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Visión de la muerte en la prosa de César VallejoMendoza Ripaz, Rosa Luz January 2017 (has links)
Analiza principalmente la prosa vallejiana. Destaca el valor semántico de la muerte y la visión del hombre frente a ella, la cual se revela en el contenido de su prosística. / Tesis
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A Poetics of Globalism: Fernando Vallejo, the Colombian Urban Novel, and the Generation of `72Nicholson, Brantley Garrett January 2011 (has links)
<p>This thesis explores the confluence and clashes between local and global cultural flows in Latin America through the multiple literary movements and tendencies for which the Colombian author, Fernando Vallejo, acts as a unifying agent. My analysis pulls from Decolonial, Aesthetic and World Literary theories, in order to analyze how cosmopolitanism and globalization resonate in contemporary Latin American letters through a survey of three geocultural categories: the Colombian local, the Latin American regional, and the literary global. My analysis of the local tracks the formal evolution of the Colombian Novela de la Violencia into the contemporary Novela Urbana and the parallel political challenge to the conventional Lettered City in Colombia after the Violencia. In terms of the regional, I critique the idea of a positive and universally stabilizing cosmopolitanism through a collective analysis of a generation of Latin American writers that were forced to travel to the cosmopolitan center through exile rather than as an act of freewill, a generation that I refer to in this project as the Generation of '72. And my evaluation of the global considers how a singular World Literary aesthetics and political economy of prestige weights negatively on contemporary Latin American authors. Through a survey of the roughly fifty novels and short stories that fall under the purview of both the Colombian Urban Novel and the Generation of `72, I conclude that aesthetic borders - the places where multiple forms of perception converge- open up spaces and forums of critique of rigid cultural models and century old aesthetic formulae, a tendency that I refer to as a poetics of globalism.</p> / Dissertation
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The catastrophe of modernity : tragedy and the nation in Latin American literature /Dove, Patrick, January 1900 (has links)
Texte remanié de: Thesis Ph. D.--Binghampton, N.Y.--State university of New York. / Bibliogr. p. 286-295. Index.
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THE SOCIAL-POLITICAL ETHIC IN THE PLAYS OF ANTONIO BUERO VALLEJO PRODUCED AND PUBLISHED FROM OCTOBER 1949 TO OCTOBER 1963Atlee, Alfred Francis, 1932- January 1967 (has links)
No description available.
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REPRESENTACIÓN DE LA VIOLENCIA EN LA NOVELA DEL NARCOTRÁFICO Y EL CINE COLOMBIANO CONTEMPORÁNEOOspina, Claudia 01 January 2010 (has links)
This dissertation analyzes the representation of violence in Colombian novels and films from the last two decades of the XX century. Aided by current theories of violence and representation on the one hand, and an interdisciplinary methodology that analyses the phenomenon of the violence of drug trafficking from different perspectives on the other, my analysis examines the challenges and limits of literary and cinematic representation as it grapples with the extreme realities of life in Colombia’s major cities. The central body of my thesis focuses on three novels and two films, selected for the marked differences that inform their generic form, their style and their approach to representation as testimony. By focusing on the differences in these works, I further examine how different genres and subgenres help reveal, distort, or obscure the extreme realities these novels and films strive to portray.
Chapter two provides the historical and theoretical context for violence and drug traffic in Colombia. Chapter three studies the different narrative strategies used in the literary works that fall under the so-called drug traffic genre. Chapter four analyses the role of the intellectual narrator on La virgen de los sicarios who presents himself as the new authority, called to restore the lost order left by drug trafficker terrorists and their sicarios. Chapter five studies the impact of drug trafficking in the aristocratic world. On Delirio, the apparent madness of the protagonist unmasks the obscure world of high society, a world lead by corruption, complicities, and lies to maintain their economic status. Chapter six analyses Comandante Paraíso and the role of the main character as the new drug lord, who has built an empire based on a network of power, money, and loyalty to maintain order. Chapter seven compares La virgen de los sicarios and Rosario Tijeras and their adaptations to film.
The literary works and films analyzed have nourished on the complex reality of extreme violence lived under the drug trafficking era. They explore how this violence has roots in political, economic, and social problems, and the importance of finding a viable solution for this national issue.
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Modern tragedy in the absence of God an analysis of Unamuno and Buero Vallejo /Heil, Katrina Marie, January 1900 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2006. / Vita. Includes bibliographical references.
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Narrativas contaminadas tres novelas Latinoamericanas el tungsteno, parque industrial y cubagua /Bruzual, Alejandro. January 2006 (has links) (PDF)
Thesis (Ph. D.)--University of Pittsburgh, 2006. / Title from electronic submission form. Includes bibliographical references.
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Discursividades de la autoficción y topografías narrativas del sujeto posnacional en la obra de Fernando VallejoVillena Garrido, Francisco. January 2005 (has links)
Thesis (Ph. D.)--Ohio State University, 2005. / Available online via OhioLINK's ETD Center; full text release delayed at author's request until 2009 May 31
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La mirada de un hombre invisible acerca de una realidad deshilvanada: La vírgen de los sicarios de Fernando VallejosAlfaro Olmos, Macarena January 2010 (has links)
El objeto de esta investigación es La virgen de los sicarios, novela colombiana
de Fernando Vallejo es publicada el año 1994, la que se enmarca en un convulsionado
contexto político social y en un contexto literario prolífico.
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Enmarcaciones. Una propuesta teórica en torno a los bordes de la escritura y la violencia en El desbarrancaderoSayeg Espinoza, Alejandro January 2009 (has links)
Al querer abordar la novela El desbarrancadero del escritor colombiano Fernando Vallejo desde un concepto que, en primer lugar, quiere reconocerse de la manera más simple y para todos identificable, a saber, el ‘marco’ (tal como se nos aparece en cuadros, pinturas, espejos, ventanas, puertas, etc.), toda mi intención la agoto en exhibir una estructura de la obra que bordea y hace borde, pero que, por el mismo motivo, y todo lo que deseo es llegar a demostrar precisamente eso, define la obra al indicarla, señalarla y separarla.
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