(in english) The diploma thesis deals with professional motivation and attitude to the education of secondary school students. The work is divided into theoretical and empirical part. The theoretical part is primarily focused on the issue of secondary education with emphasis on secondary vocational schools of pedagogy. Subsequently, this part defines the term "pedagogical worker" and the association with professional motivation and professional education. The aim of the research was to find out how students of secondary pedagogical schools assess their professional readiness and how their professional motivation changes during their studies. The data were obtained through a questionnaire survey that was given to students studying in the fields of preschool and extra-curricular pedagogy and pedagogical lyceum. The evaluation of the questionnaire survey found out the results that show predominantly the positive attitude of student's education provided by the schools within the study of pedagogy and their professional training. The results of the research show that the greatest importance for respondents is the ability to combine theoretical knowledge with practical skills, which means that the students also evaluate their studies very positively. The students see the greatest income in the...

Lehrerinnen und Lehrer in der beruflichen Bildung müssen die Erfordernisse der modernen und sich ständig verändernden Produktions- und Dienstleistungsstrukturen und deren Auswirkungen auf die berufliche Bildung kennen. Die Umsetzung des Bologna-Prozesses in Deutschland gab den Anstoß, den Prozess der Modularisierung und den Übergang zu Bachelor-/ Masterstrukturen in der Lehramtsausbildung für das höhere Lehramt an berufsbildenden Schulen im Hinblick auf den sogenannten „doppelten Praxisbezug“ (berufspraktische und schulpraktische Studien) in der ersten Phase der Lehrerbildung (Studium an Universitäten bzw. Hochschulen) und in der zweiten Phase der Lehrerbildung (Vorbereitungsdienst bzw. Referendariat) zu analysieren und mögliche Folgerungen bzw. Konsequenzen für die dritte Phase (Fort- und Weiterbildung) aufzuzeigen. Dazu wurden auf der Grundlage des „Didaktischen Grundverhältnisses“ (Hortsch, 1994) Praxisbereiche definiert, die dann den drei Komponenten beruflicher Handlungskompetenz eines Berufspädagogen (Hortsch, 1997) zugeordnet worden sind. Mittels Inhalts- und Dokumentenanalyse wurden einerseits die schulpraktischen und berufspraktischen Anteile in den auf Bachelor-/ Masterstrukturen umgestellten Lehramtsstudiengängen für das höhere Lehramt an berufsbildenden Schulen und der jeweilige Vorbereitungsdienst und andererseits Angebote im Rahmen von Lehrerfort- bzw. Weiterbildung, die der Ausprägung der produktionsorientierten Komponente der beruflichen Handlungskompetenz dienen, ermittelt. Eine schriftliche Befragung von Lehrerinnen und Lehrern an Beruflichen Schulzentren im Freistaat Sachsen wurde mit dem Ziel durchgeführt, den Grad der Ausprägung der drei Komponenten der beruflichen Handlungskompetenz sowie das Fort- und Weiterbildungsverhalten zu untersuchen. Eine zweite schriftliche Befragung bei Partnern der beruflichen Bildung ermittelte deren Bereitschaft zur Kooperation im Rahmen von Lehrerfort- und Weiterbildung.

No contexto atual, caracterizado por transformações decorrentes do fenômeno da globalização nas sociedades, é preciso considerar a emergência da Educação Musical como um campo de conhecimento que deve estar inserido nas chamadas Ciências da Educação. Neste novo cenário, a natureza dos saberes pedagógico-musicais passou a configurar-se de forma mais ampla e abrangente, trazendo novas implicações para a formação de professores. Após a promulgação da Lei Federal nº 11.769/08 que determina a obrigatoriedade do ensino de música nas escolas brasileiras de educação básica, novos desafios surgiram para a área, mediante a escassez de profissionais para atender a grande demanda escolar. Com isso, surgiram novas propostas e ações de formação pedagógico-musical no contexto atual, porém, ainda locais e pontuais. Esta pesquisa propõe discutir tais questões e investigar os desafios que os licenciandos em Música/Educação Musical e em Pedagogia enfrentam durante os respectivos percursos de formação pedagógico-musical e, ainda, apresentar os constructos que permeiam algumas concepções dos participantes da pesquisa relativas à educação musical, formação e profissionalização. Por meio da abordagem metodológica da nova pesquisa-ação, fundamentada nos pressupostos de René Barbier (2007), buscou-se analisar e evidenciar as possíveis implicações desse processo formativo nas relações estabelecidas pelos licenciandos com os saberes pedagógico-musicais, bem como as transformações que ocorrem na práxis e na construção da identidade profissional. A análise e interpretação dos diversos aspectos levantados apontaram a necessidade de haver mudança de paradigma na formação pedagógico-musical dos licenciandos e diálogo mais efetivo entre os campos da Música e da Educação, devido, especialmente, às múltiplas demandas da escola e aos diferentes contextos de atuação profissional do educador musical. / In the current context, characterized by transformations resulting from the phenomenon of globalization on societies, it is necessary to consider the emergence of Music Education as a field of knowledge that must be inserted in the so-called Educational Sciences. In this new scenario, the nature of the music-pedagogical knowledge has become more broadly and comprehensively, bringing new implications for teacher training. After the promulgation of the Federal Law no. 11,769/08 which stipulates compulsory music teaching in Brazilian schools of basic education, new challenges have arisen for the area, by the shortage of professionals to meet the great demand of schools. For this reason, there are new proposals and actions of music-pedagogical training in the current context, however these proposals are local and punctual. This research proposes to discuss such issues and investigate the challenges that students of Music, Music Education and Pedagogy face during their music-pedagogical educational training and also to present ideas that permeate some conceptions of the survey participants concerning Music Education, training and professionalization. Through the methodological approach of the new research-action, grounded in the assumptions of René Barbier (2007), it was sought to analyze and highlight the possible implications of that formative process on the relations established by students with music-pedagogical knowledge, as well as the transformations occurring in praxis and in the construction of a professional identity. The analysis and interpretation of the various aspects raised have pointed to the need for paradigm shift in music-pedagogical training of students and a more effective dialogue between the fields of Music and Education, especially because of the multiple demands of school and the different contexts of professional activity of a music educator.

No contexto atual, caracterizado por transformações decorrentes do fenômeno da globalização nas sociedades, é preciso considerar a emergência da Educação Musical como um campo de conhecimento que deve estar inserido nas chamadas Ciências da Educação. Neste novo cenário, a natureza dos saberes pedagógico-musicais passou a configurar-se de forma mais ampla e abrangente, trazendo novas implicações para a formação de professores. Após a promulgação da Lei Federal nº 11.769/08 que determina a obrigatoriedade do ensino de música nas escolas brasileiras de educação básica, novos desafios surgiram para a área, mediante a escassez de profissionais para atender a grande demanda escolar. Com isso, surgiram novas propostas e ações de formação pedagógico-musical no contexto atual, porém, ainda locais e pontuais. Esta pesquisa propõe discutir tais questões e investigar os desafios que os licenciandos em Música/Educação Musical e em Pedagogia enfrentam durante os respectivos percursos de formação pedagógico-musical e, ainda, apresentar os constructos que permeiam algumas concepções dos participantes da pesquisa relativas à educação musical, formação e profissionalização. Por meio da abordagem metodológica da nova pesquisa-ação, fundamentada nos pressupostos de René Barbier (2007), buscou-se analisar e evidenciar as possíveis implicações desse processo formativo nas relações estabelecidas pelos licenciandos com os saberes pedagógico-musicais, bem como as transformações que ocorrem na práxis e na construção da identidade profissional. A análise e interpretação dos diversos aspectos levantados apontaram a necessidade de haver mudança de paradigma na formação pedagógico-musical dos licenciandos e diálogo mais efetivo entre os campos da Música e da Educação, devido, especialmente, às múltiplas demandas da escola e aos diferentes contextos de atuação profissional do educador musical. / In the current context, characterized by transformations resulting from the phenomenon of globalization on societies, it is necessary to consider the emergence of Music Education as a field of knowledge that must be inserted in the so-called Educational Sciences. In this new scenario, the nature of the music-pedagogical knowledge has become more broadly and comprehensively, bringing new implications for teacher training. After the promulgation of the Federal Law no. 11,769/08 which stipulates compulsory music teaching in Brazilian schools of basic education, new challenges have arisen for the area, by the shortage of professionals to meet the great demand of schools. For this reason, there are new proposals and actions of music-pedagogical training in the current context, however these proposals are local and punctual. This research proposes to discuss such issues and investigate the challenges that students of Music, Music Education and Pedagogy face during their music-pedagogical educational training and also to present ideas that permeate some conceptions of the survey participants concerning Music Education, training and professionalization. Through the methodological approach of the new research-action, grounded in the assumptions of René Barbier (2007), it was sought to analyze and highlight the possible implications of that formative process on the relations established by students with music-pedagogical knowledge, as well as the transformations occurring in praxis and in the construction of a professional identity. The analysis and interpretation of the various aspects raised have pointed to the need for paradigm shift in music-pedagogical training of students and a more effective dialogue between the fields of Music and Education, especially because of the multiple demands of school and the different contexts of professional activity of a music educator.

Die Plattform „eXperience based training“ unterstützt fallstudienbasierte Lehrformen an Hochschulen. Dozierende können ihr Wissen über den Einsatz von Fallstudien in der Lehre auf der Plattform gegenseitig teilen und erhalten Zugriff auf ein breites Spektrum an Lehrmaterialien. Die Ausbildung an den Hochschulen soll durch den Einsatz von Fallstudien interessant und praxisnah sein. Didaktisch aufbereitete Fallstudien sind geeignet, Studierende im Unterricht zu aktivieren, vernetztes ganzheitliches Lernen zu fördern und eine höhere Behaltensquote zu erzielen.