolization\", indissociation, unblock, fluxus and \"use of a minimal form\". On the other one, in line with these notions, the study approaches to a group of art historical names that dialogues with my process for conceptual, methodological or formal contiguity. Three artists are studied: Lucio Fontana (1899 - 1968), Roy Lichtenstein (1923 - 1997) and Gordon Matta-Clark (1945-1978). The images of the work done on paper during the course are part of this document as well as a DVD with the developed recorded videos.
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Caminho aberto: o trabalho em papel e vídeo / Open path: the work on paper and videoAngela Varela Loeb 22 April 2015 (has links)
O presente estudo integra o trabalho artístico desenvolvido ao longo do curso de doutorado. Por um lado, ele aborda o processo desses trabalhos, em papel e em vídeo, procurando informar ao leitor as escolhas presentes na sua realização, bem como, refletir sobre algumas noções que alimentam o processo. São elas: \"ausência de simbolização\", indissociação, desobstrução, fluxo e \"uso de uma forma mínima\". Por outro, em consonância a essas noções, o estudo procura dar conta de um pequeno grupo de nomes da história da arte que por contiguidade conceitual, metodológica ou formal dialoga com o meu processo. São estudados prioritariamente três artistas: Lucio Fontana (1899 - 1968), Roy Lichtenstein (1923 - 1997) e Gordon Matta-Clark (1945 - 1978). As imagens dos trabalhos realizados em papel durante o curso fazem parte desse documento, bem como um DVD com o registro dos vídeos desenvolvidos. / This study is part of the artistic work over PHD course. On the one hand, it addresses the process of this work on paper and on video, seeking to inform the reader the choices present in the implementation, as well as reflect on some notions that feed the process. They are: \"lack of symbolization\", indissociation, unblock, fluxus and \"use of a minimal form\". On the other one, in line with these notions, the study approaches to a group of art historical names that dialogues with my process for conceptual, methodological or formal contiguity. Three artists are studied: Lucio Fontana (1899 - 1968), Roy Lichtenstein (1923 - 1997) and Gordon Matta-Clark (1945-1978). The images of the work done on paper during the course are part of this document as well as a DVD with the developed recorded videos.
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Seduction, Coercion, and an Exploration of Embodied FreedomKusina, Jeanne Marie 11 July 2014 (has links)
No description available.
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Barbro Östlihn och New York : Konstens rum och möjligheterÖhrner, Annika January 2010 (has links)
The study analyses the American neo-avantgarde as well as the narratives of Swedish post World War II art history, through a specific subject position. The Swedish painter Barbro Östlihn (1930-1995) lived in New York from 1961, where her work was exhibited and received on a new art scene. Despite the strong focus within Swedish Art History on the 1960’s and the American art scene, Östlihn seems to be marginalized in its narratives. Studies of selected corpora of American art criticism, and of segments in the Swedish art scene in the 1960’s are maintained. Discursive and field-related mechanisms, which help to explain what positions were available, are revealed. Transnational processes of avant-garde culture between Manhattan and Stockholm are discussed, e.g. through an analysis of the American pop art show at Moderna Museet in 1964. This becomes the backdrop for the final chapter’s discussion of the narratives in post World War II Art History in Sweden. In the interpretation of Östlihn’s work-process, her use of photography is understood as a strategy to connect her painterly work with urban space. The painterly and the photographic are merged, as in other artistic practices in a historical moment of crisis in painting. The studio, the site where modes of art production are constructed, is one point of departure in a spatial analysis of the art field. Another is the ongoing urban renewal on Lower Manhattan and its impact on artistic work and on how artists are positioned. Östlihn’s co-operation in the work of her husband Öyvind Fahlström, is understood as a merging of a traditional division of work between genders, and new co-operative modes of art-production. The study is the first academic work on Barbro Östlihn, and covers the time span 1960-1969. Feminist theory, Pierre Bourdieu’s field theory and Michel Foucault's discourse theory is used as its main framework.
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