In this study, D.P.S. Monyaise’s Ngaka, Mosadi Mooka and Zakes Mda’s Black Diamond are analysed in relation to narrative perspectives on female characters. The main aim of this study is to show how cultural narrative perspectives apply in the comparative study in Ngaka, Mosadi Mooka and Black Diamond, to determine how female characters, particularly Diarona in Ngaka, Mosadi Mooka and Tumi in Black Diamond, are portrayed. The argument maintained in this study is that, although Monyaise in his Ngaka, Mosadi Mooka gives his female characters an exceptionally strong voice, the social and literary perspectives in his novel still draw very sturdily on traditional frameworks. Monyaise’s narrative style and his narrative investigation of his main themes are evidently influenced by views informed by a traditional frame within which women occupy a culturally marginalized position. Mda, on the other hand, controversially challenges dominant views and consequent modes of behaviour, while also expanding the boundaries of creative writing. Research on the portrayal of female characters in Batswana literature is still lacking. This study makes a contribution in the sense that it is an explorative investigation from the perspective of postclassical cognitive narratology, which therefore attempts to approach Batswana literature from a fresh theoretical point of view. The intention is also to enrich the field of Batswana literature by adopting a comparative approach. In achieving this aim, this work adopts the following structure. Chapter one provides the aim and focus of the study. Chapter two discusses the theoretical framework and crucial key terms. Chapter three establishes a background with regard to traditional Batswana cultural views on Batswana women, with emphasis on stereotypical perspectives on women identified through the application of theoretical insights with regard to frames and scripts. The analysis of these traditional perspectives is carried out with reference to traditional Batswana women and the following: the work place; family life; legislation and leadership roles; education; religious belief; and traditional marriage. Chapter four is a comparative analysis with specific attention to the portrayal of the main female characters, that is Diarona in Ngaka, Mosadi Mooka and Tumi in Black Diamond, through application of the theoretical and cultural framework constructed in chapter two and three respectively. Chapter five provides concluding remarks. / MA (Setswana), North-West University, Potchefstroom Campus, 2014

In this study, D.P.S. Monyaise’s Ngaka, Mosadi Mooka and Zakes Mda’s Black Diamond are analysed in relation to narrative perspectives on female characters. The main aim of this study is to show how cultural narrative perspectives apply in the comparative study in Ngaka, Mosadi Mooka and Black Diamond, to determine how female characters, particularly Diarona in Ngaka, Mosadi Mooka and Tumi in Black Diamond, are portrayed. The argument maintained in this study is that, although Monyaise in his Ngaka, Mosadi Mooka gives his female characters an exceptionally strong voice, the social and literary perspectives in his novel still draw very sturdily on traditional frameworks. Monyaise’s narrative style and his narrative investigation of his main themes are evidently influenced by views informed by a traditional frame within which women occupy a culturally marginalized position. Mda, on the other hand, controversially challenges dominant views and consequent modes of behaviour, while also expanding the boundaries of creative writing. Research on the portrayal of female characters in Batswana literature is still lacking. This study makes a contribution in the sense that it is an explorative investigation from the perspective of postclassical cognitive narratology, which therefore attempts to approach Batswana literature from a fresh theoretical point of view. The intention is also to enrich the field of Batswana literature by adopting a comparative approach. In achieving this aim, this work adopts the following structure. Chapter one provides the aim and focus of the study. Chapter two discusses the theoretical framework and crucial key terms. Chapter three establishes a background with regard to traditional Batswana cultural views on Batswana women, with emphasis on stereotypical perspectives on women identified through the application of theoretical insights with regard to frames and scripts. The analysis of these traditional perspectives is carried out with reference to traditional Batswana women and the following: the work place; family life; legislation and leadership roles; education; religious belief; and traditional marriage. Chapter four is a comparative analysis with specific attention to the portrayal of the main female characters, that is Diarona in Ngaka, Mosadi Mooka and Tumi in Black Diamond, through application of the theoretical and cultural framework constructed in chapter two and three respectively. Chapter five provides concluding remarks. / MA (Setswana), North-West University, Potchefstroom Campus, 2014

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