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The value of stormwater wetlands for supporting multiple life-history stages of the wood frog (Lithobates sylvaticus) in the City of Edmonton, Alberta, CanadaScheffers, Brett 11 1900 (has links)
I reviewed 32 urban amphibian studies from North America and found most amphibians respond negatively to urbanization (69 negative responses, 6 positive and 35 no effect). Additionally, I conducted amphibian surveys (adult, egg, larvae, and metamorphs) at 75 wetlands located throughout the City of Edmonton, Alberta, Canada, with a focus on the wood frog (Lithobates sylvaticus). Wetlands consisted of natural river valley and upland sites, and constructed stormwater wetlands. Breeding male wood frogs occured at 50% of stormwater wetlands versus 93% of natural wetlands. The presence of breeding males was best predicted by the proportion of native vegetation within 100 m of a wetland. Wood frogs successfullly reproduced on stormwater wetlands but relative abundances of eggs, tadpoles and metamorphs were lower than at natural sites. However, stormwater metamorphs were significantly larger which may contribute to higher survivorship and subsequent reproductive success. Stormwater wetlands are required to control flooding and run-off, therefore, future amphibian conservation efforts should focus on preserving native terrestrial habitat surrounding urban wetlands. / Ecology
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Modelling the effect of mill length on the relationship between slurry hold up and flowrateTello, S. Unknown Date (has links)
No description available.
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The Legend of Sleepy Hollow the creative challenges of lighting a small show in a large venue /Muller, Karen January 2009 (has links)
Thesis (M.F.A.)--West Virginia University, 2009. / Title from document title page. Document formatted into pages; contains v, 66 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 42).
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Pushing techniques the impact of non-directed versus directed pushing on maternal and fetal outcomes : a research report submitted in partial fullfillment [sic] for the degree of Masters [sic] of Science (Nurse-Midwifery) ... /Dimon, Celeste E. January 1995 (has links)
Thesis (M.S.)--University of Michigan, 1995.
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Pushing techniques the impact of non-directed versus directed pushing on maternal and fetal outcomes : a research report submitted in partial fullfillment [sic] for the degree of Masters [sic] of Science (Nurse-Midwifery) ... /Dimon, Celeste E. January 1995 (has links)
Thesis (M.S.)--University of Michigan, 1995.
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Theatre of storytelling : the prose fiction stage adaptation as social allegory in contemporary British drama /Ingham, Michael Anthony. January 1998 (has links)
Thesis (Ph. D.)--University of Hong Kong, 1998. / Includes bibliographical references (leaves 439-451).
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Little shop of horrors comparative lighting designs through stage directions /Moody, David Adams. January 2010 (has links)
Thesis (Honors)--College of William and Mary, 2010. / Includes bibliographical references (leaves 34-35). Also available online.
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A case study in adaptation from stage to screen the Diary of Anne Frank.Schnapper, Amy, January 1970 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1970. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Scenic Design for Alan Ayckbourn's Taking StepsAdkins, David A. January 2003 (has links) (PDF)
No description available.
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Alcoholism on the American Stage: De-Stigmatizing Socially Constructed Depictions of the Alcoholic through PerformanceCampbell, Thomas Michael 01 May 2013 (has links)
This dissertation seeks to address the societal problems associated with alcohol abuse and alcohol dependency in relationship to problematic depictions that have appeared on the American stage. It examines plays that perpetuate stigmas as well as plays that seek to subvert stigmas and stereotypical depictions as a means of creating avenues for discourse. This study asks how we, as practitioners of the theatre, can use the theatre and the act of storytelling to initiate empathy and compassion toward what is still considered a marginalized topic of discussion. Cultural misconceptions regarding the development of and (mis)understandings of alcohol abuse/dependency are perpetuated in our everyday lives, and theatre too often falls into the trap that perpetuates false ideas, which only furthers the stigmas and stereotypes associated with alcoholism. Preceded by a brief Introduction that sets the tone for this study, Chapter One offers medical information to delineate terms associated with alcohol use/abuse. UNIT TWO, presented in two chapters, offers analyses of seven plays: Thornton Wilder's Our Town, Eugene O'Neill's Long Day's Journey into Night, Christopher Durang's The Marriage of Bette and Boo, Theresa Rebeck's The Scene, Paula Vogel's How I Learned to Drive, Tracy Letts' August: Osage County, and Stephen Adly Guirgis' The Motherfucker With the Hat. Chapter Two focuses on the first four plays of this list and how each presents a particular problematic and/or stereotypical depiction of an alcoholic character(s) and/or alcohol use/abuse; Chapter Three focuses on the three remaining plays, which offer depictions and/or characters that trouble/complicate the stigmas associated with alcohol abuse/dependency. UNIT THREE is also cast in two chapters: Chapter Four looks at practices and theories used to enhance audience engagement and introduces companies who are using theatre to directly confront issues of alcoholism. Lastly, Chapter Five is a preface for my own full-length play (provided in Appendix A), which acts as my contribution to the ongoing conversations and efforts to diminish the stigmas and stereotypes within alcohol abuse/dependency. The dissertation concludes with a summary and a look at how open conversations regarding alcohol abuse/dependency can lead to empathy and understanding, bringing the topic out from the shadows in an effort to humanize the topic and the individuals and families who are struggling and suffering from alcohol abuse/dependency.
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