This study investigates the supranational policy engagement of Turkish migrant associations in France and Germany in EU immigration policy process from a comparative perspective. It seeks the answer to the following question: What explains similarities and differences in terms of forms and levels of participation by migrant associations in different national contexts as they engage in the EU immigration policy process? In addressing this question, it analyzes the forms and levels of migrants' supranational engagement by focusing on the combined impact of emerging macro-level political opportunity structures (EU institutional context and EU) and micro-level (collective action problems of nationally organized stakeholders) variables. / The study claims that in spite of the newly introduced supranational channels into the EU policy process, the collective organizational experience at the national level locks-in a certain path dependency that holds back the new policy actors (migrant groups) from making full use of EU-level opportunities. Consequently an incompatibility surfaces between the supranational opportunities provided by the EU and the capabilities of national-level stakeholders who intend to use them. Through an examination of two cases, this study claims that there exists a supranational opportunity/national capability rift in terms of stakeholder participation in EU policy processes. Underlying this rift are the problems intrinsic to the design of supranational opportunities which impair their potential to cater to national-level clients. At the same time, while national-level capabilities allow actors to operate in the domestic context (albeit with problems), they are not readily transposed so as to permit reaping supranational benefits. / Accordingly, this study claims that despite the variety and extensiveness of EU efforts, the re-definition of the dynamics of policy involvement and the expansion of the policy space to include multiple stakeholders remain at an incipient stage. The problems and limits of activities at the supranational level continue to originate from constraints associated with the nation state as much, if not more, than the problems of the supranational channels themselves.

This thesis aims at explaining the forms and styles in which the phenomenon of alienation found expression in Turkish novels, particularly in the 1970s. For this purpose, three novels of the decade are chosen for in-depth analysis since they are considered to be most representative examples. It was important to question how these three novels have ascribed significance to the existing conditions of alienation. Therefore, the specific discussion of this thesis dwells on whether these novels offer any alternative approach or whether there is any possibility of such an alternative. Thus, the analyses of the characters in the novels are based on their designation as they experience the adverse consequences of the phenomenon of alienation. In spite of the fact that the novels differ among themselves in their particular approach to alienation, there is a general attempt to designate a sense of consciousness that is not totally effective in overcoming negative consequences of this phenomenon.

Thesis (Master's)--Bilkent University, 2003.

Swan is a multimedia work for conducted ensemble with amplified instruments, electronics and video projections. Swan is about going out: going out to the street, to the club, to a ritual, to a party or a funeral. It’s about real places with real people, but less about the realities of these places and more about their vibe. It’s about getting out of home, the studio, the institution, going to places where people connect and do things, sing, dance, laugh, cry, perform or celebrate. The music of Swan come from ‘outside.’ Swan’s aesthetic is a blend of Turkish/Islamic and pop-cultural elements. The opening section, Korridor, is a drone/ambient movement with a big trance synth part. It is ritual music. It is big, dense, heavy, and it moves slowly, like lava. Karaoke Mahshar is a Turkish Trance-Pop hybrid. It is a very melancholic, dark piece of music. The instrumental choir sing an emotional pop/“fantasy music” (a Turkish genre) melody in unison over a flamboyant electronic track. It’s the soundtrack to a club for the wasted, for emotional after-hours karaoke. The final section, Rod Modell, is a dub-techno influenced ambient movement. It is the sound of a giant, post-apocalyptic mosque - a mosque sunken in chalky waters. This section evolves to a big, stretched monophonic melody, a song from the old times, which finally cadences to an electronically processed “tilâvet”. I started composing Swan in July 2016 in Turkey, before the military coup attempt took place. The work is not programmatic, however, the sound materials I worked with, the musical references and the sonic and visual iconography it incorporates are rather influenced by and derive from the sounds, sights and emotions I experienced during my stay. By the end of my visit, a person who had been very dear to my heart, Ferhunde Köke, had passed away. I recorded the sounds of her burial accompanied by a hafız’s recitation of the Surah Al-Baqarah 2:156 from the Holy Qur’an which I edited, processed and ended this work with.

Conceptually the aims of this thesis are to show the salient features of the political reproduction of states as a necessity for their survival as they continually face a double-security dilemma in the neoliberal era. Empirically this thesis examines Turkey’s ruling party from 2002 to 2015. The Justice and Development Party (Adalet ve Kalkınma Partisi, AKP) maintained authority by mitigating the polities and actors that posed vertical and horizontal competition to their power (the double-security dilemma of domestic and international threats faced by state rulers). To outcompete and absorb its rivals, the AKP maintained a post-Islamist alliance-building model of political reproduction through a globalized Islamic neoliberal authority pattern until 2011. This became popularized as the ‘Turkish Model’, a model of political reproduction framed as suitable for other Muslim-majority states. The findings from data analysis show that to maintain the constitutive sovereignty of the Turkish state, the AKP built a post-Islamist hegemony. Furthermore, this thesis explores how the AKP horizontally built a pluralist vision of neo-ottomanism enabling their navigation of the international political system. Their ‘zero-problems’ foreign policy was the cornerstone of building regional liberal peace. This policy was the basis of the AKP’s maintenance of functional sovereignty until the ‘Arab Spring’. Yet, the new double-security dilemma that emerged through the ‘Arab Spring’ not only threatened the existence of post-Islamism within Turkey, but the existence of the ‘Turkish Model’ itself. The AKP then moved towards a fortifying pattern of authority to shield both themselves and the Republic from emergent threats / Marie Curie European Commission Sustainable Peacebuilding Project through Sabancı University and the Allan and Nesta Ferguson Charitable Trust.

ABSTRACT THE ECONOMIC IMPACT OF THE 1923 GRECO-TURKISH POPULATION EXCHANGE UPON TURKEY Alpan, Aytek Soner M. Sc., Department of Economics Supervisor: Assoc. Prof. Dr. Onur Yildirim August 2008, 167 pages The Convention Concerning the Exchange of Greek and Turkish Populations signed on January 30, 1923 at Lausanne resulted in the first compulsory population exchange under the auspices of an international organization, namely the League of Nations. The Greco-Turkish Population Exchange marked a turning point for Greece and Turkey with regard to its demographic, social, political and economic effects. Although the multifaceted effects of the Exchange upon Greece have been extensively studied by the scholars of different disciplines, the Turkish scholarship is very limited in terms of documenting and analyzing the role of this event in the history of modern Turkey. The present study aims to fill this gap by assessing the economic effects of this event upon Turkey. This thesis fulfils the above task by examining the transformation of the basic sectors in the Turkish economy during the post-Exchange period. We argue that the Population Exchange had significant effects upon the Turkish economy. For example, in the agricultural sector the capitalist property relations on land were reinforced and the production patterns in certain agricultural crops were subject to a considerable degree of change. As far as the industry is concerned, the production of certain commodities deteriorated due to the rising competition between Turkey and Greece over the manufactured goods. The worsening international economic conditions exacerbated the effects of this competition upon the Turkish economy. Lastly, with the transfer of the Anatolian Greek merchants to Greece, Anatolia&rsquo / s commercial links with foreign markets weakened much to the detriment of the Turkish economy. The intermediary position of the Greek merchants was gradually substituted by the newly-emerging Turkish mercantile bourgeoisie after the Exchange. This thesis consists of five chapters. Chapter 1 introduces the subject and provides a survey of the related literature. Chapter 2 examines the effects of the Exchange upon agriculture and land tenure system. Chapter 3 is designed to evaluate the transformation of the industrial base inherited from the Ottoman Empire by certain factors including the Exchange. Chapter 4 deals with the effects of the transfer of the Anatolian Greeks and the arrival of the refugees upon the commerce. Chapter 5 presents general and specific conclusions in the light of previous chapters.

No description available.

Master of Arts / Department of Modern Languages / Li Yang / This study investigates and compares politeness strategies of Turkish learners of English (TLE) and American English speakers (AE) when they produce the speech act of refusal in English. A total of 24 participants took part in this study and each of them completed a background survey, an open role play and a semi-structured interview. The role-play asked all of the participants to refuse a party invitation offered by a classmate/colleague and was audio-recorded. The refusal interactions were coded according to the classification proposed by Beebe et al. (1990), and the sequence of the refusal interactions (i.e., head act, pre- and post-refusals) was also examined. The results showed that providing excuse/reason/explanation was the most preferred strategy by both groups overall, but closer examination of the strategy revealed that the TLE group was more specific in their explanations compared to the AE group. In addition, when the conductor of the role play insisted on the invitation, the AE group continued to refuse without giving specific reasons, whereas the TLE group chose to provide elaborate reasons upon insistence. During the interview session after the role play, the TLE group commented on cultural factors that influenced their choice of refusal strategies. Based on the findings, this study also proposed implications of the teaching of pragmatics in the English as a second language (ESL) context.

This thesis explores recent Turkish-German film through a radically postrepresentationalvision of aesthetics and ethics. Post-representationalism as amethodology involves confronting conventional cognitive and hermeneuticapproaches to film, and going beyond representational schemes and nationalparadigms for a closer engagement with the aesthetic. This thesis puts emphasison tropes such as movement, gesture, process and becoming through anengagement with the writings of Gilles Deleuze and Félix Guattari as analternative to the theoretical models that dominate the scholarship on migrant anddiasporic cinemas which place emphasis on dualisms and notions such as culturaland national identity. It attempts to broaden the discussions on post-ReunificationTurkish German cinema by exploring a wide range of works including fiction,documentary and artist films dealing with labour migration from Turkey toGermany. The first chapter focuses on Thomas Arslan’s Berlin Trilogy andChristian Petzold’s Jerichow (2009) as ‘Berlin School’ films that convey adistinct aesthetic approach to labour migrants and their second generationoffspring in Germany, which tends to focus on questions of work and thechanging nature of labour under globalisation. The second chapter looks atdocumentary films by Thomas Arslan, Aysun Bademsoy, Harun Farocki andSeyhan Derin to re-evaluate the dominance of historical narratives and reassessthe documentary form as an archival and creative practice through new politicaland ethico-aesthetic paradigms. The third chapter investigates social realist genrecinema through Feo Aladağ’s Die Fremde (2011) and Yüksel Yavuz’s KleineFreiheit (2003) to explore whether new encounters with conventional aestheticsthat zoom in on gestures and movements can call into question the limitation oflinguistic and semiotic terms and categories of analysis. These chapters aim tomove beyond representational and definitive frameworks in favour of a creativecritical engagement with migrant film as a political vocation, which carries withinitself the potential to invent new forms of thought, resistance, movement andpeople.

This paper analyses the phenomenon of Suspended Affixation (SA) which refers to a situation in coordinated constructions when affixes on the final conjunct have scope over all the non-final conjuncts. The main goal of this paper is to look at the structure of SA for Noun Compound Coordination and to find out how pl and poss suffixes behave regarding suspension. Previous studies have shown that in N and NP coordination poss cannot be suspended leaving pl on the non-final conjunct. This study tests the suspendability of poss in the context of Noun Compound coordination. Since SA seems to represent gradient judgment data two acceptability judgment studies were conducted to find out the (un)grammaticality of Noun Compound constructions. The results show that pl and poss suffixes cannot be suspended for independent reasons. The suspendability of poss does not depend on the presence/absence of pl in the structure due to its structural position. This article proposes an analysis of SA in N and NP coordination which represents a combination of two approaches on SA already proposed in literature and is based on the idea of Parallel Merge proposed by Citko (2005). SA in N and NP coordination is considered to be a coordination of fully inflected conjuncts where the inflections are parallel-merged with two conjuncts (final and non-final). I show that due to the structure of Noun Compound coordination constructions, pl and poss cannot be parallel-merged because of a minimality condition: a non-final conjunct has to be a Minimal Morphological Word.