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251	Program českého dekadentního hnutí a otázka intertextuality. Dílo Miloše Martena / Program of the Czech Decadent Movement and the Question of Intertextuality. Tho Work of Miloš Marten Kantoříková, Jana January 2018 (has links) The Program of the Czech Decadent Movement and the Question of Intertextuality. The Work of Miloš Marten This thesis explores the work of Miloš Marten (1883-1917) seeking to analyse its decadent narrative as a modern narrative that brings into play the unity between the pinnacle and the decline. It departs from the comparison between the style and interpretation of the two versions of Cyklus rozkoše a smrti (orig. The Cycle of delight and death; 1907 and 1917/1925) and the study of the realisations of this work. For this purpose the study contextually examines the conceptions of "intertextuality" from fin de siècle authors-critics, meaning their conceptualisations of similarity and/or identity of literary works which frequently involve a confluence of degeneration theory, the argument of the non-ethical nature of plagiarism and theory of decadence. All were often used as instruments of disqualification as well as justifications for a modern aesthetics and style. Reconstitution of Marten's theoretical reflection on artistic genres evidences his research of a harmonizing modern culture within an anti-syncretic tendency: mythology and revolt against myth Order being shifted to tragedy and parable, while the novel is designed as an analytical-critical synthesis. Applying contemporary approaches to...
252	Richard Wagner's Jesus von Nazareth Giessel, Matthew 04 December 2013 (has links) In addition to his renowned musical output, Richard Wagner produced a logorrhoeic prose oeuvre, including a dramatic sketch of the last weeks of the life of Jesus Christ entitled Jesus von Nazareth. Though drafted in 1848-1849, it was published only posthumously, and has therefore been somewhat neglected in the otherwise voluminous Wagnerian literature. This thesis first examines the origins of Jesus von Nazareth amidst the climate of revolution wherein it was conceived, ascertaining its place within Wagner’s own internal development and amongst the radical thinkers who influenced it. While Ludwig Feuerbach has traditionally been seen as the most prominent of these, this thesis examines Wagner’s sources more broadly. The thesis then summarizes and analyzes Jesus von Nazareth itself, particularly in terms of Wagner’s use of biblical scripture. The thesis demonstrates how his not infrequent misuse thereof constitutes one way in which Wagner transmogrifies Jesus as mutable lens through which his own ideology of social revolution is reflected. It also attempts to provide a critical assessment of the relative dramatic merits of Jesus von Nazareth and looks into Wagner’s ultimate decision not to complete the work. The thesis then briefly summarizes the changes that occurred in Wagner’s mature Christological outlook subsequent to his drafting of Jesus von Nazareth, attempting to concisely demonstrate some developments beyond Wagner’s well-known encounter with the philosophy of Arthur Schopenhauer. The thesis concludes with an evaluation of how Jesus von Nazareth informed Wagner’s general religious outlook and the extent to which this worldview is a productive one. Richard Wagner Jesus Feuerbach Schopenhauer Christology Exegesis Hegel Young Hegelians Junges Deutschland Die Sieger Parsifal Judaism in Music Religion and Art Cosima Wagner Franz Liszt Art and Revolution Artwork of the Future Martin Luther Johann Sebastian Bach Eric Voegelin Marcionism Materialism Love Revolution Antinomianism August Friedrich Gfrörer Ernest Renan Johann Gottlieb Fichte Paul-Gerhard Graap Mikhail Bakunin Pierre-Joseph Proudhon Das Liebesmahl der Apostel Rienzi Christ Arts and Humanities History
253	The conception of God as expounded by or as it emerges from the writings of great philosophers: from Descartes to the present day Lembede, Anton Muziwakhe 06 1900 (has links) Bibliographical references at end of each chapter / Philosophy, Practical and Systematic Theology / M.A. (Philosophy) God Philosophers Descartes Conception Plato Rene Descartes Spinoza Gottfried Wilhelm von Leibniz Monads George Berkeley David Hume Immanuel Kant George Wilhelm Hegel Charles Darwin Karl Marx Pragrnatism Schopenhauer 200.1 Philosophers -- Attitudes Christian philosophers -- Attitudes Christian philosophy God -- Attributes God (Christianity) -- Attributes
254	Zrcadlo reality v obrazech snů 19. a 20.století. Tvůrčí individualita versus chaos doby / The Mirror of Reality in the Imagery of Dreams of the 19th and 20th Centuries. Creative Individuality versus the Chaos of the Time Šmejkalová, Adriana January 2018 (has links) ANNOTATION: The work The Mirror of Reality in the Imagery of Dreams of the 19th and 20th Centuries - Creative Individuality versus the Chaos of the Time is based on the assumption that dreams are inseparably linked to the concept of existence in human life (Michel Foucault). The study touches on the ways in which dreams are depicted in visual culture that does not coincide with chronologically organized historical events, but is an expression of a free alliance between artists in the European space and centuries of common experience. These works are generally socially critical, exposed to unimaginable pressure from public censorship. The artist must pretend it is only an innocent game, a crazy idea, a whim. At the same time, these paintings are not an expression of boundless imagination, but they are subject to the firm rules of spatial construction of the painting. This is due to the traditional delimitation of dark depths - the underworld of Virgil's Saturn myth of pre-Roman culture, alternating with the vertically felt open heavens as variants of the original Plato's The Myth of Er, which in the 20th century paintings is replaced by the idea of an open landscape with illumination on the low horizon. The work deals with the work of Albrecht Dürer, his copperplate Melancholia I (1514) and his so-called...

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