[pt] Essa dissertação defende a tese de que há três sentidos principais em que figura o problema do tempo no livro Os detetives selvagens (2006), de Roberto Bolaño. O tempo do retorno, o tempo da polifonia e o tempo da construção. Ao menos desde a célebre formulação de Gyorg Lukács, segundo quem, dada a separação entre sentido e vida, toda a ação interna do romance talvez pudesse ser lida como uma luta contra o poder do tempo, revelando-o como princípio constitutivo da forma, o tema é incontornável no debate sobre a forma romance. Constituído por três eixos, sendo o intermediário um conjunto de entrevistas recolhidas ao longo de um período de vinte anos (1976-96), e os restantes anotações pessoais - em forma diário - do jovem poeta Juan García Madero, que compreendem os últimos meses de 1975 e os primeiros de 1976, o livro escrito por Roberto Bolaño toma forma às custas das aproximações e distanciamentos entre as histórias, bem como através da ordenação temporal heterodoxa e multifacetada, objeto de nosso estudo, que assim pretende abordar filosoficamente – através de autores como Lukács, Adorno e Rancière – a literatura de Os detetives selvagens, de Bolaño. / [en] This work claims that Roberto Bolaño s The savage detectives features the problem of time in three major procedures. The time of return, the time of polyphony and the time of construction. Ever since Gyorg Lukács notorious remark, according to which, given the separation between meaning and life, one could almost state that the entire inner action of the novel is nothing but a struggle against the power of time, unveiling it as a constitutive principle of form, the matter has become mandatory for the debate over the form of the novel. Split into three chapters, the intermediate one consisting in a set of interviews collected over two decades (1976-96) and the remaining two Juan García Madero s diary, which portrays the last months of 1975 as well as the early months of the following year, Roberto Bolaño s book takes shape not only through the similarities and dissimilarities between the stories but also due to the original and rather complex experiences of time elicited by them, subject of our study, which, therefore, aims at a philosophical approach - through names such as Lukács, Adorno and Rancière - of Bolaño s The savage detectives.

Chilean author Roberto Bolaño (1953-2003) has achieved considerable critical and commercial success among a global English readership. Breaking into the US market, which has an important mediating role for the international circulation of texts, is a rare feat for a non-Anglophone author and requires some explanation. In the spirit of Pascale Casanova’s international criticism, this paper looks at Bolaño’s work as world literature and his persona as a world-literature figure against which theories on the subject can be measured. Furthermore, I will partly use his posthumous novel, 2666, as an example of a work that arises out of this process of becoming-world-literature. The success of Bolaño more or less conforms to the main theories of world literature (Casanova, Moretti, Thomsen), but it also reveals interesting mismatches and problematic aspects that show a need to update existing theories.

This work is centered in the analysis of characters in the novel The Savage Detevcives written by Roberto Bolaño. The thesis has no purpose in the biografic analysis of its authors life. It represents a detailed research and identification of characters that were (and still are) attached to our delimited context which is centered in the years of the development of the plot (1975-1976) and the years after while the movement infrarrealsim lasts. Its purpose is the analysis of each selected character. In order to fulfill it I have created the concept of the "infra-grafía". An infra-grafía is some kind of curriculum of each character that helps to respond the question that this work arises: which characters are fictional and which are infra-real? Because real is none of them.

Orientador: Francisco Foot Hardman / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-23T01:28:04Z (GMT). No. of bitstreams: 1 Guerra_BrunaTella_M.pdf: 1281442 bytes, checksum: 03ca81a82ade5bc6bffa8816adb45df4 (MD5) Previous issue date: 2013 / Resumo: A síntese deste trabalho é a ressignificação da detective fiction em Los detectives salvajes, de Roberto Bolaño. O ponto de partida são os vários textos do autor que têm a figura do detetive na intitulação, sendo esse apenas um dos vários aspectos que recorre na obra bolañiana. Entendendo que a enorme rede de relações que existe em seus textos é sugestiva de seu projeto literário, coerentemente será assumida uma visão transtextual para a análise da narrativa: através de textos críticos de Bolaño, de sua obra ficcional geral e do histórico da detective fiction, algumas interpretações serão traçadas para que se perceba de que forma novos sentidos deste gênero podem ser atribuídos a Los detectives salvajes. Para isso, será feita uma análise conjectural, num nível fragmentário, e nunca totalizante / Abstract: The synthesis of this work is the resignification of the detective fiction in Roberto Bolaño's Los detectives salvajes. The starting point is the various texts of the author that have the figure of the detective in the entitlement, being this aspect only one of the many others that resort in bolañian work. Understanding that the huge network of relationships that exist in his texts is suggestive of his literary project, it will coherently be assumed a transtextual vision for analyzing the narrative: through Bolaño's critical texts, his general fiction and the history of the detective fiction, some interpretations shall be outlined for the perception of how new meanings of this genre can be attributed to Los detectives salvajes. To achieve this aim, it will be assumed a conjectural analysis, in a fragmentary level, and never totalizing / Mestrado / Teoria e Critica Literaria / Mestra em Teoria e História Literária