Thesis (MPhil)--Stellenbosch University, 2012. / ENGLISH ABSTRACT: This study investigates the manner in which Marita van der Vyver’s semi-autobiographic novel Die hart van ons huis – ’n skrywer in Provence has been translated. The question that arises is who the reader of Marita van der Vyver’s translated works is – the local South African or the international English reader? If the text was translated for the local English reader, will the text be translated as if it was written by a local English speaker and if the text was translated for an international reader, are the Afrikaans cultural elements in the novel neutralised, adapted or omitted in such a way that the text would be fluent and understandable for the international English reader? In the first chapter, Van der Vyver’s background as an author is discussed and the source text used in this study is contextualised. The problem statement, research questions, methodology, and course of this study are also discussed. The next chapter provides the theoretical background used as background of this study, namely the descriptive and functionalist translation theories where translation is generally viewed as a cultural activity. The translation approaches used are domestication and foreignisation. Chapters 3 and 4 both contain the empirical analysis of the source text. This analysis is done by using an adapted model of Lambert and Van Gorp on both macro- and micro-levels: larger aspects of the target text are explored on macro-level, such as the genre, title, overall translation approach and paratext while analysis on the micro-level deals with pragmatic, intercultural and text-specific translation problems. The techniques the translator applies to adequately deal with these translation problems are also investigated. It is concluded that the translator generally transfers the culturally specific French and Afrikaans terms from the source text and makes use of a generally foreignising approach in the target text. The translator stays loyal to the author of the source text but also shows loyalty towards the reader by domesticating the target text on a linguistic level and generally making the target text more understandable for the English speaker. It is shown throughout the text that it isn’t only the target text that is foreignising to targer readers, but that the source text would also be foreignising for an Afrikaans reader because of the French cultural elements that are strongly featured throughout the text / AFRIKAANSE OPSOMMING: Hierdie studie ondersoek die wyse waarop Marita van der Vyver se deels outobiografiese roman Die hart van ons huis – ’n skrywer in Provence vertaal is. Die vraag wat ontstaan, is wie die spesifieke Engelse leser van Van der Vyver se vertaalde werke is – is dit die plaaslike Suid-Afrikaanse, of die internasionale Engelse leser? Indien die teks vir ’n plaaslike Suid-Afrikaanse leser vertaal word, word die teks so vertaal asof dit deur ’n plaaslike Engelssprekende geskryf is en indien dit vir ’n internasionale leser vertaal word, word die Afrikaanse kulturele gegewens geneutraliseer, aangepas of weggelaat sodat die teks vlot en verstaanbaar vir die internasionale leser sal lees? In die eerste hoofstuk word Van der Vyver se agtergrond as skrywer bespreek en die bronteks wat in die studie aan bod kom, gekontekstualiseer. Die probleemstelling, navorsingsvrae, metodologie en verloop van die studie word ook bespreek. Die volgende hoofstuk verskaf die teoretiese agtergrond waarteen die studie geplaas word, naamlik die deskriptiewe en funksionalistiese vertaalteorieë waarbinne vertaling hoofsaaklik as ’n kulturele handeling beskou word. Die vertaalbenaderings wat hanteer word, is domestikering en vervreemding. Hoofstuk 3 en 4 bevat die empiriese ontleding van die doelteks – dit geskied aan die hand van ’n aangepaste Lambert en Van Gorp-model op sowel makro- as mikrovlak; op die makrovlak word groter aspekte van die teks soos die genre, titel, oorkoepelende vertaalbenadering en parateks ondersoek terwyl ontleding op mikrovlak die fyner aspekte van die doelteks onder die loep neem – hier word gekyk na pragmatiese, interkulturele en teksspesifieke vertaalprobleme en die wyse waarop die vertaler daarmee in die doelteks omgaan. Die gevolgtrekking is dat die vertaler die spesifieke Franse en Afrikaanse verwysings in die doelteks behou en van ’n hoofsaaklik vervreemdende vertaalstrategie gebruik maak deur eg Afrikaanse en Franse kulturele aspekte in die doelteks te behou. Die vertaler bly deurlopend lojaal aan die outeur van die bronteks, maar toon ook lojaliteit teenoor die doelteksleser deurdat sy linguisties domestikeer en die teks sodoende meer verstaanbaar vir die doelteksleser maak. Daar word ook deurgaans aangetoon dat nie net die doelteks vervreemdend is vir die doeltekslesers nie, maar dat die bronteks reeds vervreemdend is ook vir die brontekslesers deur die Franse kultuur wat so sterk aan bod kom.

This MA thesis focuses on translation of Czech literature into English offering a historical account of its development (mainly from a quantitative perspective). To achieve this, an up-to-date bibliography of Czech literary translation into English has been compiled drawing upon existing research in the field. Covering Czech literary translation into English from its modern beginnings up to 2010, the bibliography contains about 2,500 records of works of Czech authors published either as separate books or in anthologies. Apart from the Excel version of bibliography enclosed to this thesis, the bibliography is also available as a web application enabling easy and ongoing updating in the future. Data collection was the main method of this part of the thesis. In addition, the thesis discusses in detail its methods and methodological issues helping better understand the nature of data and process of their collection. This is particularly useful for translation history researchers and for anyone interested in mapping literary translation into another language. The thesis also gives a basic outline of Czech literary translation into English summarizing major trends both in history and the present day, highlighting 15 most published Czech authors and discussing in more detail the renderings of their works...

Thesis (Ph.D. (Translation Studies and Linguistics)) --University of Limpopo, 2017 / This study examines the translation of idioms and fixed expressions between Tshivenḓa and English. The aim of the study is to explore factors that lead to the mistranslation of idioms and fixed expressions between the two languages. The study presents problems that are encountered in the translation of the idioms and fixed expressions between these languages and looks at translation strategies that can be used. In translating idioms, the translator encounters various difficulties that are not usually easy to overcome mainly due to lack of equivalence. It is rare to come across an idiom in the source language that shares the same form and meaning in the target language. In order to deal with the problems that arise in the process of translation, translators use various strategies. Among others, the translator must have extensive knowledge about the function of idioms in the source and target languages. From the data collected, the study revealed that there are numerous problems that the translator comes across in the process of translation. These include the ambiguity of idioms; idioms expressing meaning at a literal level; idioms that do not exist in the target language and the frequency of use of an idiom. The study adopted the qualitative research approach to collect and analyse data. Through use of this approach, it was noted that the translator needs to take into account cultures associated with the languages involved as well as the context in the translation process. The translation of idioms cannot be properly done without considering the impact of culture. A translator must be well-versed in the culture of both the source and target languages. It is important for one to know that language and culture are two entities that are inseparable. Idioms and fixed expressions express the uniqueness of the language and culture of the respective languages. Therefore, translators must have a comprehensive knowledge base of both languages and cultural context. From the recommendations made in this study, the following are the most prominent ones: Linguists should be exposed to idiomatic expressions in order to enhance their knowledge of the translation of idioms and fixed expressions. There are instances where idioms are translated literally because the translator does not understand or recognise the idiom. Therefore, this study recommends that translators need to learn more about idioms in order to have better understanding of translation of idioms and fixed expressions. Translators need to learn more about the translation strategies that are available to deal with the translation of idioms and fixed expressions. The first strategy is translation by using an idiom of similar meaning and form. This strategy involves using an idiom in the target language consisting of equivalent lexical items, which conveys roughly the same meaning as that of the source-language idiom. The second strategy is translation by idioms of similar meaning but dissimilar form. This strategy uses an idiom in the target language which has a meaning similar to that of the source idiom or expression, but consists of different lexical items. The third strategy is translation by paraphrasing. In this strategy, the translator transfers the meaning of an idiom using a single word or a group of words which roughly correspond to the meaning of the idiom but is not an idiom itself. The fourth strategy is translation by omission. This is used to completely omit the idiom from the target text where there is no close match between the items of the two languages. Where the idiom is very difficult for the translator, one tries to eliminate the whole part of the idiom. The fifth strategy is translation by a superordinate. This strategy is used to solve the problem of non-equivalence across languages because the hierarchical structure of semantic fields is not language specific. This strategy involves translation by a more neutral and less expressive word. Lastly, it is translation by cultural substitution which is a method that requires the replacement of a culture-specific item or expression with a target language one that has no exact meaning, but has an impact on the target reader. However, this study recommends translation by idioms of similar meaning with a dissimilar form. The researcher believes that this strategy provides the closest meaning of the idiom in the target language. Idioms might not be the same in form but the meaning can be derived from the idiom with a dissimilar form.

Thesis (MPhil (Afrikaans and Dutch))--University of Stellenbosch, 2010. / ENGLISH ABSTRACT: This thesis is an analysis of The True Story of Ah Q in English translation (in Chinese-English bilingual format). By applying new translation theories, specifically those of Christiane Nord and Lawrence Venuti, and by demonstrating their applicability it is hoped that this research project will contribute to these theories becoming more accepted in China. The skopos theory and the concepts domestication and foreignisation are the main translation theories utilised in this thesis. The research was begun with the hypothesis that the translators domesticated the English target text, based on Venuti’s belief that the majority of English translations domesticate the original. The two main research questions are: What is the dominant translation strategy utilised by the translators? Does this strategy fulfil the skopos (i.e. the aims of the translation)? The research will also give suggestions for an improved translation and a more effective translation strategy in light of the skopos. In addition, the study will determine whether the bilingual format is suited for the fulfilment of the current skopos. As pointed out in the publisher’s note, this Chinese-English bilingual version of The True Story of Ah Q is intended to exhibit this modern Chinese classic as a great piece of Chinese literature. The primary aim of the translation is to give readers a real experience of the depth and the heights of Chinese culture. The secondary aims of the translation focus on language learning as well as the function for translators (namely to use this translation as an example for future translations). This research project will determine if the translation has fulfilled these aims. The translation theories on which the analyses in this thesis are based are presented in the literature study (chapter 2). This provides the foundation for the comparison between the Chinese ST and the English TT, the evaluation of the translation, and subsequent conclusions. Chapters 3 and 4 present the application of the theory, divided into an analysis of the macro and microstructures respectively. Translation decisions are analysed on these two levels within the theoretical insights presented in chapter 2. It will be these chapters that provide the foundation for the research findings of this thesis. In cases where improvements of the translation are proposed, suggestions will be made and motivated by theoretical insights. The final chapter (chapter 5) will answer the research questions in detail, based on the individual analyses made in chapters 3 and 4 and motivate these answers based mainly on the translation theories of Nord and Venuti. These answers as well as the suggestions for an improved translation are the main contributions that this thesis makes to translation studies. Lastly, suggestions for further research are made in order to stimulate further research on English translations produced in China. / AFRIKAANSE OPSOMMING: In hierdie tesis word die Engelse vertaling van The true story of Ah Q geanaliseer. Met die studie word daar onder meer gepoog om, deur die toepassing van nuwe vertaalteorieë soos dié van Christiane Nord en Lawrence Venuti, en deur die illustrasie van die teorieë se toepasbaarheid, daartoe by te dra dat dié teorieë meer in China aanvaar word. Die skoposteorie en die konsepte domestikering (‘domestication’) en vervreemding (‘foreignisation’) verteenwoordig die vernaamste vertaalteorieë waarop hierdie tesis berus. Ter aanvang van die studie word die hipotese gestel dat die vertalers ’n domestikerende inslag aan die Engelse teks gegee het. Dit word gebaseer op die mening van Venuti wat glo dat die meerderheid Engelse vertalings ’n domestikerende weergawe van die oorspronklike teks verteenwoordig. Die twee primêre probleemstellings wat in hierdie studie gestel word, lui soos volg: Wat is die dominante vertaalstrategie wat deur die vertalers aangewend word? Vervul hierdie strategie die skopos (met ander woorde die doelstellings van die vertaling)? Die studie doen voorts ook voorstelle vir ’n verbeterde vertaling aan die hand en stel ook ’n meer effektiewe vertaalstrategie op grond van die skopos voor. Verder stel die studie ook vas of die tweetalige format inderdaad gepas is om die bestaande skopos te verwesenlik. Volgens die nota van die uitgewer, is die doel van hierdie Chinees-Engelse weergawe van The true story of Ah Q om dié moderne Chinese klassieke werk as ’n belangrike Chinese literêre teks daar te stel. Die primêre doelstelling van die vertaling is om lesers ’n ware ervaring te gee van die omvattendheid van die Chinese kultuur. Die sekondêre doelstellings van die vertaling fokus op die aanleer van taal, sowel as op die pragmatiese waarde daarvan vir vertalers (naamlik om die vertaling as voorbeeld te neem vir toekomstige vertalings). Hierdie ondersoek sal bepaal of die vertaling wel hierde doelstellings vervul het. Die vertaalteorieë waarop die analise in hierdie tesis berus, word in die literatuurstudie (hoofstuk 2) aangebied. Dit verskaf die basis vir die vergelyking tussen die Chinese .bronteks en die Engelsedoelteks, die evaluering van die vertaling, en die daaropvolgende gevolgtrekkings. Hoofstuk 3 en 4 handel oor die toepassing van die teorie, en is verdeel in die analise van die makro- en mikrostruktuur onderskeidelik. Besluite ten opsigte van die vertaling word op hierdie twee vlakke, en op grond van die teoretiese insigte wat in hoofstuk 2 aangebied word, gëevalueer. Dit is hierdie hoofstukke wat die basis vorm vir die navorsingsresultate van hierdie tesis. In gevalle waar verbeterings vir die vertaling aangebied word, word voorstelle op grond van die relevante teoretiese insigte gegee en gemotiveer. Die slothoofstuk (hoofstuk 5) beantwoord die navorsingsvrae in groter detail en is gebaseer op die afsonderlike analises in hoofstuk 3 en 4. Motiverings vir die antwoorde op hierdie vrae word gebaseer op die vertaalteorieë van veral Nord en Venuti. Hierdie antwoorde, sowel as die voorstelle ter verbetering van die vertaling, is die primêre bydrae van hierdie tesis tot vertaalstudie in die algemeen. Ten slotte word voorstelle vir verdere navorsing gemaak om só verdere ondersoeke oor Engelse vertalings wat in China geproduseer word, te stimuleer.

The anonymous French seventeenth-century play le Docteur Amoureux (1691) was written for theThéâtre Italien, the Italian troupe acting in Paris. It incorporated the techniques of both Old French farce and the commedia dell'arte into mainstream comic modes, in the manner of Moliáere but with some amusing twists. Le Docteur Amoureux remains a significant part of the French comic canon and the historical corpus of drama, yet it has never been translated into English. With prefatory commentary on the text and the period, the genres of stage performance, and the challenges involved in translating historical texts, this first translation of le Docteur Amoureux is intended to serve contemporary theater research into this rich and prolific period in the history of the French theater under Louis XIV. / by Elsa Cantor. / Thesis (M.A.)--Florida Atlantic University, 2009. / Includes bibliography. / Electronic reproduction. Boca Raton, Fla., 2009. Mode of access: World Wide Web.

<p>Ett av målen i skolans läroplan är att eleverna utvecklar en kommunikativ och social kompetens. Enligt kursplanen för engelska B kurs, skall eleverna bland annat ha utvecklat en förmåga att kunna anpassa språket beroende på den situation eleven befinner sig i. Det indefinita pronomenet man är vanligt förekommande i det svenska språket. Att översätta detta ord fordrar en förståelse av situation såväl som av register. Undersökningen går ut på att ta reda på hur eleverna hanterar översättningen av man och om de vet när situationen fordrar formellt eller informellt språk. Resultatet visar att de kan hantera översättningen i de flesta avseenden även om de inte fått mycket undervisning om problemet. Valet av you som motsvarighet till man är dock övervägande och eftersom detta val signalerar informalitet kan kommunikationen påverkas.</p> / <p>One of the goals of the Swedish national curriculum is that students develop a communicative and social competence. According to the English B-level syllabus, the students should among other things develop their ability to adjust language use to the situation. The indefinite pronoun man is a frequent occurrence in the Swedish language. Translating this word requires an understanding of situation as well as register. The study examines how the students handle the translation of man and if they know when the situation requires formal or informal language. The result shows that they can handle the translation in most cases even though they have not been given much instruction on the problem. However, the choice of you as a correspondence to man is predominant, and since this choice signals informality communication might be affected.</p>

Recent research in the Teaching Chinese as a Foreign Language (TCFL) field has focused on the pedagogical perspectives underlying TCFL textbooks and their compilation. With the increasing interaction between China and other countries in global contexts such as culture, economics and commerce, there is a great need to expand research regarding all areas and issues within TCFL, especially in the important area of vocabulary and its translation in TCFL textbooks (Tsung and Cruickshank, 2011). This research investigates a range of translation problems related to the accuracy of the vocabulary lists featured in 12 selected representative TCFL textbooks for teaching Chinese as a foreign language. This thesis presents findings from three triangulation cases (questionnaire survey, corpus research, and assessment test) involving two different groups of participants (e.g. Chinese teachers who completed the questionnaire survey and Chinese undergraduates majoring in English who underwent the assessment test). The contribution of this study is as follows: 1) I conduct a series of empirical evidence based on the viewpoints of practitioners regarding the identified translation problems to fill the gap that there are more descriptive and pedagogical works in the vocabulary translation of TCFL textbooks; 2) I adopt functional equivalence theory of translation and linguistics–based approaches (semantic, pragmatic and grammatical perspectives) to establish a theoretical framework which provides a flexible way of analysing translation and enables the original meanings of Chinese words to be analysed through various perspectives, especially for Chinese and English vocabulary analysis and translation; 3) I draw on translation quality evaluation theory to generate a translation quality evaluation framework which can serve as a reference point for other translation evaluation work regarding vocabulary conducted during other relevant studies; 4) I demonstrate that the majority of translation problems gathered from the selected TCFL textbooks were found at the preliminary level and in the content word class which have much practical relevance and research value for the pedagogical purpose of vocabulary teaching and translation; and 5) I build up a specific parallel corpus with passages and vocabulary lists of the selected TCFL textbooks.

Ett av målen i skolans läroplan är att eleverna utvecklar en kommunikativ och social kompetens. Enligt kursplanen för engelska B kurs, skall eleverna bland annat ha utvecklat en förmåga att kunna anpassa språket beroende på den situation eleven befinner sig i. Det indefinita pronomenet man är vanligt förekommande i det svenska språket. Att översätta detta ord fordrar en förståelse av situation såväl som av register. Undersökningen går ut på att ta reda på hur eleverna hanterar översättningen av man och om de vet när situationen fordrar formellt eller informellt språk. Resultatet visar att de kan hantera översättningen i de flesta avseenden även om de inte fått mycket undervisning om problemet. Valet av you som motsvarighet till man är dock övervägande och eftersom detta val signalerar informalitet kan kommunikationen påverkas. / One of the goals of the Swedish national curriculum is that students develop a communicative and social competence. According to the English B-level syllabus, the students should among other things develop their ability to adjust language use to the situation. The indefinite pronoun man is a frequent occurrence in the Swedish language. Translating this word requires an understanding of situation as well as register. The study examines how the students handle the translation of man and if they know when the situation requires formal or informal language. The result shows that they can handle the translation in most cases even though they have not been given much instruction on the problem. However, the choice of you as a correspondence to man is predominant, and since this choice signals informality communication might be affected.

O presente trabalho tem como objetivo analisar duas traduções para o português da obra literária japonesa Kinkakuji, escrita por Yukio Mishima (1925-1970) e publicada em 1956, para fazer considerações sobre a tradução indireta e a interferência da versão intermediadora entre o texto-fonte e o texto-alvo, sob o ponto de vista do conceito de equivalência. Tratam-se da tradução realizada por Eliana Sabino (1988) a partir da versão em inglês por Ivan Morris (1959) e a tradução direta do japonês feita por Shintaro Hayashi (2010). Para esse objetivo, primeiramente, apresentamos um perfil geral de Mishima e suas obras; o romance Kinkakuji, considerando o seu contexto de criação e avaliação de críticos; e de um conceito de tradução indireta e diversas visões a respeito. Além disso, faremos uma apresentação da tradução da literatura de Mishima em português, nas tradições de tradução da literatura japonesa no Brasil. Será feita a análise cotejando as traduções acima referidas e o trabalho original em japonês, visando identificar as transformações ocorridas que impeçam os leitores da tradução de compreender o sentido da obra original. Como resultado, concluímos que tais deformações ocorrem na tradução indireta com maior frequência, mas ocorrem também na tradução direta, dificultando a transmissão do universo do romance elaborado pelo autor. Os resultados nos ajudaram a perceber que a tradução em inglês causa a deformação do texto original de certa forma e influi inevitavelmente na tradução indireta em português, porém, a tradução em inglês não é a única razão desta deformação. Na tradução direta em português, apesar de identificarmos alguns casos de deformação, observou-se que o tradutor teria se preocupado com a manutenção do estilo de estrita do autor do texto original, além do sentido textual. Podemos dizer, nesse caso, que o tradutor conseguiu produzir um texto mais próximo, sob o ponto de vista de manutenção da equivalência, daquele ao qual o leitor da obra em japonês tem acesso. / The work aims to analyze two translations of the Japanese literary work Kinkakuji, written by Yukio Mishima (1925-1970), published in 1956. to carry out a consideration of the indirect translation and of how much the intermediate version interferes between the source text and the target text, from the standpoint of the concept of equivalence. The selected translation into Portuguese are by Eliana Sabino (1988), who translated from the English version by Ivan Morris (1959), and the direct translation from the original text in Japanese by Shintaro Hayashi (2010). For this purpose, I introduce Mishima and his works; the novel Kinkakuji, considering the context in which the author wrote it and its critical reception; and a concept of indirect translation, as well as various views on it. In addition, I present the translation of Mishimas literature into Portuguese, in the translation tradition of Japanese literature in Brazil. I carry out the analysis by comparing the translations with the original work in Japanese to identify the transformations that have prevented the readers of the translations from understanding the sense of the original work. I reached the conclusion that such deformations occur more frequently in the indirect translation, but also in the direct translation, hindering the transmission of the universe developed by the author in the novel. The results allowed me to realize that the English translation causes deformations in the source text in a certain way and that it inevitably influences the indirect translation into Portuguese, but the English translation is not the only reason for this. In the direct translation into Portuguese, although I identified some cases of deformation, I noticed that the translator was concerned with maintaining Mishimas writing style, not only in the textual sense. In this case, it can be affirmed that the translator has been able to produce a text that is closer, from the point of view of maintaining the equivalence, to the one to which the reader of the Japanese work has access.

O presente trabalho tem como objetivo analisar duas traduções para o português da obra literária japonesa Kinkakuji, escrita por Yukio Mishima (1925-1970) e publicada em 1956, para fazer considerações sobre a tradução indireta e a interferência da versão intermediadora entre o texto-fonte e o texto-alvo, sob o ponto de vista do conceito de equivalência. Tratam-se da tradução realizada por Eliana Sabino (1988) a partir da versão em inglês por Ivan Morris (1959) e a tradução direta do japonês feita por Shintaro Hayashi (2010). Para esse objetivo, primeiramente, apresentamos um perfil geral de Mishima e suas obras; o romance Kinkakuji, considerando o seu contexto de criação e avaliação de críticos; e de um conceito de tradução indireta e diversas visões a respeito. Além disso, faremos uma apresentação da tradução da literatura de Mishima em português, nas tradições de tradução da literatura japonesa no Brasil. Será feita a análise cotejando as traduções acima referidas e o trabalho original em japonês, visando identificar as transformações ocorridas que impeçam os leitores da tradução de compreender o sentido da obra original. Como resultado, concluímos que tais deformações ocorrem na tradução indireta com maior frequência, mas ocorrem também na tradução direta, dificultando a transmissão do universo do romance elaborado pelo autor. Os resultados nos ajudaram a perceber que a tradução em inglês causa a deformação do texto original de certa forma e influi inevitavelmente na tradução indireta em português, porém, a tradução em inglês não é a única razão desta deformação. Na tradução direta em português, apesar de identificarmos alguns casos de deformação, observou-se que o tradutor teria se preocupado com a manutenção do estilo de estrita do autor do texto original, além do sentido textual. Podemos dizer, nesse caso, que o tradutor conseguiu produzir um texto mais próximo, sob o ponto de vista de manutenção da equivalência, daquele ao qual o leitor da obra em japonês tem acesso. / The work aims to analyze two translations of the Japanese literary work Kinkakuji, written by Yukio Mishima (1925-1970), published in 1956. to carry out a consideration of the indirect translation and of how much the intermediate version interferes between the source text and the target text, from the standpoint of the concept of equivalence. The selected translation into Portuguese are by Eliana Sabino (1988), who translated from the English version by Ivan Morris (1959), and the direct translation from the original text in Japanese by Shintaro Hayashi (2010). For this purpose, I introduce Mishima and his works; the novel Kinkakuji, considering the context in which the author wrote it and its critical reception; and a concept of indirect translation, as well as various views on it. In addition, I present the translation of Mishimas literature into Portuguese, in the translation tradition of Japanese literature in Brazil. I carry out the analysis by comparing the translations with the original work in Japanese to identify the transformations that have prevented the readers of the translations from understanding the sense of the original work. I reached the conclusion that such deformations occur more frequently in the indirect translation, but also in the direct translation, hindering the transmission of the universe developed by the author in the novel. The results allowed me to realize that the English translation causes deformations in the source text in a certain way and that it inevitably influences the indirect translation into Portuguese, but the English translation is not the only reason for this. In the direct translation into Portuguese, although I identified some cases of deformation, I noticed that the translator was concerned with maintaining Mishimas writing style, not only in the textual sense. In this case, it can be affirmed that the translator has been able to produce a text that is closer, from the point of view of maintaining the equivalence, to the one to which the reader of the Japanese work has access.