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Queer strokes, sexual subjects : gay male artists' representations of male bodies in selected contemporary South African artworks.Chasomeris, Andreas Georgiou. January 2006 (has links)
This dissertation explores how the male body is utilised and visualised by a
selection of gay male artists working within the post-Apartheid South African
context. The male body is the means by which they represent these concepts of
sexuality and identity. The complexity of contemporary visual arts is, in this
dissertation, viewed as a signifier of cultural change. The visibility of gay males in
South African society (read as a sign), is also reflected in the foregrounding of
male bodies in artworks after 1994. Queer theory and theories of representation
are used as a conceptual framework, in which readings are presented of how the
male body is interpreted and represented as a site of contestation and
convergence of power. The politics of sexuality and identity are represented and
discussed in this project through the mediums of painting, photography and
installation. These different mediums are linked conceptually, in the same way
that sex, gender and sexuality are interlinked; influencing, yet not predetermining
each other. / Thesis (M.A.)-University of KwaZulu-Natal,Durban, 2006.
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Magazine representations of women in texts and images of Valentine's Day celebrations.Mthethwa, Ntombifuthi Christophora. 08 May 2014 (has links)
Women's magazines have been accused of using their power of reaching
millions of audiences to influence ideas such as the perceived role of a woman in
the society; how she must behave, what she must do to win the attention of men
as well as inform her of her limitations (Marshment, 1997). Women's magazines
do this through the advertisements and stories that they publish.
Ballaster et al. (1991) posit that the media has very powerful means of
influencing and persuading audiences to think, act and behave in a particular
may. The media has the power to shape and direct the way in which audiences
perceive themselves. Evidently, it creates a desire in people to improve
themselves by purchasing a certain product.
Following a critique of seven women's magazines, this study acknowledges the
power of the media to influence its audience and analyses the use of the theme
of Valentine's Day in stories and advertisements of the selected magazines. The
analysis explores how such influence can result in the promotion of gender
stereotypes in society. / Thesis (M.A.)-University of KwaZulu-Natal, 2007.
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A gendered approach to media narratives within the English classroom at secondary school levelSingh, Akashnie. January 1999 (has links)
No abstract available. / Thesis (M.A.)-University of Natal, 1999.
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Evaluation of a coping skills training programme designed to raise self esteem in divorced women.Smith, Carol. January 1991 (has links)
The purpose of this study was to design, implement and evaluate the
effectiveness of a Coping Skills Training Programme in raising divorced
women's self esteem and coping behaviour. This study incorporated feminist self esteem training and coping skills training which made use of social learning theory and. cognitive behavioural techniques, including rational emotive therapy. The Coping Skills Programme had an educational and personal growth focus and was presented in a written manual form consisting of educational notes, group exercises and homework assignments and was designed to be conducted on a small group basis for twelve sessions of two hours each. Evaluation of the programme included a qualitative, descriptive and quantitative research method which incorporated a 'between group' design (i .e. allocation of participants to an experimental and a control group at random and withheld treatment from the control group) and a 'single case' design which involved participants completing self report measurement data. In addition a 'replication phase' was added in which the control group served as the experimental group. Measurement tool s included the Index of Self Esteem (Hudson, 1982 : 9) and the Generalized Contentment Scale (Hudson, 1982 : 8) and various self measurement scales. Collection of the measurement data took place before, during and after the intervention.Results are statistically and graphically presented and on the basis of previous research, it was accurately predicted that the Coping Skills Training Programme would significantly raise the self esteem of divorced women. / Thesis (M.A.)-University of Natal,Durban, 1991.
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Gendered representations in contemporary popular Hindi cinema : femininity and female sexuality in films by Pooja Bhatt and Karan Johar.Ramlutchman, Nisha. January 2006 (has links)
This dissertation focuses on a textual analysis of the representation of femininity
and female sexuality in popular Hindi cinema. Popular Hindi cinema has been a
major point of reference for Indian culture in the last century, and will
undoubtedly persist in the 21 st century. To an extent, Hindi cinema has shaped
and reflected the burgeoning transformation of a 'traditional India' to a 'modern
India'. (I use the term modern to reflect the impact the west has had on Indian
society, and how this impact in turn is reflected on screen). Issues surrounding
gender and sexuality tend to be avoided, if not subverted in Hindi cinema. More
specifically, issues surrounding femininity and female sexuality in Hindi cinema is
either not recognised or 'mis-recognised' on screen. Feminist studies, in relation
to film, have taken up these issues, to a large extent in the west (cf. Hollows,
2000; Kaplan, 2000; Macdonald, 1995). Chatterji (1998) maintains that the
interest of feminists in film began as a general concern for the underrepresentation
and mis-representation of women in cinema. This study explores
issues surrounding the 'presences' and 'absences' (as identified by Chatterji) in
the representations of female sexuality and femininity in popular Hindi cinema.
The project offers a comparative study of the films produced by two popular Hindi
cinema filmmakers. Pooja Bhatt's Jism (The Body) (January, 2003) is analysed in
comparison to Karan Johar's Kabhi Kushi Kabhi Gham (Sometimes happiness,
sometimes sadness) (November, 2000). The study compares, contrasts and
analyses the ways in which each of these films (and thus, how each filmmaker)
positions female sexuality and femininity in popular Hindi cinema.
Keywords: popular Hindi cinema, femininity, female sexuality, gender,
representation. / Thesis (M.A.)-University of KwaZulu-Natal, 2006.
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Polygyny and gender : narratives of professional Zulu women in peri-urban areas of contemporary KwaZulu-Natal.Mkhize, Zamambo Valentine. January 2011 (has links)
Polygyny has been defended by some men in terms of ‘tradition and culture’ but a cursory
observation suggests that it is currently being embraced even amongst women. It seems that
some women are willing to allow a husband to take a second wife and even in arranged
marriages some women seem content to enter into a polygynous union because they will be
answering the call of duty. This study seeks to explore why even some middle-class educated
women enter polygynous marriages. The study is different than the previous studies
conducted because it focused on women who were educated and had employment that made
them financially independent. Previous studies focused on poor rural women who had no
better option but to marry into polygynous marriages for a better life because in the past it
was only wealthy men who could afford to support more than one family and unfortunately
that is not the case in today’s society, now it is just any man who wants to ‘elevate his
manhood’ by having more than one wife but who he cannot support. The findings showed
women entered such unions for numerous reasons such as love, family and societal pressures
as well as desperation to have a higher social standing in the community than a single
woman. / Thesis (M.A.)-University of KwaZulu-Natal, Durban, 2011.
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From indentureship to transnationalism : professional Indian women in Durban, KwaZulu-Natal.Jagganath, Gerelene. January 2008 (has links)
The study details the transnational migrations of a sample of professional Indian women from Durban, KwaZulu Natal within the context of their historical transition from indentureship to transnationalism, and their changing social identities. The study makes a contribution towards contemporary interest in the subject of gender and migration in the 21st century. As the Indian and Chinese diasporas expand in size through knowledge workers and investments their increased visibility in countries throughout the world has led to a commensurate level of interest in resettlement and identity building. This dissertation deals specifically with Indian women in the South African diaspora and their transnational links with first world nations, particularly the United Kingdom. Chapter One is a brief history of Indian women in South Africa since their arrival as indentured labourers in 1860. It provides glimpses into their roles as mothers, wives and daughters in the patriarchal Indian household and their eventual transition into the professions. Chapter Two problematizes migration research in South Africa based on the inadequacy of national databases, specifically with regard to the invisibility of racial, gendered and occupational data pertinent to the context of international skills and professional migration. Chapters Three and Four deal with the qualitative and quantitative aspects of the fieldwork conducted as well as the research experiences and challenges of the anthropologist. Chapter Five, Six and Seven form the core ethnographic analysis of the women transnationals as single, married, divorced and widowed professionals. The rising number of Indian women transnationals of varying professional backgrounds, marital statuses and age groups leaving Durban since 1994 has led to the rapid transformation of the conservative Indian household. Their migration to first world destinations overseas signifies the impact of globalizing forces on the demand for professional skills from developing nations such as South Africa, as well as the increasing desire of the women to seek security, career advancement and independence in social spaces that are less repressive and more financially rewarding. Chapter Eight concludes the study by showing how the women are agents in their own emancipation and how identities within the duality of transnational migration have become a fluctuating terrain of negotiation and reconfiguration in their personal relationships and social practices. / Thesis (Ph.D.)-University of KwaZulu-Natal, Durban, 2008.
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Transnationalism and the (re) construction of gender identities amongst foreign studies of African origin at the univeristy of KwaZulu-Natal in Durban South Africa.Muthuki, Janet Muthoni. January 2010 (has links)
The transnational migration of students is a vast yet under-researched area with most studies focusing on skilled and unskilled foreign immigrants. The transnational experience of studying outside their home country and constant negotiations of new social and cultural environments provides students with an opportunity to either challenge or reinforce their perspectives of gender. An examination of gender in a transnational context however continues to be a much neglected domain. Gender is salient in migration because not only do gender relations facilitate or constrain both men's and women's movements but they also structure the whole migration process including practices and the construction of self. This thesis interrogates the reconstruction of gender identities by foreign students of African origin at the University of KwaZulu-Natal (UKZN hereafter) in Durban South Africa. This study aims to contribute to the fields of gender and migration by examining ways in which gender shapes migratory flows and examining how migration shapes gender relations. Through exploring the tensions that students perceive and undergo and struggle with as they bring their own cultural insights , values and practices to a new context at UKZN, I seek to highlight the complexity of their gender identities as negotiated in a transnational context. By using an interpretivist theoretical paradigm which is a qualitative approach, I highlight how the communal process of the views and perceptions of the students and my multidimensional positionality intersected to produce knowledge. I also highlight the gender relations as an important dynamic in the data collection process. The body of data reveals that men and women cite different factors as influencing their propensity to migrate namely gender role socialisation on the part of the men and education and empowerment on the part of the women. In spite of the gender differences in facilitating their migration to South Africa, both men and women display resonance in terms of choosing South Africa and UKZN in particular as a study destination showing gender to be situational. This is in light of opportunity structures in place at UKZN that are available to both men and women thus enabling the foreign African women students to take advantage of opportunities they may not have had in their home countries The study also generates critical insights about the complexities experienced by these students as a result of immersing themselves in UKZN embedded in Durban a multiracial environment which is still a much divided society. I also examine how these students perceive and interpret gender norms in South Africa and how these gender norms challenge or support conceptions of gender norms in their country of origin. The themes presented in this study reveal that gender identity construction is related to the struggle over power and social status. A significant aspect of the findings was how the students were re-interpreting and re-defining their gender roles and expectations in the transnational space. Gender roles were enacted in different ways by students to express social status, position and power. This study also interrogates how the interplay of social ranking such as gender, class, ethnicity and nationality serve to construct several versions of masculinity and femininity in the transnational space. The exploration of the students' engagement with the gender discourse highlights the dilemma based on the dialectic between modern gender roles as a result of western education and maintaining traditional gender roles as a result of cultural upbringing. The study also explores the development of hybridised gender identities within the transnational space. In the course of the study religion was highlighted as key factor in influencing the ways in which migrants renegotiate their beliefs, practices and attitudes and personal as well as social identities in the host country. The study examined how religion informed the transnational students' ethnic and gender-based identities and their experiences of social life and their appropriations of religion to form alternative identities. / Thesis (Ph.D.)-University of KwaZulu-Natal, Durban, 2010.
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Moffies, stabanis and lesbos : the political construction of queer identities in southern Africa.Reddy, Vasu. January 2005 (has links)
This dissertation focuses on discursive constructions of sexuality (in particular homosexuality). This study is not a social history, nor does it explain and motivate the existence of homosexuality. Rather, the project explores the regulatory public discourses of homosexuality in Southern Africa in relation to historical events and archived texts. (Southern embraces primarily South Africa although one chapter foregrounds neighbouring African countries in the Southern region). Applying recent studies in queer theory to a number of events, issues and sources, I formulate a critical methodology that demonstrates the political construction of homosexuality. I argue that the emergence of political queer identity has its roots in the apartheid State, and show how these identities are politically grounded (and indeed) reinforced In the post-apartheid project. The study conceives homosexuality as a 'queer identity' that resists and subverts heteronormativity. / Thesis (Ph.D.)-University of KwaZulu-Natal, 2005.
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Sexual harassment in the workplace : a case study of women's experiences at Walter Sisulu University (WSU), Eastern Cape.Goba-Malinga, Nhlanhlenhle Una. January 2011 (has links)
This study looks at sexual harassment of women on the staff at Walter Sisulu University (WSU)
in the Eastern Cape, a province in South Africa. The topic also has relevance for other
institutions which fall under the Department of Higher Education and to the world of work
generally where women are usually more vulnerable than men to this type of unsolicited
attention.
Despite the Labour Relations Act (LRA) of 1995 and the Employment Equity Act (EEA) Act 66
of 1995, sexual harassment is an insidious problem which often goes unreported.
When permission was granted to conduct this study at WSU (see Appendix E), 25 female
academics and 10 female members of the support staff agreed to participate. Qualitative
research was the methodology used and included face-to-face interviews with the above
individuals and also focus group interviews.
Participants felt demeaned by the fact that gender was used as a form of social control.
Patriarchal issues in society were seen to be linked to male domination and thus power and
privilege for the perpetrators.
In academia most disciplines now have feminist associations. The study draws from, and
contributes to, bodies of knowledge that fall under gender studies: anthropology, history,
sociology and psychology. In addition, there are references to the postmodern feminist theory,
the radical feminist theory, and theories pertaining to sexual harassment.
This is an effort to make a contribution to research on this type of chauvinism, and it is hoped
that the findings, when published, will elicit appropriate action at WSU and in other affected
environments where this scourge rears its head. / Thesis (Ph.D.)-University of KwaZulu-Natal, Durban, 2011.
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