The context of this study lies in the fact that in Australia, compared to learners of Japanese language in Japan, learners tend to have fewer opportunities to use Japanese. For many learners in Australia, especially beginners, it is difficult to find a variety of opportunities and maintain motivation to seek out and participate in such opportunities to use Japanese. In the present study, the researcher exploits sociocultural approaches (SCT) in a beginning-level Japanese language program in an institutional setting in order to enable language learners to become language users in Australia. Based on Lave and Wenger (1999), the study considers that learning a foreign/second language brings about not only the acquisition of linguistic structures but also leads to changes in participation in communities. Adopting SCT, the researcher created Japanese language revision courses at an Australian university and designed participant roles, rules, and artefacts in the revision courses as well as devising activities that aimed to develop the classroom into a community and to enhance the use of Japanese as a means of self-expression for learners. The results of the study show that the learners developed a sense of community in the classroom through a variety of activities in the revision course. One of the new roles introduced for this study, the role of the nicchoku, had a significant effect on making classroom interaction learner-centred and authentic. Under the leadership of the nicchoku, other learners engaged in learning activities, while the teacher stepped aside to take a support role. The nicchoku altered the typical teacher-fronted classroom sequence of Initiation-Response-Feedback (IRF) and helped redistribute classroom turns more evenly among classroom members. The study suggests that interactions are important not only to learn language but also to build human relationships. Thus, if the course aims to build both language proficiency and a learning community, it is necessary to create a variety of interaction opportunities in the classroom so that learners can acquire interactional competence/social skills to build a good relationship in a target language in/outside of the classroom. The results of the SPOT show a significant improvement in the Japanese proficiency of all the learners in the revision course. In addition, the study described an acquisition process of the verb ??ogoru?? as an example. The learners encountered the expression, learned its linguistic structure, applied it to a variety of contexts to learn its usage, and used it as a means of self-expression. The process showed that using the linguistic structure as a means of self-expression occurred through, first, acquisition of the linguistic structure, second, exposure to appropriate applications including sociolinguistic aspects in a given context and, third, experiences of a variety of interactions though activities. Thus, all stages of classroom activities are necessary to help learners enhance their ability to use Japanese as a means of self-expression. These findings suggest the classroom can provide learners with opportunities to use Japanese as a means of self-expression if the roles and activities in the classroom are carefully designed to bring learners into learner-centred interaction sequences, which are both qualitatively and quantitatively different from the typical teacher-fronted IRF sequences. In addition, the study indicates that learning a foreign language and becoming a language user is a complex and dynamic process of learners participating in communities that are created, maintained, and changed by their members, the acquisition of linguistic structures and appropriate application to context, and individual learners?? personal attributes and experience.

The context of this study lies in the fact that in Australia, compared to learners of Japanese language in Japan, learners tend to have fewer opportunities to use Japanese. For many learners in Australia, especially beginners, it is difficult to find a variety of opportunities and maintain motivation to seek out and participate in such opportunities to use Japanese. In the present study, the researcher exploits sociocultural approaches (SCT) in a beginning-level Japanese language program in an institutional setting in order to enable language learners to become language users in Australia. Based on Lave and Wenger (1999), the study considers that learning a foreign/second language brings about not only the acquisition of linguistic structures but also leads to changes in participation in communities. Adopting SCT, the researcher created Japanese language revision courses at an Australian university and designed participant roles, rules, and artefacts in the revision courses as well as devising activities that aimed to develop the classroom into a community and to enhance the use of Japanese as a means of self-expression for learners. The results of the study show that the learners developed a sense of community in the classroom through a variety of activities in the revision course. One of the new roles introduced for this study, the role of the nicchoku, had a significant effect on making classroom interaction learner-centred and authentic. Under the leadership of the nicchoku, other learners engaged in learning activities, while the teacher stepped aside to take a support role. The nicchoku altered the typical teacher-fronted classroom sequence of Initiation-Response-Feedback (IRF) and helped redistribute classroom turns more evenly among classroom members. The study suggests that interactions are important not only to learn language but also to build human relationships. Thus, if the course aims to build both language proficiency and a learning community, it is necessary to create a variety of interaction opportunities in the classroom so that learners can acquire interactional competence/social skills to build a good relationship in a target language in/outside of the classroom. The results of the SPOT show a significant improvement in the Japanese proficiency of all the learners in the revision course. In addition, the study described an acquisition process of the verb ??ogoru?? as an example. The learners encountered the expression, learned its linguistic structure, applied it to a variety of contexts to learn its usage, and used it as a means of self-expression. The process showed that using the linguistic structure as a means of self-expression occurred through, first, acquisition of the linguistic structure, second, exposure to appropriate applications including sociolinguistic aspects in a given context and, third, experiences of a variety of interactions though activities. Thus, all stages of classroom activities are necessary to help learners enhance their ability to use Japanese as a means of self-expression. These findings suggest the classroom can provide learners with opportunities to use Japanese as a means of self-expression if the roles and activities in the classroom are carefully designed to bring learners into learner-centred interaction sequences, which are both qualitatively and quantitatively different from the typical teacher-fronted IRF sequences. In addition, the study indicates that learning a foreign language and becoming a language user is a complex and dynamic process of learners participating in communities that are created, maintained, and changed by their members, the acquisition of linguistic structures and appropriate application to context, and individual learners?? personal attributes and experience.

Neste trabalho relata-se a produção de um conjunto de oficinas, com foco na formação continuada de professores, mas também com o objetivo de atingir leigos interessados no assunto: Gravitação Universal. As oficinas foram ministradas como parte do OEI – Observatório Educativo Itinerante, em cinco módulos distintos mas relacionados. As atividades foram elaboradas à luz das ideias de Lev Vygotsky, sob uma perspectiva sociocultural da construção do conhecimento. O foco das atividades reside na evidenciação de processos de construção dos modelos explicativos para os movimentos do Sistema Solar e as interações gravitacionais entre os principais astros. As reflexões decorrentes da aplicação das atividades aponta: (1) que o material é versátil e utilizável em diferentes contextos; (2) os assuntos abordados em especial nos módulos 1 e 2, devido a sua complexidade conceitual, exigem mais tempo do que o inicialmente previsto; (3) as atividades podem ser extraídas do contexto da produção e utilizadas independentemente, desde haja uma contextualização inicial, (4) um diferencial em relação a outras produções similares, é que contém discussões detalhadas sobre o que se pode esperar como resultados e por quê, visando a auxiliar professores com lacunas em sua formação; e (5) a utilização do referencial mostrou-se adequada e produtiva, pois propiciou reflexões e identificação de caminhos explicativos tanto na elaboração do material quanto na análise das concepções dos participantes. / This study is about the production of a set of workshops focusing on Continuing Education for teachers and aiming to achieve general people who are interested in Universal Gravitation. Workshops were carried out as part of the Itinerant Educational Observatory (OEI) in five distinct sections which were related to each other. Activities were formulated based on Lev Vygotsky’s ideas through a sociocultural perspective of knowledge construction. The focus of activities is the disclosure of construction processes of explanatory models for the solar system motions and the gravitational interaction among main stars. Reflections resulting from the implementation of activities show that (1) material is versatile and useful in different contexts; (2) subjects addressed - mainly in modules 1 and 2 - require more time than the originally planned due to notion complexity; (3) activities can be extracted from production context and used independently since there is initial contextualization; (4) divergence regarding other similar productions is that they contain detailed discussions on why and what can be expected as results attempting to help teachers with educational gaps; and (5) references proved to be satisfactory and productive since they led to reflection and explanatory path identification in both preparation of material and analysis of participants’ conceptions.

Este trabalho surgiu de minha experiência pessoal em sala de aula usando ficção científica para lecionar física, astronomia e outros tópicos de ciência. Por aproximadamente quatro anos eu desenvolvi diversas atividades de sala de aula com filmes, romances e contos de ficção científica, empregando-os não apenas para discutir os produtos da ciência - conceitos, leis e fenômenos - mas também os mecanismos da produção do conhecimento científico e a relação entre o trabalho da ciência e o contexto social. A partir destas experiências práticas, investiguei e estudei a respeito da própria ficção científica, como um gênero literário e cinematográfico e empreendi também uma pesquisa sobre as experiências atuais envolvendo a ficção científica em sala de aula. Estes estudos auxiliaram-me a desenvolver instrumentos teóricos de análise para lidar com a ficção científica a partir do ponto de vista do professor de ciência. Tais instrumentos são o conteúdo principal do presente trabalho. Eles foram desenvolvidos a partir da constatação de que as abordagens mais comuns para a ficção científica em aulas de ciências eram baseadas em duas estratégias um tanto ingênuas: a identificação dos erros (ou acertos) conceituais de ciência nas obras de ficção científica ou a discussão dos diversos níveis de distorção em relação a ciência e aos cientistas \"reais\" nelas apresentadas. Assumindo a ficção científica como uma construção empreendida sobre um discurso social a respeito da ciência foi possível tratar tais \"erros\" e \"distorções\" de um outro ponto de vista. Ao invés de distorções, podemos pensar em determinadas posições ideológicas sobre a ciência que podemos identificar tanto na esfera social como nas obras de ficção científica. Na maioria das vezes, tais posições podem ser descritas em termos de polaridades onde cada pólo representa crenças ou descrenças em relação aos papéis da ciência em nossas vidas. Eu nomeei tal análise por pólos temáticos. Em substituição à dicotomia erro/acerto, procurei um critério de análise que pudesse descrever os elementos de uma história de ficção científica (nomeados aqui como elementos contrafactuais) não em termos de uma valoração estrita de sua precisão científica, mas como construtos ficcionais projetados para produzir efeitos literários específicos no leitor. Em tal abordagem, a precisão científica é vista como estando sujeita à lógica do discurso literário e à intencionalidade do autor. Após desenvolver estas ferramentas de análise, retomei minhas experiências anteriores de sala de aula tanto para colocar a análise teórica em um contexto concreto sobre o qual eu poderia falar com segurança quanto - ao mesmo tempo - para apresentar aspectos adicionais não dados do uso da ficção científica em sala de aula. Muitas das atividades de sala de aula descritas se deram antes de eu iniciar este trabalho, assim elas não foram nem uma validação empírica da teoria nem um processo sistemático de coleta de dados. Seus papéis neste trabalho foram os de ilustrar e desenvolver alguns detalhes da análise teórica e mostrar como esta análise pode ser realizada para levar a atividades concretas de sala de aula. Adicionalmente, aspectos específicos dos três gêneros (filmes, romances e contos) de ficção científica usados forma discutidos em função de sua adaptação ao contexto de sala de aula. / This work arose from my personal classroom experience in using science fiction to teaching Physics, Astronomy and other Science topics. For about four years I developed several classroom activities with science fiction films, novels and short stories and I used them to discuss not only the products of science - concepts, laws and phenomena - but also the mechanisms of scientific knowledge production and the relationship between science work and social context. From these practical experiences, I investigated and studied about science fiction itself, as a literary and cinema genre and I undertook also a research about present days classroom experiences involving science fiction. These studies helped me to develop theoretical analysis instruments to deal with science fiction from the Science teacher point of view. Such instruments are the present work\'s main content. They were developed from the realization that most common approaches to science fiction in Science classes were based in two somewhat naive strategies: identifying science conceptual errors (or hits) in science fiction works or discussing the several levels of distortions about \"real\" Science and scientists science fiction presented in its stories. Assuming science fiction as a fictional construction built over a social discourse about science was possible to treat such \"errors\" and \"distortions\" for another point of view. Instead of distortions we can think about certain ideological positions about Science we can identify both in social sphere and in science fiction works. Most of times, such positions can be described in terms of polarities where each one of poles represents beliefs or disbeliefs related to the roles of Science in our lives. I named such analysis as thematic poles. In substitution to the hit/error dichotomy, I was looking for analysis criteria that could describe the elements of a science fiction story (named here as counterfactual elements) not in terms of a strict valuation of their scientific accuracy, but as fictional constructs intended for producing specific literary effects in the reader. In such approach, scientific accuracy is seen as being subjected to the literary discourse logics and to author\'s intentionality. After developing these analysis tools, I retrieved my previous classroom experiences both to turn theoretical analysis into a concrete context I could surely speak about and - at same time - to present additional aspects of classroom use of science fiction not given in the theoretical development. Most of described classroom activities occurred before I start this work, so they were neither an empiric validation of the theory nor a systematic data collection process. Their roles in this work were illustrate and develop some details of theoretical analysis and show how this analysis could be performed to lead to concrete classroom activities. Additionally, specific aspects of the three used science fiction genres (movies, novels and short stories) were discussed in view of their adaptation to the classroom context.

abstract: Using a sociocultural framework, this dissertation investigated the writing processes of 31 ESL learners in an EAP context at a large North American university. The qualitative case study involved one of the four major writing assignments in a required first-year composition course for ESL students. Data were collected from four different sources: (a) A semi-structured interview with each participant, (b) process logs kept by participants for the entire duration of the writing assignment, (c) classroom observation notes, and (d) class materials. Findings that emerged through analyses of activity systems, an analytical framework within Vygotskian activity theory, indicate that L2 writers used various context-specific, social, and cultural affordances to accomplish the writing tasks. The study arrived at these findings by creating taxonomies of the six activity system elements - subject, tools, goals, division of labor, community, and rules - as they were realized by L2 writers, and examining the influence that these elements had in the process of composing. The analysis of data helped create categories of each of the six activity system elements. To illustrate with an example, the categories that emerged within the element division of labor were as follows: (a) Instructor, (b) friends and classmates, (c) writing center tutors, (d) family members, and (e) people in the world. The emergent categories for each of the six activity system elements were then examined to determine if their effects on L2 writing were positive or negative. Overall, the findings of the present study validate arguments related to the post-process views that an explanation of L2 writing processes solely based on cognitive perspectives provides but only a partial picture of how second language writing takes place. In order for a more comprehensive understanding of L2 writing one must also account for the various social and cultural factors that play critical roles in the production of L2 texts. / Dissertation/Thesis / Ph.D. English 2012

Neste trabalho relata-se a produção de um conjunto de oficinas, com foco na formação continuada de professores, mas também com o objetivo de atingir leigos interessados no assunto: Gravitação Universal. As oficinas foram ministradas como parte do OEI – Observatório Educativo Itinerante, em cinco módulos distintos mas relacionados. As atividades foram elaboradas à luz das ideias de Lev Vygotsky, sob uma perspectiva sociocultural da construção do conhecimento. O foco das atividades reside na evidenciação de processos de construção dos modelos explicativos para os movimentos do Sistema Solar e as interações gravitacionais entre os principais astros. As reflexões decorrentes da aplicação das atividades aponta: (1) que o material é versátil e utilizável em diferentes contextos; (2) os assuntos abordados em especial nos módulos 1 e 2, devido a sua complexidade conceitual, exigem mais tempo do que o inicialmente previsto; (3) as atividades podem ser extraídas do contexto da produção e utilizadas independentemente, desde haja uma contextualização inicial, (4) um diferencial em relação a outras produções similares, é que contém discussões detalhadas sobre o que se pode esperar como resultados e por quê, visando a auxiliar professores com lacunas em sua formação; e (5) a utilização do referencial mostrou-se adequada e produtiva, pois propiciou reflexões e identificação de caminhos explicativos tanto na elaboração do material quanto na análise das concepções dos participantes. / This study is about the production of a set of workshops focusing on Continuing Education for teachers and aiming to achieve general people who are interested in Universal Gravitation. Workshops were carried out as part of the Itinerant Educational Observatory (OEI) in five distinct sections which were related to each other. Activities were formulated based on Lev Vygotsky’s ideas through a sociocultural perspective of knowledge construction. The focus of activities is the disclosure of construction processes of explanatory models for the solar system motions and the gravitational interaction among main stars. Reflections resulting from the implementation of activities show that (1) material is versatile and useful in different contexts; (2) subjects addressed - mainly in modules 1 and 2 - require more time than the originally planned due to notion complexity; (3) activities can be extracted from production context and used independently since there is initial contextualization; (4) divergence regarding other similar productions is that they contain detailed discussions on why and what can be expected as results attempting to help teachers with educational gaps; and (5) references proved to be satisfactory and productive since they led to reflection and explanatory path identification in both preparation of material and analysis of participants’ conceptions.

Neste trabalho relata-se a produção de um conjunto de oficinas, com foco na formação continuada de professores, mas também com o objetivo de atingir leigos interessados no assunto: Gravitação Universal. As oficinas foram ministradas como parte do OEI – Observatório Educativo Itinerante, em cinco módulos distintos mas relacionados. As atividades foram elaboradas à luz das ideias de Lev Vygotsky, sob uma perspectiva sociocultural da construção do conhecimento. O foco das atividades reside na evidenciação de processos de construção dos modelos explicativos para os movimentos do Sistema Solar e as interações gravitacionais entre os principais astros. As reflexões decorrentes da aplicação das atividades aponta: (1) que o material é versátil e utilizável em diferentes contextos; (2) os assuntos abordados em especial nos módulos 1 e 2, devido a sua complexidade conceitual, exigem mais tempo do que o inicialmente previsto; (3) as atividades podem ser extraídas do contexto da produção e utilizadas independentemente, desde haja uma contextualização inicial, (4) um diferencial em relação a outras produções similares, é que contém discussões detalhadas sobre o que se pode esperar como resultados e por quê, visando a auxiliar professores com lacunas em sua formação; e (5) a utilização do referencial mostrou-se adequada e produtiva, pois propiciou reflexões e identificação de caminhos explicativos tanto na elaboração do material quanto na análise das concepções dos participantes. / This study is about the production of a set of workshops focusing on Continuing Education for teachers and aiming to achieve general people who are interested in Universal Gravitation. Workshops were carried out as part of the Itinerant Educational Observatory (OEI) in five distinct sections which were related to each other. Activities were formulated based on Lev Vygotsky’s ideas through a sociocultural perspective of knowledge construction. The focus of activities is the disclosure of construction processes of explanatory models for the solar system motions and the gravitational interaction among main stars. Reflections resulting from the implementation of activities show that (1) material is versatile and useful in different contexts; (2) subjects addressed - mainly in modules 1 and 2 - require more time than the originally planned due to notion complexity; (3) activities can be extracted from production context and used independently since there is initial contextualization; (4) divergence regarding other similar productions is that they contain detailed discussions on why and what can be expected as results attempting to help teachers with educational gaps; and (5) references proved to be satisfactory and productive since they led to reflection and explanatory path identification in both preparation of material and analysis of participants’ conceptions.

Este trabalho surgiu de minha experiência pessoal em sala de aula usando ficção científica para lecionar física, astronomia e outros tópicos de ciência. Por aproximadamente quatro anos eu desenvolvi diversas atividades de sala de aula com filmes, romances e contos de ficção científica, empregando-os não apenas para discutir os produtos da ciência - conceitos, leis e fenômenos - mas também os mecanismos da produção do conhecimento científico e a relação entre o trabalho da ciência e o contexto social. A partir destas experiências práticas, investiguei e estudei a respeito da própria ficção científica, como um gênero literário e cinematográfico e empreendi também uma pesquisa sobre as experiências atuais envolvendo a ficção científica em sala de aula. Estes estudos auxiliaram-me a desenvolver instrumentos teóricos de análise para lidar com a ficção científica a partir do ponto de vista do professor de ciência. Tais instrumentos são o conteúdo principal do presente trabalho. Eles foram desenvolvidos a partir da constatação de que as abordagens mais comuns para a ficção científica em aulas de ciências eram baseadas em duas estratégias um tanto ingênuas: a identificação dos erros (ou acertos) conceituais de ciência nas obras de ficção científica ou a discussão dos diversos níveis de distorção em relação a ciência e aos cientistas \"reais\" nelas apresentadas. Assumindo a ficção científica como uma construção empreendida sobre um discurso social a respeito da ciência foi possível tratar tais \"erros\" e \"distorções\" de um outro ponto de vista. Ao invés de distorções, podemos pensar em determinadas posições ideológicas sobre a ciência que podemos identificar tanto na esfera social como nas obras de ficção científica. Na maioria das vezes, tais posições podem ser descritas em termos de polaridades onde cada pólo representa crenças ou descrenças em relação aos papéis da ciência em nossas vidas. Eu nomeei tal análise por pólos temáticos. Em substituição à dicotomia erro/acerto, procurei um critério de análise que pudesse descrever os elementos de uma história de ficção científica (nomeados aqui como elementos contrafactuais) não em termos de uma valoração estrita de sua precisão científica, mas como construtos ficcionais projetados para produzir efeitos literários específicos no leitor. Em tal abordagem, a precisão científica é vista como estando sujeita à lógica do discurso literário e à intencionalidade do autor. Após desenvolver estas ferramentas de análise, retomei minhas experiências anteriores de sala de aula tanto para colocar a análise teórica em um contexto concreto sobre o qual eu poderia falar com segurança quanto - ao mesmo tempo - para apresentar aspectos adicionais não dados do uso da ficção científica em sala de aula. Muitas das atividades de sala de aula descritas se deram antes de eu iniciar este trabalho, assim elas não foram nem uma validação empírica da teoria nem um processo sistemático de coleta de dados. Seus papéis neste trabalho foram os de ilustrar e desenvolver alguns detalhes da análise teórica e mostrar como esta análise pode ser realizada para levar a atividades concretas de sala de aula. Adicionalmente, aspectos específicos dos três gêneros (filmes, romances e contos) de ficção científica usados forma discutidos em função de sua adaptação ao contexto de sala de aula. / This work arose from my personal classroom experience in using science fiction to teaching Physics, Astronomy and other Science topics. For about four years I developed several classroom activities with science fiction films, novels and short stories and I used them to discuss not only the products of science - concepts, laws and phenomena - but also the mechanisms of scientific knowledge production and the relationship between science work and social context. From these practical experiences, I investigated and studied about science fiction itself, as a literary and cinema genre and I undertook also a research about present days classroom experiences involving science fiction. These studies helped me to develop theoretical analysis instruments to deal with science fiction from the Science teacher point of view. Such instruments are the present work\'s main content. They were developed from the realization that most common approaches to science fiction in Science classes were based in two somewhat naive strategies: identifying science conceptual errors (or hits) in science fiction works or discussing the several levels of distortions about \"real\" Science and scientists science fiction presented in its stories. Assuming science fiction as a fictional construction built over a social discourse about science was possible to treat such \"errors\" and \"distortions\" for another point of view. Instead of distortions we can think about certain ideological positions about Science we can identify both in social sphere and in science fiction works. Most of times, such positions can be described in terms of polarities where each one of poles represents beliefs or disbeliefs related to the roles of Science in our lives. I named such analysis as thematic poles. In substitution to the hit/error dichotomy, I was looking for analysis criteria that could describe the elements of a science fiction story (named here as counterfactual elements) not in terms of a strict valuation of their scientific accuracy, but as fictional constructs intended for producing specific literary effects in the reader. In such approach, scientific accuracy is seen as being subjected to the literary discourse logics and to author\'s intentionality. After developing these analysis tools, I retrieved my previous classroom experiences both to turn theoretical analysis into a concrete context I could surely speak about and - at same time - to present additional aspects of classroom use of science fiction not given in the theoretical development. Most of described classroom activities occurred before I start this work, so they were neither an empiric validation of the theory nor a systematic data collection process. Their roles in this work were illustrate and develop some details of theoretical analysis and show how this analysis could be performed to lead to concrete classroom activities. Additionally, specific aspects of the three used science fiction genres (movies, novels and short stories) were discussed in view of their adaptation to the classroom context.

This study is a qualitative case study of collaborative learning in two chamber music ensembles in a public high school orchestra program. Collaborative learning, as applied to chamber music education, is a setting in which musicians engage in a common musical task and are accountable to the other members of the group. Using social constructivism as a conceptual framework, I sought to explore student collaboration within chamber music ensembles through social interaction and the development of creative rehearsal strategies. Attention was directed to the way in which students identified problems and developed rehearsal strategies to solve them. The following research questions guided this study: (1) How do students in the selected chamber music ensembles engage in collaborative learning? (2) What are the learning structures that enable collaboration within each group? (3) How do the students interact with each other in the selected chamber music ensembles? (4) What are the social structures that enable collaborative learning within each group? Using Mediated Discourse Analysis (MDA) I analyzed and interpreted the collaborative learning that occurred in the musical development of these high school chamber musicians. Data collection occurred during one semester of instruction (five months) and included individual interviews, focus group interviews, and observations, which included field-notes and digital video of rehearsals. The research methodology used in this study comprised the “interpretive–descriptive” method and focused on turning the participants’ words and actions into the development of potential themes and implications. My approach used a three-step process to analyze data in which concepts were coded relating to the phenomenon of collaborative and mutual learning as well as sociocultural mediation. In this study, I examined the collaborative learning process among the student participants. My study was further informed by the participants’ perceptions of their own collaborative learning processes. Themes found were learning structures that allowed for collaboration in interpretation and problem solving, and social structures that enabled peer pressure, socialization and a work ethic. Results indicated that when given the opportunity to work in small groups toward pre-determined musical goals, the participants in this study: (1) worked with internal group leaders to identify musical problems and develop creative rehearsal strategies to solve them, (2) used positive and negative peer pressure that created an organic social structure which contributed to team efficacy, and (3) showed a willingness to work harder toward group goals when empowered with the responsibility for their own learning. The results of this study suggest that a collaborative learning environment that includes small groups of heterogeneously mixed students can advance student learning in multiple ways. The traditional teacher centered learning environment may not be the most effective learning environment because it may limit student development in one or more capacities, including decision making and social development. Recognition of the active, purposeful character of human development and respect for the shared understanding (socially distributed knowledge) that enables peers to teach one another ought to shape the music educator’s role and function; to serve as a musical guide, facilitator, and source of social support. Based on the results of this study, it appears that it may be possible to adapt collaborative learning to diverse instructional situations regardless of the heterogeneous makeup of the learning group.

Made available in DSpace on 2016-04-28T20:56:31Z (GMT). No. of bitstreams: 1 Maria Fourpome Brando.pdf: 1740680 bytes, checksum: ec9fe1d39dfe9cd61bf67bbd41f10eee (MD5) Previous issue date: 2012-05-23 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / The objective of this research was to investigate the senses and meanings constituted by a teacher about the "learning difficulties" of her pupils. The theoretical and methodological framework adopted was that of the sociocultural approach in Psychology, as well as the one proposed by the Clinical Activity. The research subject was a first-grade teacher, teaching the first year of basic schooling. Data collection involved the use of different techniques: a) observations and video recordings of classes taught by the teacher; b) selection of excerpts filmed and edited - short episodes - in order to illustrate teaching aspects related to the "learning difficulties"; c) interviews with the teacher, seeking to go deeply into issues related to her professional activity; d) sessions of simple self-confrontation (ACS) and crossedconfrontation (ACC), in which the teacher, alone and/or monitored, watched and analyzed episodes in which she was teaching her students. The self-confrontation sessions were videotaped and transcribed. From this material and the one collected by the interview, it was adopted the procedures proposed by Aguiar and Ozella (2006) to reach nuclei of meaning. The core analysis indicated that the senses and meanings constituted by the teacher about the "learning difficulties" of her students were articulated, first, to the importance of the pedagogical practice in providing a good quality of teaching activity, one capable of meeting the needs of students with different learning paces; and, second, to the fact that this will only occur through professional relationships. Going deep in the observation and analysis of one s own activity, making the teacher an observer of herself during the professional activity, provided her with the necessary critical distance to see problems in it that by and via discussion with the researcher, provided opportunities to transform her teaching / O objetivo da presente pesquisa foi investigar os sentidos e os significados constituídos por uma professora acerca das dificuldades de aprendizagem . O referencial teórico e metodológico adotado foi o da Psicologia Sócio-Histórica, assim como o da Clínica da Atividade. O sujeito da pesquisa foi uma professora do primeiro ano do ciclo I do Ensino Fundamental. A coleta de dados envolveu a utilização de técnicas distintas: observações e filmagens das aulas ministradas pela professora; seleção de trechos filmados e editados episódios curtos para ilustrar aspectos da atividade docente relativos às dificuldades de aprendizagem ; entrevistas com a professora buscando aprofundar questões relacionadas a sua atividade; sessões de autoconfrontação simples (ACS) e cruzada (ACC), nas quais a professora assistia e analisava episódios sobre sua atuação em sala de aula sozinha e/ou acompanhada. As sessões de autoconfrontação foram filmadas e transcritas. A partir desse material e daquele coletado na entrevista, foram empregados os procedimentos propostos por Aguiar e Ozella (2006) para se alcançar núcleos de significação. A análise dos núcleos indicou que os sentidos e os significados constituídos pela professora acerca das dificuldades de aprendizagem articulavam-se, na constituição de sua subjetividade, de um lado à importância da práxis na oferta de uma atividade docente de boa qualidade, capaz de atender às necessidades dos alunos com diferentes ritmos de aprendizagem e, de outro, à centralidade das relações profissionais para que isso viesse a ocorrer. Verificou-se, ainda, que a passagem pelo processo de observação e análise da própria atividade, ao converter a professora em uma observadora de si mesma durante a atuação profissional, proporcionou-lhe o necessário distanciamento crítico para perceber, nela, problemas que, na e pela discussão com a pesquisadora, parecem ter ensejado oportunidades para ressignificar sua própria atividade docente