Thesis (M.A. (English))--University of the Witwatersrand, Faculty of Humanities, 2016. / This dissertation examines how particular combinations of image and text in sequential art reflect specific social, historical and political contexts. The analysis of how meaning is constructed is done through consideration of three iterations of the Batman superhero character, and argues for an eventual postmodernisation of the character. The first case study presented is the original version of Batman as it debuted in 1939, which naturally established much of the substance from which later depictions would take their cues. The second case study used is the “camp” 1960s TV series starring Adam West, which was influenced by the highly restricted Batman comics under the Comics Code Authority established in 1954. The main case study, and the central focus of this dissertation, is Batman – Arkham Asylum (1989), a graphic novel by Grant Morrison and Dave McKean, the latest of the three iterations, which represents the eventual disruption of the enforced or constructed harmony evident in the earlier versions of the character into a fracturing and fragmentation both of the world and the self. It is a version of Batman that privileges the interiority and psychological complexity of the character, representing a culmination of the 1980s shift toward a more mature audience with its incorporation of horror, violence and mental turmoil. These three examples are compared and contrasted, showing how each constructs a particular meaning using its own unique combination of image and text. Having established a historicity for the character and having constructed an argument for how Batman as a cultural icon echoes shifts in society, the focus of the dissertation is transferred to a deeper analysis of Arkham and attempts to trace more explicitly its status as a postmodern text by examining its fragmentary nature, its use of intertextuality and how meaning in Arkham is constructed in the mind. Following this, an exploration of the central theme of madness in the graphic novel is provided in order to show how the work both critiques the representation of madness in fiction as well as how the liminal setting of the asylum functions as part of the postmodernisation of Batman by creating a “landscape of madness” where irrationality and the uncanny dominate reality, in contrast to the logical, “left-brain” treatment of Batman which had become common prior to Arkham Asylum. The analysis of the three iterations is shaped by WTJ Mitchell’s theories on imagetext relationships and additionally by the principles of sequential art outlined by Scott McCloud. The postmodern theoretical framework is informed by John Docker’s explorations of fragmentation, intertextuality, inversion and the Carnivalesque. Additionally, the writings of Lillian Feder and Michel Foucault will inform the discussion of madness in Arkham. / GR2017

Within the last decade, centerline rumble strips have become increasingly prevalent as a safety countermeasure on undivided roadways throughout the United States. Within the state of Georgia, nearly 200 miles of centerline rumble strips have been installed in an effort to address the severity and frequency of crashes involving the centerline. With several thousands of miles of new installations throughout the nation in the last decade, much literature on this subject is still being amassed. This paper will compile and summarize existing literature in order to provide a thorough overview of the latest information from around the United States regarding the safety, usage, and impacts of centerline rumble strips. Furthermore, this paper seeks to comprehensively determine the safety impacts of centerline rumble strips on undivided, rural highway facilities in the state of Georgia. This portion of the study will prepare an updated inventory of centerline rumble strip installations in Georgia and perform a before-after study using three methods: a direct before-after analysis, a comparison before-after analysis, and a comparative analysis. These analyses will incorporate data from crash databases, police records, and traffic records to produce results unique to Georgia. Lastly, this paper will determine the current status of centerline rumble strips and the potential short- and long-term safety, physical, and unintended effects of centerline rumble strips both in the state of Georgia and throughout the United States through a survey sent to all fifty state transportation agencies. Through literature compilation, safety analyses, and findings on the effects of centerline rumble strips, this paper will aid in the future of centerline rumble strips within Georgia and the United States.

Thesis (Ph.D.)--University of Alberta, 2010. / Title from pdf main screen (viewed on April 8, 2010). A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English, Department of English and Film Studies, University of Alberta. Includes bibliographical references.

Master of Science / Department of Industrial & Manufacturing Systems Engineering / Malgorzata J. Rys / In this thesis, various safety aspects of center line rumble strips were evaluated. Based on the literature review center line rumble strips (CLRS) are considered to be effective safety countermeasure for reducing crossover accidents on two-lane, two-way roadways. CLRS are indentations milled into the center line of undivided two-lane, two-way roadways to warn driver of drifting into upcoming traffic. Researchers at Kansas State University (KSU) have conducted studies on CLRS and retroreflective pavement markings (RRPM) installed over them. Based on the literature review and the survey conducted on motorcycle riders it can be concluded that majority of riders believe in the effectiveness of CLRS and they recommend the KDOT to implement CLRS in more locations. From the survey conducted on residents of US 40 it can be concluded that RRPM help them in providing visual guidance. They also noticed that there is considerable deterioration of RRPM over CLRS on US 40. From the studies conducted on US 24, US 50 and US 40 it can be concluded that wet retroreflectivity of pavement markings installed over CLRS is considerably lower than dry retroreflectivity. In locations without CLRS wet retroreflectivity of RRPM is higher than dry retroreflectivity. Also, the analysis performed on retroreflectivity measurements from US 24, US 50 and US 40 show that retroreflectivity follows a linear reduction in performance over time. In addition, a new methodology was developed for evaluating RRPM over CLRS. Various tests and analysis were performed and the new method seems effective.

Master of Science / Department of Industrial & Manufacturing Systems Engineering / Malgorzata J. Rys / Centerline rumble strips (CLRS) are raised or indented patterns installed in the center of undivided rural two-lane highways. Their main function is to alert drivers who are encroaching or leaving the intended travel lane, by producing vibration and noise when crossed by vehicles’ tires. CLRS have been demonstrated to be an effective way in reducing head on and opposite direction sideswipe on two-lane highways (cross-over accidents). However, there are some disadvantages in their utilization, such as the exterior noise created by the strips, which may disturb residents in the highway vicinity. The objective of this study was to verify if the amount of noise created by CLRS is enough to impact negatively on residences and businesses, and to discover if the mean level of noise created by CLRS is statistically different than the noise generated by vehicles driving over smooth pavement. Two types of vehicles were driven over two different patterns of milled-in CLRS (rectangular and football-shaped) and over smooth asphalt pavement, at two different speeds. Researchers collected the noise levels at three distances 50, 100, and 150 feet, measured orthogonally from the center line, in 8 different open space locations. Results indicate that vehicle type, vehicle speed, pavement type, location and distances affect the levels of noise. In addition, both football and rectangular CLRS produced significantly higher levels of noise as compared to the smooth asphalt pavement. A 15 passenger van produced higher levels of noise in comparison with a sedan. Moreover, lower the vehicle speed, noise levels were lower. At every 50 feet of distance, the noise levels dropped significantly. CLRS do increase levels of noise relative to smooth pavement at distances up to 150 feet.

by Cheung Hiu Wan. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1999. / Includes bibliographical references (leaves [135-140]). / Abstracts in English and Chinese. / Acknowledgement / Abstract / List of figures / Chapter Chapter 1. --- Introduction / Chapter 1.1 --- Scope of Study --- p.1 / Chapter 1.2 --- Literature Review --- p.3 / Chapter 1.3 --- Methodology --- p.13 / Chapter 1.4 --- Structure of the Thesis --- p.17 / Chapter Chapter 2. --- Historical Development of Comics in China / Chapter 2.1 --- Comics History before1949 --- p.24 / Chapter 2 . 2 --- Comics under the Reign of Chinese Communist Party --- p.29 / Chapter 2.3 --- Beijing Cartoon after the Open Door Policy --- p.31 / Chapter 2.4 --- Concluding Remarks --- p.39 / Chapter Chapter 3 . --- Interaction with the Leaders of Beijing Publishing House / Chapter 3.1 --- Leaders´ةExpectation for Beijing Cartoon --- p.41 / Chapter 3.2 --- The Discrepancy between the Senior and Junior Editors --- p.51 / Chapter 3.3 --- Editors' Comments on Interaction with the Leaders of the Beijing Publishing House --- p.54 / Chapter Chapter 4. --- Interaction with the Senior Artists / Chapter 4.1 --- Cartoon Art Festival98 --- p.57 / Chapter 4.2 --- The Invasion of Japanese Comics --- p.59 / Chapter 4.3 --- The Essence of Comics with Chinese Features --- p.63 / Chapter 4.4 --- The Expected Role of the Chinese Government --- p.67 / Chapter 4.5 --- The Editors´ة Comments on Cartoon Art Festival98 --- p.68 / Chapter 4 . --- 6 Concluding Remarks --- p.70 / Chapter Chapter 5. --- Interaction with the Junior Artists / Chapter 5.1 --- Social Status of the Junior Artists --- p.12 / Chapter 5.2 --- Cooperation with Beijing Cartoon --- p.11 / Chapter 5.3 --- Why do they Join the Comics Business --- p.79 / Chapter 5.4 --- Agreement and Terms of Payment --- p.87 / Chapter 5.5 --- Summer Camping: Market Mechanism and Autonomy in Artists' Creation --- p.88 / Chapter 5.6 --- The Editors' Expectation on the Roles of The Artists --- p.96 / Chapter 5.7 --- Artists' Comments on the Educational Aspect of Comics --- p.98 / Chapter 5.8 --- Concluding Remarks --- p.102 / Chapter Chapter 6. --- The Interaction with the Readers and Elders / Chapter 6.1 --- Whom were and Whom are the Comics for? --- p.104 / Chapter 6.2 --- Parents and Teachers: Comics for Education --- p.105 / Chapter 6.3 --- Parents and Teachers: Sex and Violence in Japanese Comics --- p.107 / Chapter 6.4 --- More than Sex and Violence in Japanese Comics --- p.110 / Chapter 6.5 --- Nippon´ؤcentric and Militarism of Japanese Comics --- p.115 / Chapter 6.6 --- Better Academic Performances and More Choices --- p.115 / Chapter 6.7 --- The Popularity of Comics among the Teenagers --- p.118 / Chapter 6.8 --- Feedback from the Comics Readers --- p.121 / Chapter 6.9 --- The Conflicts: More Education or More Entertainment --- p.122 / Chapter 6.10 --- Concluding Remarks --- p.12 5 / Chapter Chapter 7. --- Conclusion --- p.127 / Appendix / References

The bending of elastic strips and rods is a field of research that continues to offer new possibilities for exploration. This dissertation focuses on two distinct problems within this context. These are the search for the equilibrium shape of thin inextensible elastic strips, such as a M�öbius strip made out of paper, and the optimal shape of tapered columns that are stable against buckling. A theoretical approach based on the principle of virtual work is used to investigate both problems. This produces novel governing non-linear differential equations that describe both equilibrium and form. In order to discover the equilibrium shapes, numerical algorithms are developed that are based on Dynamic Relaxation. There are two ways in which they are used, one as an explicit form-finding tool, and the other as a way of solving differential equations. Results are provided that extend current theoretical models. The numerical schemes produce three-dimensional shapes for strips, going beyond the canonical Möbius strip, and solution shapes for tapered columns made from non-linear elastic materials. With the aid of analytical and numerical tools, finding the form of the M�öbius strip and the tallest possible column are interesting challenges in the search for new shapes that are driven by physical and material rules. These have applicability in structural engineering, architecture, nano-technology and even artistic endeavour.

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The purpose of this study is to analyze the international political events and commentary presented in five comic strips from 1940 to 1970. The investigation focused on the narratives, individual episodes and characterizations presented in the strips. The research was taken from approximately 51,000 strips over the thirty year period. Four of the strips used in the study covered the entire period, and included: Li'l Abner - Al Capp, Little Orphan Annie - Harold Gray, Smilin' Jack - Zack Mosley, and Terr and the Pirates - Milton Caniff (1940-47) and George Wunder (1947-1970). One strip, Pogo, drawn by Walt Kelly, was available only from 1950-70.The three decade period was utilized in order to study a sufficient number of strips so the cartoonists' ideas and attitudes could be understood. The time period selected was a volatile period in international affairs in which the United States played a major role. The investigation concentrates on two major areas of international politics: World War II and the cold war era. The study reveals that the cartoonists in portraying these two major found events used their medium not only for entertainment but to support the United States in its international activities.In addition they used international political affairs and events as sources of information to draw action stories and make political statements. In this vein, World War II offered a great opportunity for the cartoonists. The narratives presented in the strips offered constant reminders of the war in Europe and Asia, and engendered American support for the war effort. The authors pushed American values and democratic principles while formulating a negative image of the Axis leaders and military. In this way, the cartoonists used their medium to propagandize their readers into full support for the war.During the cold war era, the cartoonists again in international affairs a rich source of information for their stories. The strips portrayed the intense rivalry of the cold war conflict initially focusing on the Soviet Union. Narratives were included which depicted the Soviet leaders negatively, especially Premier Nikita Khrushchev. The Russian people, Soviet life and Communism in general were also represented in the strips in a disreputable fashion. In addition, the vigorous competition of the arms and space races were depicted in the strips.The other major nation of the cold war, which the cartoonists characterized in their strips, was China. The authors wrote stories about the civil war in China and obviously supported the Nationalists. After the Nationalists were exiled to Formosa, the narratives focused on the People's Republic of China. The stories depicted the Chinese Communists' methods of governing and their leadership, especially Mao Tse-tung. The propaganda efforts of the Chinese Communists were frequently represented in the strips as well as the attempts to expand their influence in the Pacific area. In addition, the Sino-Soviet split was included, with the cartoonists' portraying the Chinese attempting to take over the leadership of the Communist world from the Soviets.The cartoonists also used their strips to convey information, ideas, and opinions about the third world areas of Vietnam, Latin America and the Middle East. With Vietnam, the stories centered on the war, while the authors represented the Vietcong and North Vietnamese as evil and detestable people. The influence of the Vietnamese war on the American political scene was also considered. In their narratives about Latin America, the cartoonists illustrated the area in terms of revolution, corruption and smuggling. Communism and Fidel Castro's Cuba were frequently used in the strips. Communism and oil were the two major themes the cartoonists used in the strips that dealt with the Middle East.This study presents a narrative of the strips with an analysis of the cartoonists' aims, objectives, and opinions. The work also contains an annotated bibliography.

In recent years, multiresolution models have progressed substantially. At the beginning, discrete models were employed in graphics applications, due mainly to the low degree of complexity involved in implementing them, which is the reason why nowadays they are still used in applications without high graphics requirements. Nevertheless, the increase in realism in graphics applications makes it necessary to use multiresolution models which are more exact in their approximations, which do not call for high storage costs and which are faster in visualization. This has given way to continuous models, where two consecutive levels of detail only differ by a few polygons and where, additionally, the duplication of information is avoided to a considerable extent, thus improving on the spatial cost offered by most discrete models.Advances have been made in the use of new graphics primitives which minimize the data transfer between the CPU and the GPU, apart from trying to make use of the connectivity information given by a polygonal mesh. For this purpose, graphics primitives with implicit connectivity, such as triangle strips and triangle fans, have been developed. Many continuous models based on this type of primitives have been recently developed. In these last few years, graphics hardware performance has evolved outstandingly, giving rise to new techniques which allow the continuous models to accelerate even more. In this work, we have improved the interactive render of polygonal meshes. To tackle the problem, we firstly studied fundamental techniques to efficiently render polygonal meshes and we later made use of geometry simplification and level of detail techniques. Thus, we defined a multiresolution model that represents a polygonal mesh at any given resolution. This approach is able to manage continuous level-of-detail by smoothly adapting mesh resolution to the application requirements. Moreover, the model was modified to take the maximum advantage of the recent GPU features. We also created a modified version of the model for being used in deforming meshes. Finally, we developed an independent library to integrate our model in real-time applications.