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This study focused on the challenges facing the Ukrainian community in Montreal, within the parameters of their support and mutual aid services. Key informants from the community were interviewed. A mail-in questionnaire was administered to a sample of Ukrainians (N = 145), from the community at large. Key findings: (a) a high level of interest in community planning, (b) for women, social policy and health and social services were more important, (c) 18% were uncertain about remaining in Quebec, and (d) internal conflicts within community infrastructures. Areas of concentration for community development: (a) health and social services for independent elderly and others in need, (b) residential placement for elderly, and (c) counselling and information services for immigrants.

Abnormal death memorials are unofficial cenotaphs and burial places located in public space. They mark the sites of sudden tragic death and, therefore, include roadside memorials an internationally spread phenomenon that is a relatively new topic in the Folkloristics scholarship. This study is the first to explicitly discuss abnormal death memorials as both material culture objects and as objects of folk beliefs in the context of Ukrainian culture. Based on fieldwork done in Ukraine between 2005 and 2009, this thesis identifies the meaning and significance of contemporary memorials in Ukraine through people's attitudes. The results of the study show that positive attitudes towards abnormal death memorials are influenced by Ukrainian folk beliefs about bad death, the afterlife, and communication with the dead. Abnormal death memorials in Ukraine appear as metaphors of Ukrainian cosmology and changing folk beliefs about the worlds of the living and dead. The practice of erecting memorials in Ukraine seem to be a modification of a century long folk tradition of marking spots of bad death. / Ukrainian Folklore

In Analogie zu den Systemen für die KKW Saporoshje und Rovno wurden für die drei Blöcke des KKW Südukraine und für den ersten Block des KKW Chmelnitzky technische Systeme zur verbesserten betrieblichen Überwachung eingerichtet. Dazu werden der Aufsichtsbehörde vor Ort und im Krisenzentrum in Kiew einmal pro Minute für jeden Block bis zu 51 sicherheitsrelevante technologische und 16 radiologische Parameter zur Bewertung mittels moderner technischer Ausrüstungen online zur Verfügung gestellt. Die entwickelte Auswertesoftware gestattet die Darstellung der Bewertungsergebnisse in Form von Tabellen, Grafiken und Schemata. Außerdem ermöglicht ein Archivmodus Trendanalysen. Mit der Integration der für die geschützte Warte gelieferten Ausrüstungen in das am Standort des KKW Saporoshje betriebene Fernüberwachungssystem ist es nunmehr möglich, die wesentlichen sicherheitsrelevanten Parameter des gesamten Standortes auch bei außergewöhnlichen Ereignissen mit Hilfe moderner Technik zu erfassen und zu bewerten.

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Ukrainian dance is a popular means of expressing Ukrainian cultural affiliation, for the dancers as well as for the audience. It also performs a didactic function by sanctioning specific identities through the instruction and presentation of dances. This thesis examines the interaction of politics and the arts in shaping these identities in Saskatchewan.<p>By tracing the establishment and development of staged dance, this thesis explores the formation of the Ukrainian Canadian identity in the twentieth century. Through analysis of primary documents, archival footage, and interviews with leaders in the dance community, a record of the development of Ukrainian dance in Saskatchewan has been created. As the reasons for the dances changed over time due to internal and external pressures, so did the dances and identities that were expressed and encouraged.<p>This study also reveals that dance and politics are inextricably intertwined in the province. An internal nationalist / progressive political division shaped Ukrainian Canadian identity and the expression of that identity, including dance. Politics were imposed through control over the locations of dance training and performance. The legitimacy of the political divide, however, was challenged in the postwar period as artistry and aesthetics were emphasized. Political influence upon Ukrainian dance also extended beyond the Ukrainian Canadian community, and included consequences of general Canadian developments, such as the multicultural policy. By tracing the intersection between politics, identity and the arts in this ethnocultural community, how various influences shaped Ukrainian cultural identity is explored and critically examined.

Ukrainian dance is a popular means of expressing Ukrainian cultural affiliation, for the dancers as well as for the audience. It also performs a didactic function by sanctioning specific identities through the instruction and presentation of dances. This thesis examines the interaction of politics and the arts in shaping these identities in Saskatchewan.<p>By tracing the establishment and development of staged dance, this thesis explores the formation of the Ukrainian Canadian identity in the twentieth century. Through analysis of primary documents, archival footage, and interviews with leaders in the dance community, a record of the development of Ukrainian dance in Saskatchewan has been created. As the reasons for the dances changed over time due to internal and external pressures, so did the dances and identities that were expressed and encouraged.<p>This study also reveals that dance and politics are inextricably intertwined in the province. An internal nationalist / progressive political division shaped Ukrainian Canadian identity and the expression of that identity, including dance. Politics were imposed through control over the locations of dance training and performance. The legitimacy of the political divide, however, was challenged in the postwar period as artistry and aesthetics were emphasized. Political influence upon Ukrainian dance also extended beyond the Ukrainian Canadian community, and included consequences of general Canadian developments, such as the multicultural policy. By tracing the intersection between politics, identity and the arts in this ethnocultural community, how various influences shaped Ukrainian cultural identity is explored and critically examined.

Ukrainian staged dance is a popular element of Ukrainian culture. In Canada, Ukrainian dance flourished and has transformed into a distinct symbol of Canadian-Ukrainian culture. Each Canadian province shows an evolution in its Ukrainian dance that is distinct from the others, depending on where the choreographers found inspiration. Ukrainian dance in Montral has been influenced strongly by the spectacular dance model, which was associated most strongly with the state sponsored dance companies coming from the Soviet Union. A question arose regarding this observation: why would these rather anti-Soviet communities in Canada choose a Soviet style to represent Ukrainians? And why would Qubcois choreographers repeatedly choose to add Ukrainian dance into their international dance repertoire? The goal of this research project is to set a chronological and aesthetic framework of Ukrainian dance in Montral and to observe the main influences that changed its aesthetics both inside and outside the Ukrainian community. / Ukrainian Folklore

Studying the last century and a half of Ukrainian linguistic history reveals relentless attempts to stifle the development of Ukrainian as well as to suppress translation activities under both the tsarist and Soviet regimes. Exploring the morphological evolution of the Ukrainian language discloses evidence of terminological inconsistencies due to the lexical russification of Ukrainian during the Soviet regime, leading to inconsistencies between the standard of Ukrainian used in the Soviet Union versus that used in the diaspora. Additional examination of Ukrainian linguistic history discloses political motives for banning translations, refusing the right to translate, censoring translations, and punishing translators who rejected the mandatory Soviet literary norm of Socialist Realism. In order to further understand the implications of translation practices in the Ukrainian SSR, it is important to examine the language policies, political agendas and translation practices prior to and throughout the Soviet regime. This thesis explores and analyses the russification of Ukrainian through translation policies designed to fulfil Soviet political and ideological agendas. It compares power differentials between Russian and Ukrainian, as well as between Russian and other minority languages in translation, and examines the resulting terminological inconsistencies. It shows unequivocally how translation, transliteration, and censorship were used to foster linguicide and assimilate Ukrainian minorities, from the late tsarist era to the collapse of the Soviet Union.

Studying the last century and a half of Ukrainian linguistic history reveals relentless attempts to stifle the development of Ukrainian as well as to suppress translation activities under both the tsarist and Soviet regimes. Exploring the morphological evolution of the Ukrainian language discloses evidence of terminological inconsistencies due to the lexical russification of Ukrainian during the Soviet regime, leading to inconsistencies between the standard of Ukrainian used in the Soviet Union versus that used in the diaspora. Additional examination of Ukrainian linguistic history discloses political motives for banning translations, refusing the right to translate, censoring translations, and punishing translators who rejected the mandatory Soviet literary norm of Socialist Realism. In order to further understand the implications of translation practices in the Ukrainian SSR, it is important to examine the language policies, political agendas and translation practices prior to and throughout the Soviet regime. This thesis explores and analyses the russification of Ukrainian through translation policies designed to fulfil Soviet political and ideological agendas. It compares power differentials between Russian and Ukrainian, as well as between Russian and other minority languages in translation, and examines the resulting terminological inconsistencies. It shows unequivocally how translation, transliteration, and censorship were used to foster linguicide and assimilate Ukrainian minorities, from the late tsarist era to the collapse of the Soviet Union.