À partir d’une pratique clinique au sein d’un Service Médico-Psychologique Régional d’une maison d’arrêt, cette thèse vient interroger la question de la perversion chez la femme. Si on constate de nombreuses controverses sur ce sujet, faut-il pour autant dire que la femme échappe à la perversion ? Souvent considérées comme victimes passives, le rôle de ces femmes dans le scénario criminel est perçu comme secondaire, au service d’un autre, de son compagnon par exemple. Si dans nos imaginaires, la perversion est associée aux hommes, la part de destructivité chez la femme a longtemps été niée, alors qu’historiquement et cliniquement, elle est manifeste. Par leurs mises en acte, ces femmes témoigneraient d’une impasse quant à leur construction subjective. C’est pourquoi nous nous intéresserons tout d’abord aux enjeux et aux incidences de la période préoedipienne sur leur devenir-femme. Leur soumission à un Autre ouvrira une réflexion sur la notion de complicité comme véritable statut, avec l’importance de la présence du regard d’un Autre à provoquer ou à angoisser. À travers la présentation de situations cliniques, je vais tenter d’aborder différentes figures féminines de la perversion. Du meurtre d’enfant aux violences sexuelles commises par des mères, en passant par la passion amoureuse et la séduction perverse, nous nous confronterons également à la violence barbare de jeunes adolescentes.La diversité des cas cliniques souligne la complexité de cette question de la perversion chez la femme. La place de la haine, du sacrifice à un Autre, et enfin de la perversion des idéaux seront interrogés, avec notamment la mise en évidence comme hypothèse, l’impossibilité de constituer un fantasme matricide structurant chez ces femmes qui ont alors recours, dans le réel, à des passages à l’acte pervers. / From a clinical practice in a Regional Medical Psychological department in a prison, this thesis is questioning about female perversion. Even if we can notice many controversies about this subject, does it mean that women can escape perversion? Often considered as passive victims, these women have in the criminal scenario a role seen as secondary, in the service of someone else, for example of their partners. If in our imagination,perversion is linked to men, the part of destructiveness among women has been denied for a long time even if it is evident historically and clinically. By acting, these women would show an impasse concerning their subjective construction. That’s why, firstly, we will be interested in the issues ans impacts of the preoedipean period on their woman becoming. Their submission to an other will make people think about the notion of complicity as a real status, with the importance of the presence of an Other to provoke or distress. I’m going to talk about many different perversion female figures through the presentation of clinical situations. From the child murder to the sexual abuse committed by mothers, from love passion to perverses eduction, we will also be confronted with the barbarous violence of young female teenagers. The diversity of clinical cases underlines the complexity of the woman perversion. We will question about the importance of hatred, of sacrifice to an other and finally about ideals perversion, emphasizing as hypothesis the impossibility of constituting aformative matricide fantasy among these women who are really doing perverse actions.

Made available in DSpace on 2016-04-26T18:13:05Z (GMT). No. of bitstreams: 1 Simone Bueno da Silva.pdf: 11384861 bytes, checksum: 39ecda7b73a11387ae384d9016c3c6e8 (MD5) Previous issue date: 2013-06-12 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The research investigates the narrative and discursive configuration of autobiographic profiles in digital social networks. It seeks to verify how the discursive modality sets a presentation and interaction way of the subject on the social, displacing axiologies in identitarian and subjective building processes. Four social networks platforms were chosen as analysis corpus: Facebook, Sonico, MySpace and Twitter due to their thematic of promoting relationships among friends or followers in visibility and connection s ambiences, reaching national and international scene. With the data gathering, between 2010 and the first two months of 2013, a group of profile s narratives detaching enunciation paths was observed on these social networks interaction interfaces. While discursive models these ones base themselves on different values, showing comparative potential. From the invariants and variants traits survey, in the inter-relation among the meaning generative process levels, the research identified visibility s construction as a pregnant value. In the path of making yourself visible, strategies of subject s exposition which indicate to belonging forms and presence ways can be observed. Homologation to visibility s regimes pointed to the identification of two great enunciative processes: self-promotion and socialization processes, unfolded in an intertwined fashion under the crossing of the discourses of the celebrity and of the exhibitionism, pervaded by mediatic and mediatization s discourses. These ways of presence build themselves inside interactional practices which were dealt with considering the formation of interaction and sense regimes according to Landowski and the discursive interactions, developed by Oliveira. As a result we observe the establishment of a complex programming model that governs the established presence ways, subsuming the accident and being fed by adjustment and manipulation. The programming domain showed how autobiographic profiles built in the analyzed social networks platforms reveal themselves at the contradiction and contrariety as antiprofiles. As theoretical basis were also taken A. J. Greimas, J-M. Floch and F. Thürlermann. Regarding cyberculture studies, were taken as support P. Lèvy, M. Castells, A. Lemos, A. Primo, R. Recuero and E. Trivinho. Digital social networks as nowadays significant practices, under specificity of discursive semiotics, enhance the studies on identities construction inside new ways of communication / A pesquisa investiga a composição narrativa e discursiva dos perfis autobiográficos nas redes sociais digitais. Busca verificar como a modalidade discursiva configura um modo de apresentação e interação do sujeito no social, movimentando axiologias em percursos de construção identitária e subjetiva. Como corpus de análise foram escolhidos quatro plataformas de redes sociais: Facebook, Sonico, MySpace e Twitter em razão da temática de promoção de relacionamentos entre amigos ou seguidores em ambiências de visibilidade e conexão, com penetração no cenário nacional e internacional. Na coleta de dados, entre 2010 e primeiro bimestre de 2013, observou-se na interface de interação dessas plataformas um conjunto de narrativas de perfis destacando percursos de enunciação. Enquanto modelos discursivos esses se fundam em diferentes valores, apresentando potencial comparativo. A partir do levantamento de traços invariantes e variantes, na inter-relação entre os patamares do percurso gerativo de sentido, a pesquisa identificou a construção da visibilidade como um valor pregnante. No percurso de se fazer visível observamos estratégias de exposição do sujeito indicadoras de formas de pertencimentos e modos de presença. A homologação aos regimes de visibilidade apontou para a identificação de dois grandes percursos enunciativos: percursos de autopromoção e de socialização, manifestados de forma imbricada sob o atravessamento dos discursos da celebridade e da espetacularização, perpassados pelo discurso midiático e de midiatização. Esses modos de presença se constroem no interior de práticas interacionais que foram tratadas em relação à formação de regimes de interação e sentido seguindo Landowski e das interações discursivas, desenvolvidas por Oliveira. Como resultante observamos a instauração de um modelo de programação complexa regedor dos modos de presença instaurados subsumindo o acidente e alimentado pelo ajustamento e manipulação. O domínio da programação mostrou como os perfis autobiográficos construídos nas plataformas de redes sociais analisadas revelam-se na contradição e contrariedade como antiperfis. Como fundamentação teórica tomou-se ainda A. J. Greimas, J.-M. Floch e F. Thürlermann. Nos estudos da cibercultura, apoiouse em P. Lèvy, M. Castells, A. Lemos, A. Primo, R. Recuero e E. Trivinho. As redes sociais digitais como práticas significantes da atualidade, sob a especificidade da semiótica discursiva, contribuem com os estudos sobre a construção de identidades nas novas formas de comunicação