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1	A periferia nos seriados televisivos Cidade dos Homens e Antonia / A periferia nos seriados televisivos Cidade dos Homens e Antonia Stucker, Ananda 11 December 2009 (has links) Esta dissertação dedica-se à análise das séries televisivas brasileiras Cidade dos Homens (2002-2005) e Antonia (2006-2007), tomadas aqui como obras privilegiadas para se debater o lugar simbólico que a periferia adquire no universo audiovisual e na dinâmica social atual. Interessa particularmente compreender como tais programas se colocam perante as assimetrias de poder, a dominação e a desigualdade social, abordando as implicações éticas, estéticas e políticas da representação. Destaca-se padrões e divergências entre os projetos, localizando-os num repertório cinematográfico e televisivo e interpretando-os dentro do campo de tensões sociais contemporâneas. / The following dissertation analyses the Brazilian television shows Cidade dos Homens (2002-2005) and Antonia (2006-2007). Such productions are in a privileged position to discuss the simbolic place that poverty in urban outskirts develops in the audiovisual environment and nowadays social dynamics. This study is particularly interested in understanding how these programmes portrait power asymmetries, social domination and inequity, at the same time they confront ethical, esthetic and political implications of such representation. I highlight patterns and differences, as I look upon them in the light of a broader movie and television production spectrum, interpreting each object minding the paradigms of contemporary social tension. Brazilian cinema Cinema brasileiro Periferia Representação Representation Seriados Televisão Television Television shows Urban outskirts
2	A periferia nos seriados televisivos Cidade dos Homens e Antonia / A periferia nos seriados televisivos Cidade dos Homens e Antonia Ananda Stucker 11 December 2009 (has links) Esta dissertação dedica-se à análise das séries televisivas brasileiras Cidade dos Homens (2002-2005) e Antonia (2006-2007), tomadas aqui como obras privilegiadas para se debater o lugar simbólico que a periferia adquire no universo audiovisual e na dinâmica social atual. Interessa particularmente compreender como tais programas se colocam perante as assimetrias de poder, a dominação e a desigualdade social, abordando as implicações éticas, estéticas e políticas da representação. Destaca-se padrões e divergências entre os projetos, localizando-os num repertório cinematográfico e televisivo e interpretando-os dentro do campo de tensões sociais contemporâneas. / The following dissertation analyses the Brazilian television shows Cidade dos Homens (2002-2005) and Antonia (2006-2007). Such productions are in a privileged position to discuss the simbolic place that poverty in urban outskirts develops in the audiovisual environment and nowadays social dynamics. This study is particularly interested in understanding how these programmes portrait power asymmetries, social domination and inequity, at the same time they confront ethical, esthetic and political implications of such representation. I highlight patterns and differences, as I look upon them in the light of a broader movie and television production spectrum, interpreting each object minding the paradigms of contemporary social tension. Cinema brasileiro Periferia Representação Seriados Televisão Brazilian cinema Representation Television Television shows Urban outskirts
3	Mediální konstrukce minulosti: obraz normalizačního období v české televizní publicistice po roce 2006 / Media Construction of the Past: Image of the Period of Normalization in the Czech Non-fiction Television Shows after the Year 2000 Červínová, Adéla January 2013 (has links) The diploma thesis "Media Construction of the Past: Image of the Period of Normalization in the Czech Non-fiction Television Shows after the Year 2006" looks into media construction during normalization period in television shows, which mark themselves as journalistic. The two following methods are used to analyze chosen thematic units broadcasted between the years 2007-2012: quantitative content analysis and semiotic analysis. Content analysis besides other things provides information about the frequency of occurrence of specialists in the field of social sciences, both movies and period footage as well as Slovak speaking people in non- fiction television shows such as Retro, Historie.cs, Víkend and Střepiny. Semiotic analysis notices denotative meaning of two examined units as well as opening jingle of Retro and Historie.cs shows and subsequently interprets used components. Based on this interpretation myths associated with construction of both normalization and the past are deciphered. Chapters dedicated to research are complemented by methodological part, which familiarizes with the technique of researches and explains differences between quantitative and qualitative methods, as well as the theoretical part, which brings insight into media representation, media construction, and relationship...
4	De Fargo à Fargo (Coen 1996 ; FX 2014—) : la notion d'espace dans un phénomène médiatique complexe, l’adaptation d’un film en série télévisée Chameau-Martinez, Camille 09 1900 (has links) No description available. Adaptation Mondes fictionnels Univers Fiction Série télévisée Cinéma Transferts Transfictionnalité Transtextualité Culte Coen Espace Fargo FX Migration Fictional worlds Universe Television shows Cult Space Transfers Sensation Transtextuality Transfictionnality

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