Submitted by Johnny Rodrigues (johnnyrodrigues@ufcg.edu.br) on 2018-10-11T18:52:47Z No. of bitstreams: 1 FLÁVIA DANIELLY DE SIQUEIRA SILVA MOURA - DISSERTAÇÃO PPGH 2014..pdf: 16475175 bytes, checksum: e819ceb246552e5961a08a48e3d25f11 (MD5) / Made available in DSpace on 2018-10-11T18:52:47Z (GMT). No. of bitstreams: 1 FLÁVIA DANIELLY DE SIQUEIRA SILVA MOURA - DISSERTAÇÃO PPGH 2014..pdf: 16475175 bytes, checksum: e819ceb246552e5961a08a48e3d25f11 (MD5) Previous issue date: 2014 / O presente trabalho busca analisar as vivências sociais e afetivas que se desenvolveram no espaço que compreendia o Cine Bandeirante em Santa Cruz do Capibaribe, nos anos de 1966 a 1986. Interessa-nos compreender de que forma ocorreram as sociabilidades atribuídas a este espaço, desde os passeios e as paqueras evidenciadas na calçada do local até as projeções exibidas no interior do cinema e sua influencia nas maneiras de agir e portar-se dos seus frequentadores. Partindo do conceito de cidade sensível encontramos a necessidade de perceber questões mais complexas e, sobretudo peculiares destes e de outros espaços destinados ao lazer em Santa Cruz no período recortado. As transformações urbanas e os aparatos modernos tais como o cinema, figuram como objetos comuns na história e no cotidiano da maioria das cidades, entretanto é papel do historiador e objetivo desta pesquisa, perceber como tais objetos adentraram os limites do espaço urbano que nos propomos a estudar, como seus habitantes viram, sentiram e o que eles contam sobre tais objetos. O estudo visa perceber ainda como a cidade de outrora, distinta em vários aspectos da atual, concebeu a chegada do cinema, sentiu sua permanência e geriu o hábito de freqüentar esse espaço de lazer e sociabilidade. Dessa forma, analisamos o cinema a partir da concepção Certeauniana, onde os indivíduos freqüentemente inventam novos usos para um lugar dotado de imposições, adaptando-os assim ao seu modo. / This study aims to analyze the social and affective experiences that developed in space comprising Cine Bandeirante in Santa Cruz do Capibaribe in the years 1966-1986. Interested in understanding how sociabilities assigned to this area occurred since the tours and flirt evidenced on the sidewalk from the venue to the projections displayed inside the cinema and its influence on the ways of acting and behaving of their regulars. Based on the concept of sensitive city found the need to understand complex issues and especially peculiar of these and other spaces dedicated to leisure in Santa Cruz during the period in. Urban transformations and the modern apparatus such as film, appearing as ordinary objects in history and daily life of most cities, however it is the role of the historian and purpose of this research, see how such objects they entered the limits of urban space, we propose to study, as their inhabitants saw, felt and what they tell about such objects. The study aims to understand how the city of yore, in several distinct aspects of the current, conceived the arrival of cinema, felt his residence and managed the habit of frequenting this place of leisure and sociability. Thus, we analyze the film from conception Certeauniana, where individuals often invent new uses for a place endowed with taxes, thus adapting them to their way.

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The city of Santa Cruz, Bolivia, has grown the last 40 years according to an urban plan. However, this urban planning process does not permit the citizen participation in public recreation planning.The Popular Participation Law approved in April, 1994, open new possibilities for citizen participation in public recreation planning in Santa Cruz. However, there are limitation in the implementation of the law.In order to correct those limitation the present study proposes basic criteria for popular participation in management of public recreational facilities. These criteria refer to delimitation of the neighborhoods in the city, the democratization of the Juntas Vecinales, and the definition of the organic structure of the Juntas Vecinales in a way that can permit popular participation. / Department of Urban Planning

In arid and semi-arid regions, water harvesting systems can augment water supply for crop production purposes. The functioning of this type of system is controlled by three major factors: weather, crop and soil characteristics. In particular, the weather factors vary stochastiscally and thus, need to be predicted on the basis of their probability of occurrence. Furthermore, long-term historical data is scarce in the arid regions. Consequently, the simulation approach is a good alternative for designing the system. This study developed a micro-computer based model, SSWHS89.BAS, for design of small scale water harvesting systems for perennial crops. The model uses elements of a simulation computer program, CLIMATE.BAS (Woolhiser, 1988), to generate daily rainfall, maximum and minimum temperature and radiation data and predicts evapotranspiration and runoff data from a deterministic computer program, PENMNSCS.BAS for the location of interest. The model was used to determine the characteristics of a water harvesting system in a vineyard field at Sonoita, Az.

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