Nineteenth-century literature often reflects the evolving social dynamics and aspirations of the era and in works with female protagonists and/or by women authors, themes of women’s struggles are often prevalent, albeit sometimes more covertly. This essay examines the themes of empowerment, disempowerment and agency in Anne Brontë’s The Tenant of Wildfell Hall (1848) and Mary Elizabeth Braddon’s Lady Audley’s Secret (1862). Through the exploration of their respective protagonists, Helen Graham and Lucy Audley, these works illuminate the multifaceted dimensions of agency, from subtle acts of defiance to bold assertions of independence. To illuminate the discussion, the two novels are read and discussed alongside a variety of nineteenth-, twentieth- and twenty-first-century critical works.  The thesis is divided into three parts, with the first part focussing on the social context in which real-life and fictional Victorian women lived. The second and third parts discuss disempowerment and empowerment, respectively, and discuss and highlight how social norms and inequalities for women in nineteenth-century Britain impacted the female characters in these novels. It also shows how they navigate these constraints to assert their agency or succumb to societal pressures.

The Victorian need to compartmentalise and define women’s sexuality in terms of opposing binaries was paralleled by the vague idea that the period’s French and British literatures were at odds with one another. Elucidating the deep connections between, and common concerns shared by, French Naturalist and Realist and British New Woman authors, this thesis shatters the dichotomies that attempted to structure and define women’s sexuality in the mid- to late- nineteenth century. The thesis focusses on novels and short stories by French authors Émile Zola and Guy de Maupassant, and New Woman authors Sarah Grand, Ménie Muriel Dowie and Vernon Lee. In a time during which the feminist movement was gaining momentum, and female sexuality was placed at the heart of a range of discourses, and scrutinised from a number of different angles – not only in literature, but in medicine, psychology, sexology, criminology – the consideration of the female sexual self and her subjectivity brings together the work of authors whose oeuvres have been largely considered as antithetical. Previous work has indeed shown the centrality of female sexuality to both literatures, yet never compared them. This thesis rediscovers the significance of both literatures’ investment in a discourse revolving around female sexuality by contrasting the French male authors with the British female writers, and uncovering unexpected parallels in their claims about the contemporary situation of women. Simone de Beauvoir’s Le Deuxième Sexe’s feminist philosophy frames the thesis’s comparative analysis, questioning and re-examining these authors’ representations of female sexuality. The ideas of sensuality and rationality, motherhood, reproduction, marriage, and prostitution thus become recurring concerns throughout it. The thesis’s first chapter considers the female as sexual subject and/or object of the male gaze, in a range of New Woman and French literature. The second and third chapters are organised around the themes of marriage and prostitution, and the final chapter considers issues of female sexuality within the fantastic short story.

Rituals of Diagnosis argues that nineteenth-century America’s literary representations of madness and its diagnosis respond to interdisciplinary efforts at cultivating a national psychology. Uniting theological and philosophical traditions with medical speculation, mental health reformers from Benjamin Rush to Dorothea Dix linked the expansion of democracy with new vulnerabilities for madness. Theories about insanity thus hypothesized relationships between freedom and responsibility. I examine how America’s first psychological fictions contributed to this rich field of discussion. Taking up novels by Charles Brockden Brown, Robert Montgomery Bird, and Oliver Wendell Holmes that pivot around the investigation of madness, I examine how literary works from the Revolutionary Era to the Civil War dramatize interpretive processes that classify transgressive behavior. I argue that the grotesque subjects at the center of these investigations—Anglo-Americans who are likened to demons, animals, and “savage” racial others—indicate the provisionality of the period’s theories of mental illness and register anxieties about affiliation and responsibility that accompanied their development. This inquiry contributes to contemporary conversations about authority, desire, and the role of violence in the American imaginary, and argues that scientific speculation and literary experimentation collaborated in constructing this imaginary. While many have acknowledged that discourses of mental health participated in codifying social and political norms, I draw explicit attention to literary form as a site for examining the motivations that fuel these discourses by showing how their narrative trajectories put medical knowledge into conversation with sentimental ideologies. Examining how these novels conjoin problems of interpretive confusion with affective confusion, I explore how these mysteries destabilize the disembodied rationality central to the perch of objectivity that sustained white supremacist interrogations of racial and gendered others. The struggle to situate the locus of social unrest into psychological and ethnic others betrays an archive of fears and fantasies contained by diagnostic procedures. / text

The focus of this research has been on how the county of Hertfordshire negotiated the economic, social and political changes of the late nineteenth century. A rural county sitting within just twenty miles of the nation’s capital, Hertfordshire experienced agricultural depression and a falling rural population, whilst at the same time seeing the arrival of growing numbers of wealthy, professional people whose economic focus was on London but who sought their own little patch of the rural experience. The question of just what constituted that rural experience was played out in the local newspapers and these give a valuable insight into how the farmers of the county sought to establish their own claim to be at the heart of the rural, in the face of an alternative interpretation which was grounded in urban assumptions of the social value of the countryside as the stable heart of the nation. The widening of the franchise, increased levels of food imports and fears over the depopulation of the villages reduced the influence of farmers in directing the debate over the future of the countryside. This study is unusual in that it builds a comprehensive picture of how agricultural depression was experienced in one farming community, before considering how farmers’ attempts to claim ownership of the ‘special’ place of the rural were unsuccessful economically, socially and politically. Hertfordshire had a long tradition of attracting the newly wealthy looking to own a country estate. Historians have suggested that in the late nineteenth century there was a shift in how such men understood ownership of these estates, showing little enthusiasm for the traditional paternalistic responsibilities; in the face of a declining political and social premium attached to landownership, their interest lay purely in the leisure and sporting opportunities of the rural. However, as this research will show, the newly wealthy were not immune to that wider concern with social stability, and they engaged with their local environment in meaningful ways, using their energies and wealth to fund a range of social improvements. This research extends our understanding of just how the rhetoric of the rural was experienced by the residents of a county which so many saw as incorporating the best of the ‘south country’. In so doing, it makes a significant contribution to our knowledge of how this period of agricultural depression was interpreted by the wider nation, and the impact on social and cultural understanding of the place of the countryside within the national identity.

The central theme of this work is the elucidation of the circumstances that led to the decline of the apothecaries’ assistants. The Apothecaries Act (1815) formerly recognised them as dispensers of medicine and provided an appropriate examination and qualification. Initially, starting in 1850, men were the only candidates for the examination and it was not until 1887 that the first woman qualified. From that time the occupation became increasingly popular among young women, as it provided them with respectable employment dispensing medicines in institutions and doctors’ surgeries. This situation prevailed until The National Insurance Act (1911) transferred almost all the dispensing to the chemists and druggists. This dissertation examines the aspirations of the Pharmaceutical Society, the Society of Apothecaries, the government and the assistants themselves, all of whom were intimately involved in the changes brought about by the Act. While much has been written about medical history in the nineteenth century, little interest has been shown in the apothecaries’ assistants who were the main dispensers of medicines for a period of about 70 years. This thesis advances our understanding on this subject. Additionally, as most of the assistants were women from middle class families, it opens a window on the social and cultural changes that these young women and their families were experiencing in the second half of the nineteenth century.

This thesis explores the crowds that attended London's executions, pillories and public whippings during the eighteenth and nineteenth centuries. It aims to reappraise a literature describing the carnivalesque and voyeuristic nature of popular behaviour, and to trace a continuum in the public's active engagement with the criminal justice system between 1783 and 1868. By employing a range of little used sources to examine the biographical, geographical and social texture of punishment audiences, it details the lives and motivations of the men, women and children who assembled to watch these often brutal events. In the process, this thesis significantly revises our received understanding of the troublesome punishment 'mob', the unruliness and low character of which has been frequently assumed on the basis of uncritical reading of contemporary sources inveighing against plebeian behaviour. It reveals a more stable picture of public participation, and argues that this experience was characterized by the remarkable social diversity and relative good order of the crowd. This study in consequence problematizes teleological narratives of social 'improvement' and a putative 'civilizing process', which have traditionally described the fall of public punishments as a product of changing urban sensitivities. In analysing the crowd's structure and responses to public punishments over time, the thesis demonstrates how popular expectations surrounding older forms of public justice remained essentially unchanged, and continued to speak forcefully to the metropolitan conscience. To explain the undoubted changes in punishment policy in the period, in the absence of a clear teleological narrative of attitudes towards public punishment, the thesis in turn argues that the decline of the pillory, whippings and public executions in London was driven by elite fears regarding mass behaviour, particularly in the wake of the Gordon Riots of 1780, and suggests that public punishments disappeared not because of their dwindling moral relevance or failing penal utility, but as a result of the middle class's increasingly nervous perceptions of urban mass phenomena. The thesis argues that the decline of public punishment did not result from 'squeamishness' about judicial murder and corporal punishment, but from anxiety about the authority and power of the crowd.

This study focuses on the role and contribution of women in the context of the social and economic development of two towns in Hertfordshire during the nineteenth century. Although the age saw an increase in urbanisation, Hertfordshire remained an agricultural county with long established land owners, a middle class with influence in the towns and its closeness to London attracting the newly wealthy in search of a country estate. The towns selected for this study, Hertford and Hitchin, changed little in their character and, compared with others which experienced industrial expansion, saw a modest population growth. This, however, brought the consequential pressures on housing and poverty. This research is unique in combining the study of the activities of women and the challenges faced by two market towns over a period of time of change and thus making a contribution to the debate on the concept of “separate spheres” by demonstrating that women had a place in the public arena. The daily life of a country town was reliant on a thriving economic environment. As this research demonstrates, many women had trades and businesses, contributed to good causes and were central to the education of children and adults. Their philanthropic efforts supported the building and maintenance of churches, schools, and hospitals. It charts the role of ordinary women, operating in a small town environment, before extension of the suffrage and Equal Opportunities legislation established their position as legitimate influencers of policy and practice. Little work has been done on how the English small town coped with its growth in population and the summons from central government on compliance with an increasing body of legislation on how the town should be run. It was men who undertook the necessary offices associated with this seed of local government but a micro-history of the people who inhabited these two towns demonstrates that women made a significant contribution to social and economic life of these towns.

This thesis provides a contextualised exegesis and re-evaluation of the anarchist Pierre- Joseph Proudhon's writings on war and peace. The thesis has two claims to originality. The first lies in shedding new light on Proudhon's voluminous writings on international politics. These texts have been relatively marginalised in the broader secondary literature on Proudhon's thinking, and the thesis seeks to correct this important lacuna. In International Relations (IR), the academic discipline to which this thesis will make its most obvious original contribution, Proudhon's writings on war and peace have been almost completely ignored. By providing an anarchist approach to world politics, the thesis will also contribute to IR's historiographical and critical theoretical literature. The second claim to originality lies in using these writings and the context from which they emerged to tell a story about the evolution of the nineteenth century, the origins of the twentieth century and provide possible ways of thinking beyond the twenty first. The thesis employs a contextualist methodology that works in four ways. First, I have contextualised Proudhon's thought geo-politically, in relation to the dynamics of the balance of power in nineteenth-century Europe. Secondly, I have sought to understand Proudhon's ideas against the backdrop of the evolution of the French nation state in the mid to late nineteenth century. Third, I have shown how Proudhon's thought emerges out of the dominant intellectual currents of his day – ideas that range from the inspiration for the activism of Fourierist and Saint-Simonian feminists, to the epochal influence of Rousseau and Kant. Finally, I argue that Proudhon's thinking on world politics needs to be understood in relation to the evolution of his own thinking after Napoleon III's coup d'état of the 2nd of December 1851. I will show that Proudhon's mature anarchism, his mutualist federalism, was an engaged response to each of these social and intellectual contexts. I will argue that his critiques of these processes, and their intellectual champions, have been given an added poignancy given that he campaigned in large part against those very processes that culminated in two world wars.

This thesis intends to answers these questions: What did “curiosity” mean in the nineteenth century, and how do Charlotte Brontë's four major works represent such curiosity? How were women looked at, formulated, and situated under the nineteenth-century curious gaze? In order to answer these questions, this thesis examines Brontë's works by juxtaposing them with nineteenth-century exhibitions. Four chapters are thus dedicated to this study: in each a type of exhibition is contemplated, and in each the definition of “curiosity” is defined through the discussions of boundary-breaking. The first chapter discusses the metaphors of “cabinets of curiosities” throughout Brontë's texts. The most intimate and enclosed spaces occupied by women and / or their objects—attics, desks, drawers, lockets—are searched in order to reveal the secret relationship between Brontë's heroines and the objects they have hidden away, especially the souvenirs. From cabinets of curiosities the thesis moves to another space in which the mechanism of curiosity and display takes place—the garden. The second chapter thus discusses the supposed antithesis between the innocent and the experienced, between the Power of Nature and the Power of Man, by reading the garden imagery in Brontë's works along with nineteenth-century pleasure gardens and the Wardian case. The imagery of Eve is also taken into consideration to discuss the concept of innocence. In the third chapter, metaphors of waxworks and the Pygmalion myth are applied to discuss the image of women's bodies in Brontë's texts, and the boundary between the living body and the non-living statue is seen as blurred. In the final chapter, dolls' houses and their metaphors in Brontë's works are examined in order to explicate Brontë's concept of “home,” and the dolls' house thus poses a question on the relationships between the interior and the exterior, the gigantic and the miniature, and the domestic and the public spaces.

Victorian inquisitiveness about sleep and dysfunctions of sleep is exemplified in novels published during the fifty-year period from Jane Eyre (1847) to Dracula (1897). This inquisitiveness foreshadows modern medical sleep science and immerses the reading public in a body of popular literature that subverts the concept of "normal" sleep. My dissertation explores the ways in which Victorian fiction brings physiological and psychological female concerns to the fore through the plot devices of sleep and sleeplessness. I examine the Victorians' diverse interpretations of illness, physical and sexual vulnerability, moral insanity, criminality, and anxiety to determine the thematic and narratological ways in which these issues are linked to sleeping and waking states. Drawing on feminist literary criticism, cultural historicism, and medical insight from the early nineteenth-century to the present, I argue that Charlotte Brontë, Wilkie Collins, and Bram Stoker use sleep and wakefulness as vehicles to navigate gendered fluctuations of power and loss. Jane Eyre, The Woman in White, and Dracula each present sleep as a gendered space in which power is contested. I argue that sleeplessness and restlessness are the methods women adopt, either on purpose or unintentionally, to realize self-sufficiency and protect themselves from patriarchal jurisdiction and other social restrictions on women. Women must reject their instinctual desires for a certain amount of sleep so that they can maintain agency and authority over their bodies and narratives. Implicit in the novels is the idea that deep sleep is a mechanism for achieving health and moral strength of character. However, explicitly and without apology, the novels use the trope of sleep for women as a violent instrument of loss, infection, powerlessness, and weakness. The cultural and medical artifacts of the time suggest that deep, indulgent sleep is the only way to achieve or maintain health. Yet Victorian authors write sleep as a sure road to incapacitation and subjugation. Brontë, Collins, and Stoker demonstrate that a woman's mind is only as healthy as her sleep, while her body is always safer awake.