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Race, Power, and White Womanhood: The Obsessions of Tom Watson and Thomas Dixon Jr.Kowasic, Tara Nicole 01 May 2013 (has links)
Thomas Dixon Jr. (1864 -1946) and Thomas E. Watson (1856-1922), two controversial and radical figures, are often credited with the second coming of the Ku Klux Klan. Dixon, writer of novels and plays such as The Leopard’s Spots (1902) and The Clansman (1905), and Watson, politician, prolific writer, and publisher of Watson’s Magazine and The Jeffersonian, reached the masses and saturated popular culture with their racial agenda. As each of these men had especially long careers, this thesis focuses on particular times and specific issues. With Dixon, the writing of The Clansman (1905) and production of The Birth of a Nation (1915) are key points in his career and exemplary of his feelings about race, gender and power. For Watson, the Leo Frank controversy (1913-1915) demonstrates the same. Moreover, each man’s career was associated by others with the second coming of the Klan in the late 1910s and early 1920s. Thus, this era is significant for analysis of both men’s work. Through their writings, plays, and political stances, Dixon and Watson ensured widespread reception of a racial message aimed at maintaining the Southern social order at the turn of the twentieth century. While desired social order placed white, Anglo-Saxon, Protestant men at the top of the social pyramid, a viewing of their work through a gendered lens adds complexity to these motivations. This thesis applies a gendered analysis in a comparative study of these two racist publicists in order to identify and analyze what for them, is the fundamental foundation of that social order. In doing so, not only is an obsession with racial control demonstrated, but also a deep-seated desire to protect and control white womanhood—the most important component of the white, Anglo, Protestant majority. In this analysis, gender emerges as a means to augment race and power while maintaining and bolstering the traditional social order.
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Beyond "white supremacy:" white reactions to The Clansman and The Birth of a nation in New South North Carolina and Georgia / 「白人至上主義」の向こう側 : ノースカロライナ州及びジョージア州における劇『クランズマン(1905)』と『國民の創生(1915)』に対する南部白人たちの評価 / ハクジン シジョウ シュギ ノ ムコウガワ : ノースカロライナシュウ オヨビ ジョージアシュウ ニオケル ゲキ クランズマン 1905 ト コクミン ノ ソウセイ 1915 ニタイスル ナンブ ハクジン タチ ノ ヒョウカ / 白人至上主義の向こう側 : ノースカロライナ州及びジョージア州における劇クランズマン1905と國民の創生1915に対する南部白人たちの評価三島(原) 恵実子, 三島 恵実子, 原 恵実子, Emiko Mishima Hara 07 March 2019 (has links)
昨今「白人至上主義」という単語が多用されているが、その定義は不明確なままである。なぜならば、たとえ人々の「白人至上主義」への認識に多少の差異があったとしても、結果がほぼ変わらないという見解が一般的であるからである。しかしながら本研究は、「白人至上主義」とは時代、場所、そして歴史的・社会的背景によって変容するものであると定義付けた。またある特定の「白人至上主義」を強調した演劇『クランズマン』、後の映画『國民の創生』、に対する南部白人の評価を分析することで、その概念を最も享受したであろう彼らが如何にその言葉の意味を定義し、またどのように保持し習慣づけていったのかを解明しようと試みたものである。 / This dissertation hypothesizes that white supremacy is a flexible ideology that changes depending on the location, the period, and historical as well as social conditions in which it is promoted. By examining and comparing the differences between the responses of white North Carolinians and white Georgians towards The Clansman in 1905 and The Birth of a Nation in 1915, this dissertation argues that even though we assume that Radical white supremacy seems to have covered the entire South during the Jim Crow era, and images and stories of supposed “black beast rapists” obscured social differences within the white group, there were a range of variable and sometimes competing ideologies among white supremacists. / 博士(アメリカ研究) / Doctor of Philosophy in American Studies / 同志社大学 / Doshisha University
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