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1	Att rädda Sara Sand : En deleuziansk läsning av Stina Aronsons experimentella verk Berlin, Denise January 2019 (has links) This thesis explores the creative function of the pseudonym Sara Sand, used by the author Stina Aronson for four literary works in the late 1920s and early 1930s. Två herrar blev nöjda (Two gentlemen were content), Fabeln om Valentin (The tale of Valentin), Tolv hav (Twelve oceans) and Syskonbädd (Siblingbed) are modernist and experimental works that I approach with an experimental way of reading. In order to emphasize what I find to be an inherent strive for freedom within these texts, I draw from Gilles Deleuze and Félix Guattaris notion of desire as a productive force and their view of the text as a rhizomatic structure, as presented in Anti-Oedipus (1972) and A Thousand Plateaus (1980). The characters in Sara Sands writing are in constant movement and in continuous processes of becomings which challenges any kind of fixity, whether that be social structures and hegemonic discourses or simply the individual self. Deleuze & Guattari Desire Desiring machines Schizoid subjects Stina Aronson Sara Sand Två herrar blev nöjda Fabeln om Valentin Tolv hav Syskonbädd Deleuze Rhizom Begär Schizoida subjekt General Literature Studies Litteraturvetenskap