11 |
La riforma monastica di Catherine Mectilde De Bar (1614 1698): le radici, l'attuazione, le prospettive / The Monastic Reform of Catherine Mectilde De Bar (1614-1698): Its Basis, Its Effectuation, Its ProspectivesMANCINI, LORENZO EMILIO LUCA 20 June 2007 (has links)
La riforma attuata nel ramo femminile dell'ordine di San Benedetto da Catherine Mectilde de Bar [Madre Mectilde del Santissimo Sacramento] (1614-1698). La formazione, l'opera e gli incontri della religiosa lorenese sullo sfondo delle vicende politiche ed ecclesiali della Francia del XVII secolo. Gli aspetti storici, istituzionali e teologici legati alla fondazione e allo sviluppo dell'Istituto delle benedettine dell'Adorazione Perpetua del Santissimo Sacramento. / The reform realised by Catherine Mectilde de Bar [Mother Mectilde of the Most Holy Sacrament] (1614-1698) in the feminine branch of the Benedictine Order. The formation, the works and the writings of this nun from Lorraine in the midst of the political and ecclesial events in seventeenth century France. The historical, institutional and theological aspects connected with the foundation and the development of the institute of the Benedictine nuns of the perpetual adoration of the Most Holy Sacrament.
|
12 |
Le chant dans les monastères cisterciens de l’Europe francophone (1521-1903) : enquête sur les livres de chœur imprimes et manuscrits / Singing in the cistercian monasteries of french-speaking Europe (1521-1903) : investigation into the choir books printed and manuscriptedBoschiero-Trottman, Marie-Luce 25 November 2014 (has links)
Entre 2008 et 2011, l’inventaire des livres liturgiques de 51 communautés cisterciennes de l’Europe francophone a mis en lumière un fonds unique de Graduels et d’Antiphonaires de choeur, tant manuscrits qu’imprimés, parus entre la Renaissance et le début du XXe siècle. Ces ouvrages constituent le corpus principal de cette thèse dont l’objectif est d’en interroger le contenu au regard de l’histoire de l’Ordre cistercien, mais aussi de l’évolution du chant ecclésiastique. La périodisation est définie en fonction des bornes suivantes : le terminus a quo (1521) correspond à la première impression d’un livre de choeur cistercien et son terminus ad quem (1903) est celui de la publication du dernier ouvrage de ce format au sein de cet Ordre spécifique. L’étude est menée selon trois axes : analyse codicologique ; philologie des traces d’usage introduites au cours des âges ; approche musicologique d’un échantillon d’Offices liturgiques (Office de la Dédicace et Office votif du Sacré-Coeur) / Between 2008 & 2011, a general inventory of the liturgical books of 51 Cistercian communities in Francophone Europe allowed the highlighting of one fund of several 10th of choir graduals and antiphonaries, both manuscripts & printed, from the Renaissance period to the beginning of the XXth century. These works constitute the main body of this thesis aimed to examine the content relating to the history of the Cistercian Order, but also the general evolution of ecclesiastical chant. Periodization of this work is defined according to the following terminals: the terminus a quo (1521) is the first impression of a Cistercian choir book and terminus ad quem (1903) is the publication of the last book of this size in this specific Order. The study is conducted along three axes: codicological analysis; philology traces of use introduced in these books over the ages; musicological approach of a sample of specific liturgical Offices (Office of the Dedication and votive Office of the Sacred-Heart)
|
Page generated in 0.0489 seconds