Submitted by PPG Letras (letraspg@pucrs.br) on 2018-05-02T18:39:27Z No. of bitstreams: 1 Disserta??o_Michel M. Flores_Definitiva.pdf: 1308030 bytes, checksum: f7501df370aa6b8e51b35b076642bef5 (MD5) / Approved for entry into archive by Sheila Dias (sheila.dias@pucrs.br) on 2018-05-11T14:47:53Z (GMT) No. of bitstreams: 1 Disserta??o_Michel M. Flores_Definitiva.pdf: 1308030 bytes, checksum: f7501df370aa6b8e51b35b076642bef5 (MD5) / Made available in DSpace on 2018-05-11T15:02:45Z (GMT). No. of bitstreams: 1 Disserta??o_Michel M. Flores_Definitiva.pdf: 1308030 bytes, checksum: f7501df370aa6b8e51b35b076642bef5 (MD5) Previous issue date: 2018-02-28 / Conselho Nacional de Pesquisa e Desenvolvimento Cient?fico e Tecnol?gico - CNPq / This dissertation proposes a reading about Opisanie ?wiata, a book by the Brazilian writer Veronica Stigger, using theories of art and literature. In its first part, I deal with the displacement of words and images from other forms and sources into the interior of a fictional narrative. In this part, the displacement is seen as an operation of artistic and literary creation, capable of overcoming these and other barriers. For this, I use texts of the author herself and critics that elucidate this gesture in the works of Marcel Duchamp, Kurt Schwitters and Veronica Stigger. Then, in the second part of this work, I turn to a story from the narrative, derived from the thought of Walter Benjamin, to think of it from the various forms of narration that are experimented by Stigger in her prose. In this way, it worthy nothing that all the displacements observed in this narrative and the different forms of narration experienced by the writer are seen, in the company of works by other narrators, as pieces assembled in a collage. Finally, the last chapter presents a conversation with the author in which I look for information that deals with her work as a whole and that corroborates the discussion presented in the previous chapters. / Esta disserta??o prop?e uma leitura acerca de Opisanie ?wiata, livro da escritora brasileira Veronica Stigger, recorrendo a teorias da arte e da literatura. Em sua primeira parte, trato do deslocamento de palavras e imagens oriundas de outras formas e fontes para o interior de uma narrativa ficcional. Nessa parte, o deslocamento ? visto como uma opera??o de cria??o art?stica e liter?ria, capaz de ultrapassar essas e outras barreiras. Para isso, me valho de textos da pr?pria autora e de cr?ticos que elucidam esse gesto nas obras de Marcel Duchamp, Kurt Schwitters e Veronica Stigger. Ap?s, na segunda parte deste trabalho, recorro a uma hist?ria da narrativa, oriunda do pensamento de Walter Benjamin, para pens?-la a partir das diversas formas de narrar que s?o experimentadas por Stigger em sua prosa. Dessa forma, ? poss?vel notar que todos os deslocamentos observados nessa narrativa e as diferentes formas de narrar experimentadas pela escritora s?o vistas, na companhia de obras de outros narradores, como cacos reunidos em uma colagem. Por fim, o ?ltimo cap?tulo apresenta uma conversa com a autora na qual busco informa??es que tratem do trabalho dela como um todo e que corroborem para a discuss?o apresentada nos cap?tulos anteriores.