Global ETD Search

1	La notion d'irréel et ses avatars terminologiques dans les grammaires françaises et anglophones de l'anglais / The notion of unreality and its terminological manifestations in French and Anglophone grammars of English Hounhouayenou-Toffa Adjovi, Ernest 26 June 2018 (has links) Cette thèse s’intéresse aux différents paradoxes que suscitent les unités lexicales irréel/unreal en grammaire et en linguistique. Il repose, pour ce faire, sur un large corpus français et anglophone d’ouvrages de terminologie linguistique et de grammaires de l’anglais publiées entre le 16e siècle et le 21e siècle. Si de nombreuses études se sont en effet intéressées à l’expression grammaticale de l’irréel, peu se sont penchées sur les discontinuités qui existent entre le mot de la langue générale et le terme tel qu’il est employé dans ces deux domaines de connaissances. Conventionnelle dans la tradition grammaticale française, mais nébuleuse, voire inappropriée pour certains linguistes, l’unité lexicale irréel semble pâtir d’un caractère protéiforme qui pose la question de son statut conceptuel, de la délimitation de son périmètre sémantique et de son utilité pour les grammaires de l’anglais. Notre travail sur corpus s’attache ainsi à étudier la conceptualisation de la notion d’irréalité, à expliquer et tenter de résoudre le problème posé par le foisonnement de ses avatars terminologiques dans les grammaires françaises et anglophones de l’anglais. Nous démontrons qu’eu égard à la façon dont le terme irréel est conçu dans les ouvrages de notre corpus, il apparaît fallacieux d’appréhender le non-factuel de façon binaire (procès actualisés vs procès non-actualisés). À partir d’une lecture sociocognitive du terme irréel, nous proposons donc une modélisation qui conçoit sa structure en termes de prototype. / Based on a vast corpus of grammars and dictionaries of linguistic terminology, all published between the 16th and the 21st centuries in the French and Anglophone traditions, this thesis exposes and unravels the paradoxes raised by the term irréel and its equivalent unreal(ity). If several studies have indeed analysed the linguistic expression of unreality in present-day English, only few have shed light on the discontinuity between the unspecialised use of the term and the specialised one. Notwithstanding that it is a conventional term in the French grammatical tradition, irréel and its equivalent unreal(ity) are often portrayed as referring to nebulous and abstract notions, with polymorphic terminological manifestations, which explains why their adequacy and usefulness are at stake in linguistic descriptions. Our corpus-based approach thus seeks to explain and ultimately solve the problem posed by the complex terminological web that arises out of these notions. A careful perusal of our corpus reveals that, in view of the way unreality is conceptualised in French and Anglophone grammars, non-factuality cannot be conceived as a binary category. In line with the socio-cognitive approach to terminology, we suggest a modelisation of unreality that is articulated around a prototype structure. Irréel Irréalité Grammaire Linguistique Terminologie Sémantique Grammaire cognitive Pragmatique Unreal Unreality Grammar Linguistics Terminology Semantics Cognitive grammar Pragmatics
2	El espacio, concepto crucial en Los ingrávidos de Valeria Luiselli : La creación de un ambiente fantasmal a través de la gestión de los espacios / Space as a crucial concept in Los ingrávidos by Valeria Luiselli : Thecreation of a phantom atmosphere by the representation of spaces Ascencio Dahl, Sebastian January 2023 (has links) Proponemos con esta tesina investigar cómo el uso experimental del espacio en la novela Los ingrávidos de la escritora mexicana Valeria Luiselli es crucial para crear el ambiente fragmentado y fantasmal de la obra. Las dos voces de la novela, Owen y la narradora, relatan fragmentos de sus vidas de muy diferentes épocas. Mueren y vuelven a nacer. Aparecen como fantasmas y el tiempo no es lineal. Sin embargo, sus vidas e historias se unen por medio de espacios compartidos. En la presente tesina analizamos y ponemos en evidencia cómo la autora mediante esta técnica del uso del espacio logra conectar mundos y vidas en una atmósfera de irrealidad. Hemos llegado a la conclusión que el ambiente fragmentado y fantasmal de la novela Los ingrávidos es logrado mediante el manejo del espacio. / With this thesis we intend to investigate how the experimental use of space in the novel Losingrávidos by the Mexican writer Valeria Luiselli is crucial to create the fragmented and ghostlyatmosphere of the book. The two voices of the novel, Owen and the female narrator, relatefragments of their lives from very different eras. They die and are reborn. They reappear asghosts and time is not linear. However, their lives and stories come together through sharedspaces. In this thesis we analyze and highlight how the author through this technique of the useof space manages to connect their worlds and lives in an atmosphere of unreality. We haveconcluded that the fragmented and ghostly atmosphere of the novel Los ingrávidos is achievedthrough the management of space. Los ingrávidos Valeria Luiselli shared spaces unreality Los ingrávidos Valeria Luiselli espacios compartidos irrealidad Languages and Literature Språk och litteratur
3	In Real Life (Or Elsewhere) : om kreativa processer och parallella verkligheter i dokumentärfilm Nevanti, Kirsi January 2017 (has links) Reality isn’t what it appears to be. Contexts are not always clear and visible. People don’t always say what they really mean. And they don’t always mean what they say. When life is your stage manager, anything can happen. I often say, life is hard, my head is harder. Making documentaries is not for the faint-hearted.This PhD project explores creative processes and parallel realities in documentary film, and discusses and conceptualizes the artistic practice of documentary filmmaking. The project consists in part of artistic works and essays that are critical reflections on the creative process and how that process can be conceptualized. The cinematic centerpiece of the thesis is entitled Images and the Worlds of Being (2011–2016). Previous subprojects are A Shift Between Worlds (2013–2015) and an essay book entitled In Real Life (or Elsewhere) (2013). Between 2013 and 2017, more essays were written, some of them translated to English. All the Swedish essays are available in PDF format. All of the works in the PhD project explore creative processes and parallel realities in two different ways: A Shift Between Worlds (2013–2015) explores identity and parallel realities in the gendered world. These works are based on two workshops led by Diane Torr, “Man for a Day” and “Woman for a Day.” They resulted in several component works, including two video essays, two audio works and two large-format photographic works, the latter in collaboration with photographer Johan Bergmark, as well as a short commentary film entitled Diane Speaks Out (2016). Images and the Worlds of Being (2011–2016) – a VR Classic Style film – explores what happens when documentary images are shown on four screens forming the walls of a room. This work also focuses on the view through the camera lens through which the filmmaker meets the world, in a hypnotic tapestry of parallel realities in a tenderly portrayed, runaway present. A sort of logical reasoning about the illogic of our era, in search of elusive reality (to paraphrase Jean Baudrillard) – the presence in the act of seeing. An experiment in the forms of visual knowledge, outside the traditional display windows. Shooting location: The World. ethics documentary film situational understanding authenticity reality parallel realities creative processes know thyself Images and the Worlds of Being A Shift Between Worlds director film team world in real life (or elsewhere) IRL VR Virtual Reality AR Augmented Reality life as stage manager reflections on space journey snippet of time interpretation of reality protagonist cinema cinematic means universe imagination artistic research presence of the camera existence the act of seeing visual knowledge intuition practical knowledge communication fictional gender bending identity visual art vantage point unreality art vision photography cinematography sound design editing directing life science Arts Konst

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