Man Siu Fun. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2004-2005, design report." / Includes bibliographical references (leaf 56). / Part 1 / Thesis Proposal / Site History / Site Constraints / Deisgn Strategy / Design Goal / Design Validity / Case Study / Part 2 / Tuen Mun Site Analysis / Design Potentials and Issues / Part 3 / Thesis Statment / Site Selection / Site Analysis / Site Intervention / Part 4 / Design Process / Part 5 / Final Drawings

Chan Ka Chun. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2002-2003, design report." / Includes bibliographical references (p. 57). / Chapter 01 --- Introduction --- p.01 / Chapter 02 --- Translate Music into Architecture --- p.03 / Chapter 03 --- Music as a Metaphor --- p.07 / Chapter 04 --- Design a program for music --- p.09 / Chapter 05 --- Acoustic of performance --- p.11 / Chapter 06 --- Study of street music performance --- p.13 / Chapter 07 --- Site Analysis --- p.15 / Chapter 08 --- Design Intention --- p.17 / Chapter 09 --- Design Development 01-04 --- p.25 / Chapter 10 --- Final Design --- p.43 / Chapter 11 --- Reference --- p.57 / Chapter 12 --- Acknowledgement --- p.58

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A relação entre os aspectos fílmicos e lúdicos dos jogos vão muito além da palavra videogame. Essa terminologia frente à humanidade é muito recente, apenas com algumas dezenas de anos, porém, trata-se de algo que converge em símbolos, técnicas e práticas, revestindo tais itens contemporâneos e impactando a sociedade significativamente. Logo, configura-se como um objeto de estudo capaz de promover reflexões diversas. No caso desta pesquisa, consideramos que nessa expressão do ato de jogar existe muito de game e pouco de vídeo. As abordagens focando as narrativas e as mecânicas muitas vezes deixam uma lacuna referente aos processos audiovisuais. Em função desta observação, foi realizado um estudo de cunho hipotético-dedutivo e metapórico preconizando uma visão integradora de três métodos distintos: a Ludologia, a Narratologia e a Linguagem Audiovisual. A motivação do título escolhido para o estudo de caso, Super Street Fighter IV, ocorreu por ser um jogo popular, dentro de um gênero típico de jogabilidade, que há mais de duas décadas se reinventa para agradar os fãs. Além disso, dialoga diretamente com temas culturais (costumes asiáticos e artes marciais) e temas cinematográficos (filmes de luta e o ícone representado por Bruce Lee). O estudo focou os resultados visando contribuir para uma compreensão do videogame, de modo que a pesquisa realizada pudesse trazer parâmetros tanto para aprofundar elementos presentes em sua linguagem quanto para o desenvolvimento de questões de ligadas à sua realização. / The relation between cinematographic and ludic aspects of games go well beyond the Word videogame. This term is very recent in human history, having appeared only a few decades ago. However, it is something the converges in symbols, techniques and practices, labelling these contemporary items and significantly impacting society. For this reason, it presents itself as a study subject that is capable of promoting diverse reflections and discussions. In this research, we considered that in this expression of the act of playing there is much more game than video. Approaches that focus on narratives and mechanics often don\'t refer to audiovisual processes. Based on this observation, we devised a hypothetic-deductive, and metaphoric study that considers three distinct methods: Ludology, Narratology, and Audiovisual Language. The motivation behind the chosen subject of study, Super Street Fighter IV, comes form it being a popular game, from a genre that is mainly based on playability, with more than two decades of reinvention in order to please fans. Besides, it directly dialogs with cultural (Asiatic costumes and martial arts) and cinematographic themes (fight movies and the popular icon Bruce Lee). The study focused the results in order to contribute to a comprehension of video-games, in a way that the research could bring parameters both to deepen elements that help better understanding this language, and to aid the development of questions concerned to realization.

Los Angeles stands as the largest city in the United States without comprehensive street vending regulation. Over the span of ten years, between 1984 and 1994, street vendor activists challenged Los Angeles to regulate street vending through the work of the Street Vendors Association. Within the same ten years, the city hosted the Olympics; the city introduced broken windows policing; immigration from the global south increased; and, a riot broke out. This thesis explores how Los Angeles’ ambition as a “city of the future” and its Mexican “past” impacted the politics of street vending during this span of time.

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The aim of this study was to examine the view that officials involved in youth unemployment have on the significance of collaboration between organizations working with unemployed youth. The study was based on nine qualitative interviews with officials from PES offices and from municipalities such as job coaches. The results were analyzed based on qualitative content analysis. The analysis led to two different themes: conditions and the individual. In the analysis two different theories were used, new institutionalism and Lipsky's theory about street-level bureaucrats. The analysis led us to the conclusion that these officials find collaboration important both for their work and for the unemployed youth and that they collaborate with the individual’s interests in mind.

This is a map from a dissertation that was completed in 1975, which has been scanned to ensure greater access. Please search the GIL Online Catalog for more information about this thesis, or to locate the hard copy within the Georgia State University Library. A Note on Maps (from the Appendix): Two main sources were used in the mapping of streetcar routes: franchises and deeds of conveyance. Neither of these alone or combined were completely satisfactory in fixing the exact route, at any given time, of the lines which were built. While the franchise theoretically laid out the route to be followed, the wording of such legislation was often vague or incomplete, and the franchise was no guarantee that the line would eventually be constructed with no modifications. The deeds, on the other hand, represented the routes existing at the time of the conveyance of the property, often many years after initial construction. This leaves open the possibility that routes may have been slightly changed from time to time as traction companies constructed turn-outs, spur lines, parallel tracks, etc. These maps were drawn up under official auspices and therefore represent an additional primary source of information on this question. This does not, however, render them totally free from error or omission. In the case of the West End and Atlanta and the Atlanta Street Railroad companies, for example, the evidence overwhelmingly indicates that they occupied Broad Street between Marietta and Alabama Streets, which is not indicated on the 1886 official map. When one turns to the general problem of tracing downtown tracks, which were altered quite frequently, the problem of accuracy becomes almost insurmountable. Except in these notable instances, in drawing these lines the author has tried to closely follow the routes as already plotted by the map-makers for the year concerned, even though this has entailed minor deviations from the routes as indicated by primary sources. Such discrepancies pertain primarily to the short-lived Taylor Hill Line of the Atlanta Street Railroad Company and the Park Avenue line of the Metropolitan Street Railroad Company. The lines of the companies are drawn in the following color keys: the Atlanta Street Railroad Company, red (with the Taylor Hill Line in orange); the West End and Atlanta Street Railroad Company, brown; the Metropolitan Street Railroad Company, dark blue; the Gate City Street Railroad Company, light blue; the Edgewood and Atlanta Street Railroad Company, black; and the Fulton County Street Railroad Company, green; the Atlanta, West End and McPherson Barracks and Grant Park Electric Railway companies, pink. Prospective routes of other companies are not indicated. Also not included on the 1894 map are the lines which were built by the Chattahoochee River Railway Company (later the Collins Park and Belt Railroad Company), the Atlanta City Street Railway Company, and the Atlanta Consolidated Street Railway Company. These lines can be seen plotted on the map but are not included in the color key.

This thesis aims at comparatively analyzing the representation of financial capitalism in Wall Street (1987) and Wall Street. Money Never Sleeps (2010) with focusing on exploring in which ways the films promote/criticize the financial capitalism they portray. Theoretical approaches concerning film theories are mainly through ideological analysis, and supplemented by structuralist and semiotic theories. As methods used in data gathering and analyzing, basic film content analyses are principally applied through illustrating with film contents extracted from the films in qualitative and comparative ways in order to describe and distinguish the ideological positions of pro- and anti-capitalism in the two films. The results show an interesting fact that positions from the villain to the moral center are symbolized by both different characters separately and the key character (Gorden Gekko) alone. The analysis also shows that both of the films promote capitalism of freedom, which inspire people to work hard and create property for society, and criticize it of greed and immorality. However, Wall Street II is not nearly as merciless as the original, and it seems more fascinated than critical.

Abstract Street vendors have long existed and with societal changes, their business hours have changed and they have developed into stand owners in night markets. However, most consumers consider night markets chaotic, badly organized, and ill managed. As a result, the authorities concerned thought it necessary to reorganize licensed street vendors into an area which, along with the surrounding locality, could be transformed into a recreational and tourist spot. This research, based on the evaluation of Liu-Ho Night Market¡¦s licensed street vendors satisfaction towards the government¡¦s management policies, was conducted through questionnaires. In them, were questions about the management of street vendors and guidance offered to them. Researchers used SPSS as their analytical tool as well as statistical methods; including credit analyses, variable factor analyses, descriptive analyses, and examination of the independent sample ¡§t¡¨. The analyzed results are as follows: 1. The street vendor¡¦s gender made no difference in the amount and effort of the management of street vendors and guidance provided to them. 2. Street vendors of different ages at Liu-Ho Market have quite different points of view towards their devotion to work. 3. Street vendors with different educational backgrounds have various points of view towards permanent management while holding no particular points of view toward the government¡¦s guidance and management systems. 4. Street vendors of different lengths of management experience, types of business, and street vendors with different numbers of employees hold no obviously different points of view towards devotion of work management and guidance to them. 5. Apparently, street vendors devotion to their business at Liu-Ho Night Market is in proportion to the amount of the government¡¦s management systems and guidance provided to them. We will delve into explanations and discussions.