Thesis (Ph. D.)--University of Wisconsin--Madison, 1984. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 104-105).

Tese (doutorado)—Universidade de Brasília, Departamento de Teoria Literária e Literaturas, Pós-Graduação em Literatura, 2013. / Submitted by Albânia Cézar de Melo (albania@bce.unb.br) on 2013-08-01T15:09:19Z No. of bitstreams: 1 2013_LucieJosepheLannoy.pdf: 1900115 bytes, checksum: 41e1830169da386e614a0e0a1a1f5330 (MD5) / Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2013-08-02T12:44:14Z (GMT) No. of bitstreams: 1 2013_LucieJosepheLannoy.pdf: 1900115 bytes, checksum: 41e1830169da386e614a0e0a1a1f5330 (MD5) / Made available in DSpace on 2013-08-02T12:44:14Z (GMT). No. of bitstreams: 1 2013_LucieJosepheLannoy.pdf: 1900115 bytes, checksum: 41e1830169da386e614a0e0a1a1f5330 (MD5) / Esta tese apresenta o poeta peruano César Vallejo (1892-1938) e sua trajetória de vida e escrita. Demonstra, também, como, por meio de sua dor e de sua condição de estrangeiro, ele expõe um senso de solidariedade e um interesse pelo outro que sofre na Guerra Civil Espanhola (1936-1939). Com este objetivo, ele desenvolve sua criatividade na linguagem e uma forma ética de se comunicar. Martin Buber, Emanuel Levinas, Julia Kristeva, Stuart Hall, Edward Said, Roland Barthes, Gaston Bachelard e muitos outros teóricos sustentam a forma de apresentar o mais importante poeta peruano do século XX dentro de um contexto brasileiro. Cesar Vallejo condensa uma energia que alcança as profundezas de suas raízes para inspirar respostas a problemas atuais em uma linguagem inovadora capaz de dar sentido a questões de identidade e outros aspectos dos dias de hoje e de sempre. ______________________________________________________________________________ ABSTRACT / This thesis presents the Peruvian poet César Vallejo (1892-1938) and his life trajectory and writing. It also demonstrates how he shows, through his pain and in his foreigner condition, a sense of solidarity and an interest by the other who suffers in the Spanish Civil War (1936- 1939). With this aim, he increased his creativity in language and an ethic way to communicate. Martin Buber, Emanuel Levinas, Julia Kristeva, Stuart Hall, Edward Said, Roland Barthes, Gaston Bachelard and many others theoretic support the way we present the most important Peruvian poet of the XX Century in a Brazilian context. Cesar Vallejo condenses energy able to give answers for identity questions and other aspects of nowadays and always.

This dissertation explores the prophetic tradition in lyric poetry, focusing on the example set by Walt Whitman and carried forth in Hispanic letters, most notably in the cases of León Felipe, Federico García Lorca, and César Vallejo. By “prophetic” I do not wish to suggest “predictive” but rather a voice that, like the words of the biblical prophets, speaks to an entire community, by turns profoundly critical, but also appealing to human dignity. In the preface to the first (1855) edition of Leaves of Grass, Whitman explains the public value of poetry: “[F]olks expect of the poet to indicate more than the beauty and dignity which always attach to dumb real objects…. they expect him to indicate the path between reality and their souls.” (621) The roots of Whitman’s lyric song would grow deep in these three contemporary Hispanic poets, during times of grave social and political crisis. By tracing the influence of Whitman’s prophetic voice in their works, I show how his aesthetic of sacrifice reaches dramatic conclusions in the New York of Lorca’s poetry, as well as in the Spanish Civil War represented in Felipe’s Ganarás la luz and Vallejo’s España, aparta de mí este cáliz. Their prophetic lyric voice rises from Whitman’s song, founded upon a communal humanity and an “I” freed from the limits of the individual self. This voice, which we see in the poetry of Whitman, Felipe, Lorca, and Vallejo, is a lament culminating in the very personal sacrifice of the first-person poetic subject. I show how these four authors respond to the crises in their own times and lives with contemporary public voices that redeem our own human dignity in a world that might seem otherwise abandoned to its own undoing.

The aim of this Master's Degree Thesis is to introduce concepts of emptiness and silence in collection of poetry The black heralds (Los heraldos negros) by peruvian author César Vallejo. The first part of the thesis captures life events that influenced author's personality and his poetic style. Both of them are well reflected in verses from the first collection. The following section deals with specific analysis of poems and it's main focus is to detect concept of emptiness and silence in them.

La poesía de César Vallejo, al incorporar estrategias de expresión poética en las que se aleja de la “escritura monolingüe ideal” y hace intervenir diversos niveles de habla del castellano andino, es una clara muestra de una obra comprometida con el carácter plurilingüe de la sociedad en la que se inserta. Ahora bien, cuando Vallejo se traslada a París y cambia su entorno andino original por el del francés, solo algunas de las primeras innovaciones fueron mantenidas. En ese sentido, el objetivo del presente artículo es mostrar los modos en que se manifiesta el cambio de diglosia literaria castellano-quechua por la intervención del francés en la poesía vallejiana a partir del análisis del poema sin título incluido en Poemas humanos. / Because the poetry of César Vallejo incorporates strategies poetic expression in which it moves away from the “ideal monolingual writing” and involves different levels of the Andean Castilian speech, it is a clear sign of a committed work with the multilingual character of the society in which it is inserted. Now, when Vallejo moved to Paris and changed its original Andean setting by French, only some of the early innovations were kept. In that sense, the purpose of this article is to show the ways in which it is evidence the change of Castilian-Quechua literary diglossia by the intervention of French in Vallejo’s poetry from the analysis of the poem untitled included in Poemas humanos.

Busca precisar el significado de los poemas escritos en prisión (I, II, XVIII, XLI, L, LVIII), como determinar la idea de cárcel como un espacio de reclusión de sentido en las composiciones carcelarias y en el discurso poético de Trilce (Tr.) : III, V, IX, XIX, XX, XXII, XXV, XXVIII, XXXII, XXXVI, XLIV, XLVIII, LIII, LIV, LIX, LXXVII. Estudio que nos permitirá comprender el sentido de la poética del encierro en Trilce (1922), el segundo poemario de César Vallejo. Busca probar la siguiente hipótesis: existe en Trilce (1922) una poética del encierro determinada por el uso peculiar de los elementos empleados en su escritura (fonéticos, semánticos, entre otros). Esta forma peculiar del hacer atraviesa todo el poemario y constituye el motivo central de la dificultad de su comprensión. Presenta explicaciones hermenéuticas, análisis lógicos, estudios gramaticales, semánticos y lexicográficos. Además, se presta especial atención al plano simbólico de cada composición y se la entiende como una totalidad. Por tal razón, desde las marcas textuales se explica el sentido de las partes con el fin de alcanzar una comprensión cabal del poema. Con el fin de sustentar la hipótesis en las huellas textuales del poemario, se analiza la construcción del sentido a través de la interpretación detallada de los elementos que intervienen en el mismo, siempre destacando la noción de “encierro”. / Tesis

This dissertation engages a reading of three important themes in the narrative of Fernando Vallejo (1942- ) between 1994 and 2010: religion, politics and language. The dissertation concentrates on five novels: La virgen de los sicarios (1994), El desbarrancadero (2001), La Rambla paralela (2002), Mi hermano el alcalde (2004) y El don de la vida (2010). All three of the themes we explore are thematic trademarks of the former Spanish Empire that soured Vallejo’s arcadian dream of Santa Anita, a Paradise Lost or ideal nation that triggers the grammarian narrator´s desire of Vallejo’s works. Vallejo´s elusive satisfaction of that desire is reflected in the recurring voice of his narrative, a voice that in each novel attempts to destroy the archaic institutions that sustains those three themes. The dissertation consist of three chapters. Chapter I: “La virgen de los sicarios(1994 – 2000): Religion, Moral Panic and Secularization,” studies the impact of this text (both novel and film) in late 20th century Colombia. We study in particular the scandalous moral panic that followed the film version (2000) and thus attracted global recognition for Vallejo´s work. Chapter II: “Ideological Marginality As Political Attitude”, examines Vallejo´s ideological position against Colombia´s traditional value system in three works: La virgen de los sicarios (1994), El desbarrancadero (2001) y Mi hermano el alcalde (2004). Vallejo’s self-conscious narrative cries against the Republican institutional model in order to rethink the Colombian subject in the responsible satisfaction of desire. Both in this chapter and in Chapter III La virgen occupies a central object of our reading, as it marks a new beginning in Vallejo’s narrative. Finally, Chapter III, “Vallejian Poetics” studies his poetics, meaning the main narrative strategies of his novels. We based our reading on two additional works: La rambla paralela (2002) and El don de la vida (2010). In them we can identify how Vallejo’s apparently hybrid self-fictional style connects with the most traditional Latin American themes reflected in its literature, while also distancing itself from it. We conclude that Vallejo´s narrative is a revolutionary linguistic exercise integrating restrained voices within the dominant, narrow-minded lettered culture.

Diss.--Mainz--Johannes Gutenberg Universität, 1996. / Bibliogr. p. 221-239.

Tese submetida ao Programa de Pós-Graduação em Estudos da Tradução da Universidade Federal de Santa Catarina, como parte dos requisitos para obtenção do título de Doutor em Estudos da Tradução. Orientador: Prof. Dr. Walter Carlos Costa / A presente tese se insere na área de tradução de poesia e tem como objetivo principal apresentar a tradução comentada de Trilce de César Vallejo. No primeiro capítulo, é esboçada uma contextualização do autor e de sua obra, examinando sua fortuna crítica. No segundo capítulo, é examinado o percurso das traduções da obra de Vallejo no Brasil. No terceiro capítulo, discuto as ideias de Antoine Berman e Paulo Henriques Britto sobre tradução poética e sua relevância para a minha tradução da poesia de Vallejo. Finalmente, no quarto capítulo, são apresentadas e comentadas minhas traduções dos poemas de Trilce. / This dissertation belongs to the poetry translation area and aims to present the commented translation of Trilce, by César Vallejo. In the first chapter, I contextualize the author and his work, examining his critical reception. In the second chapter I examine the history of Vallejo´s translations in Brazil. In the third chapter, I discuss Antoine Berman and Paul Henriques Britto’ s ideas about poetry translation and its relevance for my translation of Vallejo´s poetry. Finally, in the fourth chapter I present and comment my translation of Trilce´s poems. / Tesis

Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, 2006. / Submitted by Raquel Viana (tempestade_b@hotmail.com) on 2009-11-12T17:42:02Z No. of bitstreams: 1 Lucie Josephe de Lannoy.pdf: 450890 bytes, checksum: 1e7cc99b4354baf1f7b579fd3f16d766 (MD5) / Approved for entry into archive by Marília Freitas(marilia@bce.unb.br) on 2009-12-07T17:40:58Z (GMT) No. of bitstreams: 1 Lucie Josephe de Lannoy.pdf: 450890 bytes, checksum: 1e7cc99b4354baf1f7b579fd3f16d766 (MD5) / Made available in DSpace on 2009-12-07T17:40:58Z (GMT). No. of bitstreams: 1 Lucie Josephe de Lannoy.pdf: 450890 bytes, checksum: 1e7cc99b4354baf1f7b579fd3f16d766 (MD5) Previous issue date: 2006-05 / Este trabalho tem por objetivo abordar o espaço do desamparo em Trilce, uma das obras poéticas do autor peruano César Vallejo, publicada em 1922. A questão do desamparo, nessa obra, é caracterizada por uma carência na linguagem comum e na própria vida do autor, principalmente quando ele esteve preso. Adotou-se como fundamentação teórica a Estética de Hegel, uma vez que ela desenvolve em profundidade conceitos sobre poesia, linguagem e a subjetividade do poeta. Assim, no primeiro capítulo, depois de se compreender a questão conceitual e prática do termo desamparo, aborda-se o desamparo na vida de César Vallejo e os reflexos na obra Trilce, a qual merece uma interpretação. Também são abordadas sua poética e as características da sua linguagem. O capítulo II é dedicado ao estudo da Estética, de Hegel. Compreendendo os conceitos desse autor por meio de reflexões sobre a poética, obtém-se um referencial teórico com o qual se pode abordar mais profundamente a questão do desamparo. No último capítulo, a partir dos elementos colhidos no primeiro e segundo capítulos, analisam-se alguns poemas de Trilce, tendo como fio condutor o desamparo na linguagem, na vida e na constituição da subjetividade do autor. Com um modo próprio de se expressar e sentir, Vallejo nos remete à própria existência humana. E, assim, aprendemos algo a respeito de nós mesmos e de como nos comunicarmos melhor. ________________________________________________________________________________________ ABSTRACT / The purpose of the present thesis is to approach the space of helplessness in Trilce (1922), one of the poetic works of the Peruvian author César Vallejo. In Trilce, the issue of helplessness is marked by a yearning in both the colloquial language and in the poet’s own life, especially when he was in prison. Due to its profound concepts of poetry, language and the author’s subjectivity, Hegel’s Aesthetics was adopted as a theoretical basis. Thus, the first chapter – after the conceptual and practical definition of the term helplessness – approaches the helplessness in César Vallejo’s life and its influence on Trilce, which deserves an interpretation. It also focuses on the author’s poetics and the characteristics of his language. Chapter Two is devoted to the study of Hegel’s Aesthetics. As we reflect upon poetics, we come to understand Vallejo’s concepts as well as obtain theoretical references to approach more profoundly the issue of helplessness. In the final chapter, an analysis of selected poems from Trilce is offered, with the basis on what we have gathered in the first two chapters, grounded on the theme of helplessness in Vallejo’s language, life and in the constitution of the author’s subjectivity. By means of his individual manners of feeling and expression, Vallejo addresses the questions of human existence itself. Thus we may learn something about ourselves as well as how to improve our ways of communicating. __________________________________________________________________________________________ RESÚMEN / Este trabajo tiene por finalidad abordar el espacio del desamparo en algunos poemas de Trilce, una de las obras poéticas del autor peruano César Vallejo, publicada en 1922. El tema del desamparo, en esa obra, se manifiesta a través de carencias en el lenguaje común y en la vida del escritor, sobretodo cuando este estuvo preso. Como fundamentación teórica se adoptó la Estética de Hegel, ya que esta desarrolla profundamente conceptos sobre poesía, lenguaje y subjetividad del poeta. De este modo, en el capítulo I, una vez comprendida etimológicamente la palabra desamparo, se lo aborda en la vida de César Vallejo y en la obra, cuyo título, Trilce, merece una interpretación. Se estudian trazos de la poética del autor y características de su lenguaje. El capítulo II está dedicado al estudio de la Estética, de Hegel. Comprendiendo las reflexiones sobre la poética, se puede contar con un referencial teórico para abordar el tema del desamparo. Así, se llega al tercer y último capítulo, donde, a partir de elementos recogidos en el primer y segundo capítulos, se realiza la lectura de algunos poemas de Trilce, teniendo como hilo conductor el desamparo en el lenguaje, en la vida y en la subjetividad del autor. Con um modo muy personal de expresarse y sentir, Vallejo nos remite a la propia existencia humana. Y así aprendemos algo a respecto de nosotros mismos y de como comunicarnos mejor.