Submitted by Maryse Santos (maryseeu4@gmail.com) on 2016-08-26T15:38:09Z No. of bitstreams: 1 Tese- Victor Leandro da Silva.pdf: 1233777 bytes, checksum: 58e3a3c8c80310d48a62f23b30f409a7 (MD5) / Approved for entry into archive by Divisão de Documentação/BC Biblioteca Central (ddbc@ufam.edu.br) on 2016-08-29T13:08:12Z (GMT) No. of bitstreams: 1 Tese- Victor Leandro da Silva.pdf: 1233777 bytes, checksum: 58e3a3c8c80310d48a62f23b30f409a7 (MD5) / Approved for entry into archive by Divisão de Documentação/BC Biblioteca Central (ddbc@ufam.edu.br) on 2016-08-29T13:10:14Z (GMT) No. of bitstreams: 1 Tese- Victor Leandro da Silva.pdf: 1233777 bytes, checksum: 58e3a3c8c80310d48a62f23b30f409a7 (MD5) / Made available in DSpace on 2016-08-29T13:10:14Z (GMT). No. of bitstreams: 1 Tese- Victor Leandro da Silva.pdf: 1233777 bytes, checksum: 58e3a3c8c80310d48a62f23b30f409a7 (MD5) Previous issue date: 2016-04-18 / This work is a study of universalism concepts and literary regionalism and its implications in the study of Novel.The novelistic narratives have often been categorized either as regionalist, or as universal.However, this classification is usually made arbitrarily, since the basis under which these concepts are applied are not consistent, which paves the way for the claim that these are used exclusively with marginalization purposes of certain literary manifestations. On this, the research seeks to establish other ways in which the local and the universal can be thought of in the novel, making use of the opportunities provided by the reflections of the French philosopher Paul Ricoeur about the narrative which allow us to think the novel as having dimensions that include both private as universalizing aspects of the plot. In order to check the consistency of the analysis, the study will turn to the literary works Relato de um certo Oriente, by Milton Hatoum, Beiradão, by Alvaro Maia, and Galvez Imperador do Acre by Márcio de Souza, that, wheter they have been compiled by authors from outside the major centers, they have elements that allow align them to the general panorama of the novel, while guarding features that approximate their original context of accomplishment. / Este trabalho consiste num estudo dos conceitos de universalismo e regionalismo literários, bem como suas implicações no estudo do Romance. As narrativas romanescas têm sido frequentemente categorizadas ora como regionalistas, ora como universais. No entanto, tal classificação costuma ser feita de forma arbitrária, uma vez que as bases sob as quais esses conceitos são aplicados não são consistentes, o que abre caminho para a afirmação de que estes são usados exclusivamente com fins de marginalização de certas manifestações literárias. Em visto disso, a pesquisa aqui realizada procura estabelecer outras formas pelas quais o local e o universal podem ser pensados no romance, utilizando para isso as perspectivas abertas pelas reflexões do filósofo francês Paul Ricoeur acerca da narratividade, as quais permitem pensar o romance como dotado de dimensões que abarcam tanto os aspectos particulares quanto universalizantes da trama. A fim de verificar a consistência da análise, o estudo irá voltar-se para as obras Relato de um certo Oriente, de Milton Hatoum, Beiradão, de Álvaro Maia, e Galvez imperador do Acre, de Márcio Souza, que, independente de terem sido elaboradas por autores de fora dos grandes centros, apresentam elementos que permitem alinhá-las ao panorama geral do romance, ao passo que guardam características que as aproximam de seu contexto original de realização.

De nos jours, nous accordons une place particulière à la littérature Universelle, qui est située au point de croisement du soi et de l’autre, de l’implicite et de l’explicite, de l’intime et du public. En ce qui concerne notre étude comparative entre la vision de Mowlânâ Djalâl Od-Dîn Mohammad Balkhî Rûmî, poète mystique iranien du XIIIème siècle et celle d'Alfred de Vigny, poète stoïcien, romantique et mystique français du XIXème siècle, sur l'Homme Parfait, nous avons tenté à montrer que nos deux Génies, quoique l’un était oriental et l’autre occidental, que l’un était du 13ème siècle et l’autre du 19ème siècle, que leurs religions étaient différentes, que l’un était postérieur à l’autre et ne l’a fort probablement jamais lu, ont des avis quasiment identiques sur l’Homme Parfait. En effet, la pureté et la bonté spirituelle, l’innocence, l’honnêteté, l’amitié, l’amour, et les caractères humbles de l’être humain, ne dépendent point des dimensions spatio-temporelles, ni de l’idéologie et de la civilisation des sujets à traiter, car ce sont des qualités purement humaines qui prennent leur source dans la conscience, le cœur et l’âme et représentent tout le côté divin de l'être. L'Homme Parfait nommé le "vrai Mystique" chez Mowlanâ et le "Paria" chez Alfred de Vigny certifient que certains hommes sont des êtres à part, sortes d’extraterrestres, tout en étant des symboles de l’humanité. Ces gens là, tout à la fois d’ici-bas et d’au-delà, libérés en fait de leur « moi » matériel, sont le pur reflet d’un « moi » divin. Une telle personne peut espérer être sur le bon chemin et pouvoir rester digne de posséder à la fois la face de l’Homme et la face de Dieu. Par conséquent, nous avons simplement envisagé les points communs entre les sujets en question et en tenant compte des notions d'identité et d'altérité, nous nous sommes focalisés sur une paix universelle. / Today the Universal literature has taken a particular place for itself, because this literature is on the cross point of "self" and "other", "implicit" and "explicit", "intimate" and "public". The comparative study between the foresights of Mowlânâ Djalâl-Od- Dîn Mohammad Rûmî-é BalkhÎ, the Iranian mystic poet of the 13th century, and, Alfred de Vigny, the romantic, stoic, and mystic poet of French 19th century, on the subject of "Perfect Man", in spite of the fact that the two men lived six centuries apart, one was in the East and the other one was in the West of the World, their religions were different, and that most likely Vigny had not read Mowlânâ's works, the two poets have almost similar opinions about the "Perfect Man". Normally, the comparative study is conducted to identify, directly or indirectly, the influence of a certain person or doctrine over another person or doctrine; but in this study, our readers or audience will see that the nature of purity, spiritual goodness, innocence, honesty, friendship, love, and sublime human characteristics are neither dependent of time and place, nor they depend on a specific ideology or a special culture, because they have all their roots in the intelligence, heart, and spirit of individuals and are part of Devine aspect of human being.