The short play Jules is a response to August Strindberg's Miss Julie and Patrick Marber's After Miss Julie. Jules is the story of a wealthy young woman celebrating her Sweet 16 birthday at a lavish "Juicy Couture" theme party in Orange County, California. At the party, her best friend tries to disuade her from falling for a young Mexican immigrant who is catering the party. Jules explores the tensions between rich and poor, the attitude of the privilaged towards the working class, the consequences of relationships, and the attitude that characterizes our "girls gone wild" era.

American theatre and media contribute to the violent systems of thinking around size and weight and its correlation to health. The argument that correlates higher body mass to lower overall health has been continuously disproved, and yet is still used as a tool to shame and justify sizeism. Educating the general public about health and size can assist in creating new models of representation and bodies can start to reclaim the space they deserve to take up, moving beyond the societal shame they currently face. In this thesis, sizeism is explored and unpacked through careful analysis of contemporary plays, television shows, and movies.

ABSTRACT The following thesis documents the costume design process and execution for the staged production of Mark Twain’s Is He Dead? as adapted by David Ives. It was produced at the University of New Orleans as part of the Film, Theatre, and Communication Arts Department 2011-2012 season in collaboration with New Orleans theatre company, The NOLA Project. In conjunction with the director and the design team, it is the role of the costume designer to support the overall concept of the production. The documentation of this process begins with the textual, historical, and visual research pertaining to the design concept. The various aspects of the costume design process are presented leading up to the execution of the final designs and successful realization of the play, concluding with a final analysis of the work. Supporting visual documentation and sources used to illustrate the phases of design are contained within the subsequent appendices. Costume Design, Mark Twain, Is He Dead?, Theater Design

This thesis documents my rehearsal and performance of the role of Tiger in Rajiv Joseph’s Bengal Tiger at the Baghdad Zoo, including research, character analysis, role development, rehearsal journal, and an evaluation of my performance. Bengal Tiger at the Baghdad Zoo was produced by the UNO Department of Film and Theatre, under the direction of David W. Hoover. The play was performed at the Robert E. Nims Theatre of the Performing Arts October 2 - 4, 9 - 11 at 7:30pm, and October 12, 2014 at 2:30pm. The play was performed at the Kennedy Center American College Theatre Festival Region 6 in San Angelo TX, February 23, 2015 at 8pm, February 24 at 11am and 8pm. It was awarded the Director’s Choice Trophy, receiving awards for Distinguished Director (David W. Hoover), Lighting Design (Diane Baas), Scenic Design (Kevin Griffith), and Actor in a Principal Role (John Neisler).

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I expanded a ten-minute play that I had written in my sophomore year, Bob and Carson on a Couch, into six ten-minute plays. Each play can stand on it's own to be performed, or they can be done in order to tell one story.

This thesis includes the journey of Michael Lee becoming a professional actor by performing several characters within two contrasting productions. The first, "The Trojan Women", by Euripides, Michael portrayed Poseidon, Talthybius, and The Guard in ETSU's very own Bud Frank Theatre. Michael's second production included the character of Charles in the modern drama "Race" by David Mamet, which was held in the newly renovated Studio 205. Michael documented his growth as an actor through daily journal entries and analyzing the final performances.

An exploration of Annie Baker's play The Aliens through the perspective of student directing. This includes the process of research, casting, rehearsal, and performance of the play in the Spring of 2017 at East Tennessee State University.

A summary of the experience of directing The Aliens by Annie Baker including the process of research on the play and playwright, casting the production, rehearsing the play, and performing it.

Review of New Deal Theater: The Vernacular Tradition in American Political Theater by Ilka Saal. New York: Palgrave/Macmillan, 2007. 244 pp. $69.95.