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151	Zur Körpersprache in Theodor Storms Novelle "Der Schimmelreiter" : "Er reichte ihr die Hand und drückte sie, als ob es zwischen ihnen keines weiteren Wortes bedürfe ..." / Forssell, Louise. January 2009 (has links) Zugl.: Habil.-Schr.
152	Wasser, Paradigma elementarer Kraft in der Literatur : Mythos, Naturwissenschaft, Kunst und Sprache : ausgewählte Textbeispiele von Johann Wolfgang v. Goethe, Wilhelm Raabe, Theodor Storm, Theodor Fontane, Ingeborg Bachmann und Günter Eich / Hartmann, Christina Alexandra. January 2009 (has links) Zugl.: Augsburg, Universiẗat, Diss., 2009.
153	A critical study of the sociology of culture and aesthetics of T.W. Adorno Edgar, A. R. January 1988 (has links) No description available. 100 German philosophy][Adorno, Theodor W.
154	New Performance Editions of Three Works for Double Bass by Theodor Albin Findeisen (1881-1936) Matheson, Robert Newell January 2012 (has links) The purpose of this project is to bring to light three concert works by Theodor Albin Findeisen (1881-1936), namely Nixenreigen, Elegie, and Romantische Suite, and prepare them for use by modern double bassists. Save for Findeisen's compositions, which are largely out of print and unknown, the Late Romantic Austro-German school of composition is not represented in the double bass concert repertory. To establish the historical significance of Findeisen's concert works for double bass, this document includes background information on the composer and his work. This research culminates in the creation of newly arranged, transposed, transcribed, and edited performance editions that are informed by Findeisen's methodology and by modern performance techniques. This document addresses editorial decisions in creating these new editions. Double Bass Findeisen Theodor Music Albin Contrabass
155	The ambivalent author : the fictional presentation of Jewish figures in selected German texts, 1848-1914 Burdekin, Hannah January 1999 (has links) No description available. 800
156	Empathy theories of Theodor Lipps, Vernon Lee and Hugo Munsterberg Furstenberg, Rochelle January 1964 (has links) Thesis (M.A.)--Boston University / The theories ot empathy in the visual aesthetic experience as propound by Theodor Lipps, Vernon Lee and Hugo Munsterberg attempt to explain cognition ar qualities that do nat correspond to any specific sensations due to an object, but are nevertheless attributed to the object just as the specific sensations (e.g. of red or blue) are attributed to it. Pleasure felt as a result of experiencing the aesthetic object is not felt as occurring in the observer's body but as tied up with the object. The empathists discussed haw different explanations for the way that this attribution ot what seem to be "illusory qualities" is achieved. For Theodor Lipps empathy is a more complex process than it is for the other empathists. According to his view the observer, on one hand, participates in the life and activity of the object, and, on the other hand, attributes these "illusory" qualities to the object. [TRUNCATED] Lipps, Theodor Lee, Vernon Munsterberg, Hugo Empathy
157	Kunst und Kulturindustrie bei Adorno und Habermas : Perspektiven kritischer Theorie / Paetzel, Ulrich. January 2001 (has links) Diss.--Fakultät der Sozialwissenschaften--Bochum--Ruhr Universität, 2001. / Bibliogr. p. 244-291.
158	Die fantastische Bildlichkeit der Stadt : zur Begründung der literarischen Fantastik im Werk E. T. A. Hoffmanns / Steigerwald, Jörn. January 1900 (has links) Texte remanié de: Dissertation--Giessen--Justus-Liebig-Universität, 2000. / Bibliogr. p. 323-350.
159	Die normative Kraft der Kontingenz : nichtessentialistische Gesellschafstkritik nach Weber und Adorno / Bonacker, Thorsten, January 1900 (has links) Texte remanié de: Thesis--Universität Oldenburg, 1999. / Bibliogr. p. 283-301.
160	Friedrich Theodor Vischer - Parodien auf Goethes "Faust" / Reck, Alexander, January 1900 (has links) Texte remanié de: Dissertation--Stuttgart--Universität, 2005. / Bibliogr. p. 175-212.

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