• Autotelic Architecture is a collection of buildings with architectural stories. • The buildings included are described with black line drawings on white paper and a supplementary text. The drawings have been stripped down to only show walls, pillars, stairs, ramps and significant objects. Together the drawing and the text describes what story is told in the building through its architectural elements. • The reason to include a building in the collection is our recognition of a story within it. • All of the buildings in the collection have been built. • Each of the buildings in the collection hold a story thought of as relevant, communicated with spaces and objects. The relevance is based on an incomplete set of attributes, indicating a strong architectural story. • The buildings are categorized in different themes. For example, the theme of labyrinths describe buildings that are of a maze like nature, schizophrenic describe buildings with multiple logics and nothingness describe buildings appearing to be almost nothing. One building can be part of several themes, and the number of themes is not fixed. • The intention is to visualize the nature of the architectural story and to provide a conceptual inventory for further development of architectural stories. We believe that from telling stories with only the configuration of a buildings physical conditions there arises a direct intellectual stimulation which adds poetic depth to the building. • This book argues that the poetical aspects of architecture has a purpose in itself and should take precedence over the technical aspects. • This book is not a manual and can therefore not be seen as dogmatic or as a recipe for architecture. It is a body of strong architectural stories that deserve to be noted and shared. • This book does not take a stand against other forms of architecture, it simply proposes a language of designing that is both serious and happy, both literal and tentative, both enigmatic and real. / • Autotelisk Arkitektur är en samling av byggnader med arkitektoniska berättelser. • Byggnaderna är beskrivna med hjälp av planer och text. Planerna har blivit reducerade för att enbart visa väggar, pelare, trappor, ramper och signifikanta objekt. Tillsammans beskriver planen och texten den berättelse byggnaden berättar genom sina arkitektoniska element. • Alla byggnader i samlingen har byggts. • Byggnaderna är kategoriserade i olika teman. En byggnad kan vara part av flera teman och antalet teman är inte fast. • Intentionen är att visualisera arkitektoniska berättelser och tillgängliggöra en konceptuell inventering för vidare utveckling av arkitektoniska berättelser. Vi tror att genom att berätta historier genom enbart en byggnads rumsliga konfiguration uppstår det en intellektuell stimulering vilket skapar poetiskt djup i en byggnad. • Boken föreslår ett formgivningsspråk som är både seriöst och glatt, både bokstavligt och sökande, både enigmatiskt och verkligt.

Depuis près d'une décennie, les outils issus du Web 2.0 s'insèrent dans la sphère de l'entreprise et sont présentés comme participant d'un changement technologique et managérial majeur. Pour autant, on constate des lacunes théoriques dans la caractérisation des régimes collaboratifs proposés par ces nouveaux objets, réunis sous la bannière du Social Software. Nous proposons ici d'explorer les dimensions à travers lesquelles les objets de Social Software proposent un renouvellement des régimes collaboratifs. Ce projet nous amène d'abord à présenter les évolutions techniques et paradigmatiques entre Groupware et Social Software. Dans un deuxième temps, nous réalisons une exploration empirique du champ via l'analyse des discours commerciaux d'éditeurs de Social Software et la présentation de quatre dispositifs que nous qualifions au regard des taxonomies issues des champs du Computer Supported Cooperative Work et de l'Entreprise 2.0. Nous enrichissons cette analyse par la modélisation des trajectoires d'évolution des quatre dispositifs faisant l'objet de nos études de cas, au travers d'un cadre conceptuel centré sur l'objet technique. Enfin, nous proposons un cadre inédit pour la caractérisation des régimes de collaboration proposés par les dispositifs de Social Software. Cette recherche nous amène à rediscuter des liens entre les technologies et les modalités de pilotage de l'action collective dans les organisations. / For the last decade, Web 2.0 tools have entered the corporate sphere and are considered as part of a major technical and managerial shift. However, there is still a lack of theoretical framework to define the collaborative regimes that the new objects of Social Software carry. In this dissertation, we explore the dimensions through which Social Software objects offer a renewal of collaborative regimes. First, we highlight the technical and paradigmatic evolutions between Groupware and Social Software. Then we carry an empirical exploration of the field of Social Software, by analyzing publishers' commercial discourse and presenting four devices that we describe through the taxonomical frameworks of Computer Supported Cooperative Work and Enterprise 2.0. This analysis is supplemented by the modelization of the four devices' evolution paths, relying on a conceptual framework that focuses on the technical object. Finally, we suggest a novel framework to define the collaboration regimes proposed by Social Software devices. This research leads us to further discuss the links between technology and the management of collaboration.