published_or_final_version / English / Master / Master of Philosophy

Thesis (Ph. D., Dept. of East Asian Languages and Civilizations)--Harvard University, 2006. / "August 2006." Includes bibliographical references (leaves 257-277).

Thesis (Ph. D., Dept. of East Asian Languages and Civilizations)--Harvard University, 2006. / "August 2006." Includes bibliographical references (leaves 257-277).

Thesis (Ph.D., Dept. of East Asian Languages and Civilizations)--Harvard University, 2006. / "August 2006." Includes bibliographical references (leaves 257-277).

published_or_final_version / Business Administration / Master / Master of Business Administration

姚穎嘉. / "2003年8月". / 論文(哲學碩士)--香港中文大學, 2003. / 參考文獻 (leaves 123-127). / 附中英文摘要. / "2003 nian 8 yue". / Yao Yingjia. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2003. / Can kao wen xian (leaves 123-127). / Fu Zhong Ying wen zhai yao. / Chapter 第一章 --- 引言 --- p.1-10 / Chapter 第二章 --- 抗戰時期的香港話劇：背景硏究(1937-1945) --- p.12-22 / Chapter 第三章 --- 戰後至1960年代的重整期：重視教育和 節省資源的文化政策 --- p.23-43 / Chapter 第一節 --- 維護政府管治權和重資源分配 --- p.24-30 / Chapter 第二節 --- 話劇發展及其主流 --- p.31-42 / Chapter 第四章 --- 1960至1967年的劇本荒：文化政策的寸步難移 --- p.44-65 / Chapter 第一節 --- 暴風雨前夕 --- p.45-51 / Chapter 第二節 --- 自力更生的話劇發展 --- p.52-64 / Chapter 第五章 --- 1967年暴動後至1982年中英談判的改革時期： 文化政策與政府爭取民望的導向 --- p.66-81 / Chapter 第一節 --- 香港本土文化的建立 --- p.67-71 / Chapter 第二節 --- 本土劇的初生和萌芽 --- p.72-81 / Chapter 第六章 --- 中英談判後至1997香港回歸：講求「價値」 提升的文化政策 --- p.82-100 / Chapter 第一節 --- 藝術發展的政治化與商業化 --- p.83-89 / Chapter 第二節 --- 中英談判後香港話劇的本土意識 --- p.89-98 / Chapter 第七章 --- 1997.7.1回歸後與未來展望：共同面向國際的中港文化 --- p.101-117 / Chapter 第一節 --- 回歸祖國文化與流傳 --- p.102-107 / Chapter 第二節 --- 商業藝術形成的惡性循環 --- p.107-114 / Chapter 第八章 --- 總結 --- p.118-122 / 參考書目 --- p.123-127 / 論文附錄 / 附錄(一）：抗戰劇人的背景資料 --- p.i 一ii / 附錄(二）：中英學會中文戲劇組的演出劇目 (1952-1963 年） --- p.iii´ؤiv / 附錄(三）：校際戲劇比賽劇目（1950- 1960年） --- p.v´ؤxiv / 附錄(四）：校際戲劇比賽中文戲劇冠亞季軍得獎作品 (1950-60 年） --- p.xv´ؤxvi / 附錄(五）：大會堂戲院和音樂廳的租用情況 (1962年3月至1964年6月） --- p.xvii´ؤxix / 附錄(六）：中國學生周報話劇組排練及演出的劇目 (1960-67 年） --- p.xx / 附錄(七）：專上學生聯會舉辦的大專戲劇節演出劇目 (1966-1975) --- p.xxi´ؤxxiv / 附錄(八）：1960年代中英學會中文戲劇組和 香港業餘話劇社演出的劇目 --- p.xxv / 附錄(九）：香港藝術節的演出話劇及場次(1973-1982年） --- p.xxvi´ؤxxvii / 附錄(十）：1997至2000年上演過的本地話劇 --- p.xxviii´ؤIii

by Zhang Ning. / Thesis (M.Ph.)--Chinese University of Hong Kong, 1988. / Bibliography: leaves 131-142.

Cheng Kwok Piu Bill. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 1997-98, design report." / Chapter 1.0 --- Project Summary --- p.3 / Chapter 1.1 --- Introduction / Chapter 1.2 --- Background / Chapter 1.3 --- Client profile / Chapter 1.4 --- User profile / Chapter 2.0 --- Site Analysis --- p.7 / Chapter 2.1 --- Location / Chapter 2.2 --- Physical Aspects / Chapter 2.3 --- Rationale of Site Selection / Chapter 2.4 --- Constraints of Site / Chapter 2.5 --- Site Analysis / Chapter 2.6 --- Comparision with the Existing Construction by ASD / Chapter 3.0 --- Conclusion of research works and site analysis --- p.17 / Chapter 4.0 --- Design Programme --- p.19 / Chapter 4.1 --- Scope of Development / Chapter 4.2 --- Space and Behavior Pattern / Chapter 4.3 --- Schedule of Accommodation / Chapter 4.4 --- "Users, Time and Space" / Chapter 5.0 --- Design Development --- p.25 / Chapter 5.1 --- 1st. review / Chapter 5.2 --- 2nd. review / Chapter 5.3 --- 3rd. review / Chapter 5.4 --- 4th. review / Chapter 6.0 --- Design Objectives --- p.30 / Chapter 6.1 --- Mission / Chapter 6.2 --- Design approaches / Chapter 7.0 --- Final Design --- p.33 / Chapter 7.1 --- Design issues / Chapter 7.2 --- Structural system / Chapter 7.3 --- Technical consideration in auditorium / Chapter 7.4 --- Natural ventilation / HVAC / Chapter 7.5 --- Natural ventilation strategy for Tea-house / Chapter 7.6 --- Rough indicative building cost / Chapter 7.7 --- Project Finance

Thesis (Ph. D.)--York University, 2000. Graduate Programme in English. / Typescript. Includes bibliographical references (leaves 403-421). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNQ56240.

The thesis will be divided into the following parts: the introduction will focus on the objectives of the research, review of literature, and the blueprint of methodology. Chapter One will define some basic concepts and introduce the historical background. Chapter Two will explore the relationship between modern city and the Avant-garde drama in terms of "modern city", thus leading to four relevant parts: new ways to understand space and time, cultural transformation, global spectacle and new media. Chapter Three will turn to the definition of the Avant-garde drama, discussing the relationship between the specific areas of drama (drama practitioners, motives of the drama, stage scenery, spectatorship, and body) and the modern city. Chapter Four will analyze in details the cases in two metropolis: Beijing and Shanghai, particularly comparing their cultural background, production situation, the type and quality of the production and the spectator groups. The variation of the urban culture influences the production choices of the Avant-garde drama; while the Avant-garde drama reflects the cultural transformation of different cities. In addition, this chapter will briefly analyze the drama as a carrier of cultural interaction of cities, and I will conduct a comparative study in this interchange and interaction. The results of the above research will be concluded in the final chapter. / The thesis will discourse on the context of contemporary mainland China, and analyze the inner tensions lying in a complex matrix of contending relationships between the modern city and the Avant-garde drama. I will try to explore the characteristics, situation, evolution and future possibilities of the dramas in the context of modern urban society, while probing into the situation and symptoms of modern Chinese cities in relation to the Avant-garde drama. I will find out the construction of the power relationships concomitant with the cultural transformation in mainland China from 1990s, and will explore the possibility of the Avant-garde theatre as a public space as well as the modern city's stimulation and facilitation of this possibility. / 李婭菲. / Advisers: Thomas Luk; Natalia Chan. / Source: Dissertation Abstracts International, Volume: 70-06, Section: A, page: 1840. / Thesis (doctoral)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (p. 214-230). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / School code: 1307. / Li Yafei.