Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2018-05-29T10:56:03Z No. of bitstreams: 2 Dissertação - Wellington Rodrigues Barros - 2017.pdf: 2620881 bytes, checksum: 77b7aee9141021d46748b92b8f9227c6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-05-29T11:54:22Z (GMT) No. of bitstreams: 2 Dissertação - Wellington Rodrigues Barros - 2017.pdf: 2620881 bytes, checksum: 77b7aee9141021d46748b92b8f9227c6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2018-05-29T11:54:22Z (GMT). No. of bitstreams: 2 Dissertação - Wellington Rodrigues Barros - 2017.pdf: 2620881 bytes, checksum: 77b7aee9141021d46748b92b8f9227c6 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2017-12-19 / This dissertation studies the relation between the concept of narrative and performance based on the phenomenon of telling stories applied in three short stories of Guimarães Rosa: 'The Heppiness Margin', 'The Mirror' e 'The Third Margin of the River', form the book 'First Stories' (1988). Methodologically this work consists in a corpus referring in the performance narrative of the own author with two more performers, and with the audiovisual datas in order to reflect in the analyze and in the materialization of the narrative act. / A presente dissertação procura estudar a relação entre os conceitos de narrativa e perfomance a partir do fenômeno da contação de histórias aplicada em três contos de Guimarães Rosa: ‘As Margens da Alegria’, ‘O Espelho’ e ‘A Terceira Margem do Rio’, da obra ‘Primeiras Estórias’ (1988). Metodologicamente a pesquisa constituiu um corpus referenciado na performance narrativa do próprio autor em conjunto com outras duas performers e com registro audiovisual, de modo a refletir na análise e na materialização do ato-narrativo.